Paul Kendall | |
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| Background information | |
| Birth name | Paul Kendall |
| Also known as | PK, Piquet |
| Born | 18 November 1954 |
| Genres | Electronic, electroacoustic, avant-garde |
| Occupation(s) | Sound engineer, composer, mixer, record producer |
| Labels |
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Paul Kendall is a composer, producer and visual artist, primarily known as a sound engineer, mixer, mainly through his extensive career at Mute Records and his collaborations with Alan Wilder of Recoil.
Kendall was born in 1954. In 1973 he went to York University to study maths, dropping out after nine months. While at university he began experimenting with the VCS3 synth and tape manipulation. On his return to London he worked in Barclays Bank for nine and a half years, which allowed him to continue working on music. He set up a small demo recording studio in Covent Garden with two friends, which gave him first hand experience of recording techniques.
When his mother died in 1984, he left Barclays and built a 16-track studio in his home. During this period his first wife had become a member of Fad Gadget, through which he met Daniel Miller, head of Mute Records, and began working for Miller in his newly established Worldwide International studio, [1] the beginning of a long collaboration with many Mute artists including Renegade Soundwave, I Start Counting, Barry Adamson, Miranda Sex Garden, Nitzer Ebb, Wire, Depeche Mode, and eventually Recoil.
Around Christmas 1990, Kendall started using an Apple Mac computer and Sound Designer software from Digidesign, which gave him more possibilities for ordering and controlling sound. He set up The Parallel Series, a sub-label of Mute. [2] The four Parallel Series releases were Void In by Andrei Samsonov, Orr by Gilbert Hampson Kendall, [3] (with Bruce Gilbert and Robert Hampson), The Faulty Caress by Piquet, [4] and Displaced Links by Kendall Turner Overdrive (with Simon Fisher Turner). In 2003, another Parallel series was released through French label Ici, d'ailleurs... and their electronic division 0101, Capture by The Digital Intervention (with Olivia Louvel). [5]
Kendall returned to England in 2007 after five years in Paris. This coincided with the release of Recoil's subHuman, and Kendall worked closely with Alan Wilder in the preparation of Selected, leading to his first experience of touring. "A Strange Hour" with Alan and Paul was presented throughout Europe, Russia, North, Central, and South America between February 2010 and November 2011.
Depeche Mode are an English electronic music band formed in Basildon in 1980. Originally formed by the lineup of Dave Gahan, Martin Gore, Andy Fletcher and Vince Clarke, the band currently consists of Gahan and Gore.
Paul Brandon Gilbert is an American hard rock and heavy metal guitarist. He is the co-founder of the band Mr. Big, and was also a member of Racer X, with whom he released several albums. In 1996, Gilbert launched a solo career, for which he has released numerous solo albums, and featured in numerous collaborations and guest appearances on other musicians' albums.
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Fever Ray, Nick Cave and the Bad Seeds, Yazoo, and M83.
Construction Time Again is the third studio album by English electronic music band Depeche Mode, released on 22 August 1983 by Mute Records. It was the band's first album to feature Alan Wilder as a member, who wrote the songs "Two Minute Warning" and "The Landscape Is Changing". The album's title comes from the second line of the first verse of the track "Pipeline". It was recorded at John Foxx's Garden Studios in London, and was supported by the Construction Time Again Tour.
Andrew John Fletcher, also known as Fletch, was an English keyboard player and founding member of the electronic band Depeche Mode. In 2020, he and the band were inducted into the Rock and Roll Hall of Fame.
Alan Charles Wilder is an English musician, composer, arranger, record producer and former member of the electronic band Depeche Mode from 1982 to 1995. Since his departure from the band, the musical project called Recoil became his primary musical enterprise, which initially started as a side project to Depeche Mode in 1986. Wilder has also provided production and remixing services to the bands Nitzer Ebb and Curve. Alan Wilder was inducted into the Rock and Roll Hall of Fame in 2020 as a member of Depeche Mode. He is a classically trained musician.
Manscape is the seventh studio album by the British post-punk group Wire, released in May 1990 by Mute Records. It was produced by David M. Allen, mostly recorded and mixed at RAK Studios, engineered by Roy Spong, and published by Dying Art Ltd.
Recoil is a musical project created by English musician and former Depeche Mode member Alan Wilder. Essentially a solo venture, Recoil began whilst Wilder was still in Depeche Mode as an outlet for his experimental, less pop-oriented compositions. Once he announced his departure from the group in 1995, Recoil became Wilder's primary musical enterprise.
