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Gerard Manley Hopkins was an English poet and Jesuit priest, whose posthumous fame placed him among leading Victorian poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature. Only after his death did Robert Bridges publish a few of Hopkins's mature poems in anthologies, hoping to prepare for wider acceptance of his style. By 1930 Hopkins's work was seen as one of the most original literary advances of his century. It intrigued such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis.
Harold Hart Crane was an American poet. Provoked and inspired by T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike, as being one of the most influential poets of his generation.
Paterson is an epic poem by American poet William Carlos Williams published, in five volumes, from 1946 to 1958. The origin of the poem was an eighty-five line long poem written in 1926, after Williams had read and been influenced by James Joyce's novel Ulysses. As he continued writing lyric poetry, Williams spent increasing amounts of time on Paterson, honing his approach to it both in terms of style and structure. While The Cantos of Ezra Pound and The Bridge by Hart Crane could be considered partial models, Williams was intent on a documentary method that differed from both these works, one that would mirror "the resemblance between the mind of modern man and the city."
The Faber Book of Modern Verse was a poetry anthology, edited in its first edition by Michael Roberts, and published in 1936 by Faber and Faber. There was a second edition (1951) edited by Anne Ridler, and a third edition (1965) edited by Donald Hall. The selection was of poems in English printed after 1910, which meant that work by Gerard Manley Hopkins could be included. A later edition was edited by Peter Porter.
John Allyn McAlpin Berryman was an American poet and scholar. He was a major figure in American poetry in the second half of the 20th century and is considered a key figure in the "confessional" school of poetry. His best-known work is The Dream Songs.
The curtal sonnet is a form invented by Gerard Manley Hopkins, and used in three of his poems.
Stanley Plumly was an American poet and the director of University of Maryland, College Park's creative writing program.
C. Dale Young is an American poet and writer, physician, editor and educator of Asian and Latino descent.
B.H. Fairchild is an American poet and former college professor. His most recent book is An Ordinary Life, and his poems have appeared in literary journals and magazines including The New Yorker, The Paris Review, The Southern Review, Poetry, TriQuarterly, The Hudson Review, Salmagundi, The Sewanee Review. His third poetry collection, The Art of the Lathe, winner of the 1997 Beatrice Hawley Award, brought Fairchild's work to national prominence, garnering him a large number of awards and fellowships including the William Carlos Williams Award, Kingsley Tufts Poetry Award, California Book Award, Natalie Ornish Poetry Award, PEN Center USA West Poetry Award, National Book Award (finalist), Capricorn Poetry Award, and Rockefeller and Guggenheim fellowships. The book ultimately gave him international prominence, as The Waywiser Press in England published the U.K. edition of the book. The Los Angeles Times wrote that "The Art of the Lathe by B.H. Fairchild has become a contemporary classic—a passionate example of the plain style, so finely crafted and perfectly pitched...workhorse narratives suffused with tenderness and elegiac music."
Nationality words link to articles with information on the nation's poetry or literature.
David Wojahn is a contemporary American poet who teaches poetry in the Department of English at Virginia Commonwealth University, and in the low residency MFA in Writing program at the Vermont College of Fine Arts. He has been the director of Virginia Commonwealth University's Creative Writing Program.
"The Broken Tower" is the last poem meant to be published by poet Hart Crane in 1932. In keeping with the varieties and difficulties of Crane criticism, the poem has been interpreted widely—as death ode, life ode, process poem, visionary poem, poem on failed vision—but its biographical impetus out of Crane's first heterosexual affair is generally undisputed. Written early in the year, the poem was rejected by Poetry, and only appeared in print after Crane's famous suicide by water.
A Little Treasury of Modern Poetry: English and American is an anthology of poetry, edited by Oscar Williams, which was published by Scribner's, New York, in 1946, and Routledge and Kegan Paul, London, in 1947. Another edition, enlarged and rearranged, was published in 1952.
Adam Kirsch is an American poet and literary critic. He is on the seminar faculty of Columbia University's Center for American Studies, and has taught at YIVO.
Michael Robert Collier is an American poet, teacher, creative writing program administrator and editor. He has published five books of original poetry, a translation of Euripides' Medea, a book of prose pieces about poetry, and has edited three anthologies of poetry. From 2001 to 2004 he was the Poet Laureate of Maryland. As of 2011, he is the director of the Bread Loaf Writers' Conference, a professor of creative writing at the University of Maryland, College Park and the poetry editorial consultant for Houghton Mifflin.
Baron Wormser is an American poet.
The Dream Songs is a compilation of two books of poetry, 77 Dream Songs (1964) and His Toy, His Dream, His Rest (1968), by the American poet John Berryman. According to Berryman's "Note" to The Dream Songs, "This volume combines 77 Dream Songs and His Toy, His Dream, His Rest, comprising Books I through VII of a poem whose working title, since 1955, has been The Dream Songs." In total, the work consists of 385 individual poems.
Inscape and instress are complementary and enigmatic concepts about individuality and uniqueness derived by the poet Gerard Manley Hopkins from the ideas of the medieval philosopher Duns Scotus. Inscape has been rendered variously as: external design, aesthetic conception, intrinsic beauty, the intrinsic form of a thing, a form perceived in nature, the individual self, the expression of the inner core of individuality, the peculiar inner nature of things and persons, expressed in form and gesture, and an essence or identity embodied in a thing. These twin concepts are what his most famous poems are about.
[Hopkins] felt that everything in the universe was characterized by what he called inscape, the distinctive design that constitutes individual identity. This identity is not static but dynamic. Each being in the universe 'selves,' that is, enacts its identity. And the human being, the most highly selved, the most individually distinctive being in the universe, recognizes the inscape of other beings in an act that Hopkins calls instress, the apprehension of an object in an intense thrust of energy toward it that enables one to realize specific distinctiveness. Ultimately, the instress of inscape leads one to Christ, for the individual identity of any object is the stamp of divine creation on it.
Gary Jackson is an American educator and poet. He had received a Cave Canem and Bread Loaf fellowship and was awarded the Cave Canem Poetry Prize in 2009.
Desmond Egan is an Irish poet. He has published 24 Collections of poetry and published translations of Sophocles' Philoctetes and Euripides' Medea. His own work has been translated into Albanian, Bulgarian, Croatian, Czech, Dutch, French, German, Greek, Hungarian, Italian, Japanese, Polish, Swedish, Chinese, Spanish, Slovenian and Russian. He founded The Goldsmith Press (1972), edited the quarterly magazine for the arts Era (1974-1984), and starting in 1987 he has served as artistic director of the Gerard Manley Hopkins International Festival each July in Kildare, Ireland.