Bruce Clifford Gilbert is an English musician. One of the founding members of the influential and experimental art punk band Wire, he branched out into electronic music, performance art, music production, and DJing during the band's extended periods of inactivity. He left Wire in 2004, and has since been focusing on solo work and collaborations with visual artists and fellow experimental musicians.
The First Letter is the ninth studio album and the last album released by Wire before their second extended hiatus. It was released in October 1991 by Mute Records. It was one of only three releases credited to "Wir", the others being the "So and Slow It Grows" single, and a limited edition two-song EP entitled Vien. The band changed their name to "Wir" after drummer Robert Gotobed's departure; he quit the band because the musical direction increasingly relied on drum machines and loops. Other than an Erasure remix in 1995, the band would not reform until 1999, and not release any new material until 2002's Read & Burn 01 and Read & Burn 02 EPs and 2003's subsequent Send album. The First Letter produced the single "So and Slow It Grows."
Document and Eyewitness is the first live album by the post-punk band Wire, released in July 1981 by Rough Trade Records. It marked the end of the first period of Wire's activity (1977–1980) and the end of their association with EMI. Recorded in February 1980 at the Electric Ballroom in London – at the final gig of Wire's first period – the original release came with a 45 rpm 12" EP that featured recordings from a July 1979 show at the Notre Dame Hall in London, along with one track from a March 1979 gig at Le Pavillon in Montreux, Switzerland.
Unsound Methods is the fourth studio album by Recoil, released in 1997. It was recorded at Alan Wilder's home studio, The Thin Line, in Sussex, during sessions that lasted from September 1996 to March 1997. The album was produced by Alan Wilder, with assistance and coordination by Hepzibah Sessa, and additional production and engineering by Steve Lyon. The album was mixed by Wilder.
Liquid is the fifth studio album by the British musical project Recoil, released by Mute Records on March 21, 2000. It was recorded at Alan Wilder's home studio, The Thin Line, in Sussex, during sessions that lasted from July 1998 to June 1999. The album was produced by Alan Wilder, with production assistance and co-ordination by Hepzibah Sessa, and additional production and sound design by PK. Liquid is Recoil's fifth album release.
1 + 2 is the debut album by Recoil, released in August 1986. The CD and cassette version were released two years later with Recoil's second release, Hydrology.
SubHuman is the sixth studio album by Recoil. Alan Wilder stated in a September 2006 YouTube greeting that there would be a new album coming in spring or early summer 2007. On 23 April 2007, he released information regarding the album via Myspace and his official website, Shunt. subHuman was released on 9 July 2007 in Europe. It has been released on various formats including standard CD, gatefold vinyl and a special CD/DVD edition which includes stereo, 5.1 surround and exclusive "ambient" mixes. The DVD included all the music videos made at the time of release.
Daniel Otto Joachim Miller is an English music producer and founder of Mute Records.
The Drill is the eighth studio album by the British post-punk group Wire, released in April 1991 by Mute Records. The album comprises rerecorded and remixed versions of the same song, "Drill", with some versions featuring new lyrics. It is officially listed as an EP rather than an album despite its length of almost one hour.
Polly Scattergood is an English singer and songwriter. She has been described as ethereal, dark, intense and quirky, while her musical style has been described as "early 21st century electro-dance-pop of London proper". Scattergood's debut album, self-titled, was released in spring 2009 in the United Kingdom and United States. It received mixed but generally positive reviews. Arrows was Scattergood's second studio album, it was produced by Ken Thomas and Jolyon Thomas and released in Autumn 2013. Arrows received positive reviews in the media with The Independent, Rolling Stone and Mojo each awarding it four stars.
Olivia Louvel is a French-born British sound artist whose work draws on voice, computer music and digital narrative. The Sculptor Speaks, a resounding of a 1961 tape of Barbara Hepworth's voice, was nominated for an Ivor Novello Award in the Sound Art category at the Ivors Composer Awards 2020. She was interviewed by Stuart Maconie on his BBC Radio 6 programme Freak Zone about her "compelling sculpture-inspired work" on Barbara Hepworth. The "composer, researcher, and sound artist" often operates at the intersection of creation and documentation.
The Digital Intervention is an experimental electronic duo formed by British electro-acoustic composer, sound engineer, former Mute artist Paul Kendall and French-born British composer, vocalist Olivia Louvel. They began to work together in 2002 whilst in Paris. Their first collaborative track was 'La Louve'.
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