Paul Whitehead is a British painter and graphic artist known for his surrealistic album covers for artists on the Charisma Records label in the 1970s, such as Genesis and Van der Graaf Generator.
Paul Whitehead is a British painter and graphic artist known for his surrealistic album covers for artists on the Charisma Records label in the 1970s, such as Genesis and Van der Graaf Generator.
An art show in London in the mid-sixties led to Whitehead being picked up as an in-house artist for the London office of Jazz record label Liberty Records. Previously, he had been studying at the University of Oxford on an art scholarship. [1] The first record cover he designed was for a repackaged Fats Domino album. This was followed by a series of work for other reissues for the UK market. In 1968, Whitehead became the original art director for Time Out in London magazine, which led him to further commissions for album covers.
After a meeting with producer John Anthony, Whitehead was introduced to Tony Stratton Smith, the founder of Charisma Records. [1] Smith introduced Whitehead to Genesis, and he was hired to do the cover to their 1970 album, Trespass . Charisma Records allowed Whitehead complete creative control over his work. Fruitful work in collaboration with Genesis, Van der Graaf Generator, Lindisfarne, and Peter Hammill followed at Charisma. Additionally, Whitehead is also credited as a performer on the Peter Hammill albums Fool's Mate (drums) and In Camera (percussion).
In 1973, Whitehead moved to Los Angeles, where he continued to work on album covers as a freelancer. He is still most associated with progressive rock, and designed the 2000 logo for NEARfest.
As a founder of the Eyes and Ears Foundation, he conceived of and organised the "Drive Though Art Gallery" Artboard Festival in February 1977, where artists painted on donated billboards. [2] He has also created murals and designed corporate logos. Whitehead was in the Guinness Book of World Records for the largest indoor mural, which he painted at the Vegas World casino (since demolished and replaced by the Stratosphere casino) in Las Vegas. [3]
Peter Joseph Andrew Hammill is an English musician and recording artist. He was a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer-songwriter, he also plays guitar and piano and produces his own recordings and occasionally those of other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.
Charisma Records was a British record label founded in 1969 by former journalist Tony Stratton Smith. He had previously acted as manager for rock bands such as The Nice, the Bonzo Dog Band and Van der Graaf Generator. Gail Colson was label manager and joint managing director.
Guy Randolph Evans is an English drummer and percussionist. He is best known as a member of the progressive rock band Van der Graaf Generator, appearing on each of their studio albums. He is also a member of Echo City and Subterraneans.
Godbluff is the fifth album released by English progressive rock band Van der Graaf Generator. It was the first album after the band reformed in 1975 and was recorded after a European tour.
Pawn Hearts is the fourth album by English progressive rock band Van der Graaf Generator, released in October 1971 on Charisma Records. The original album features just three tracks, including the side-long suite "A Plague of Lighthouse Keepers". The album was not commercially successful in the UK, but reached number one in Italy. It has since seen retrospective critical praise and was reissued on CD in 2005 with extra material.
H to He, Who Am the Only One is the third album by the British progressive rock band Van der Graaf Generator. It was released in 1970 on Charisma Records.
The Least We Can Do Is Wave to Each Other is the second album by the British progressive rock band Van der Graaf Generator, released in February 1970 on Charisma Records. It was the group's first album to be released in the UK and the only one to chart in the top 50 in that country.
Tony Stratton Smith was an English rock music manager, and entrepreneur. He founded the London-based record label Charisma Records in 1969 and managed rock groups such as the Nice, Van der Graaf Generator and Genesis.
The Quiet Zone/The Pleasure Dome is the eighth album by British progressive rock band Van der Graaf Generator. Released in 1977, it was their last studio album before their 2005 reunion. The album features a more energetic, new wave sound than its three immediate predecessors, anticipating singer and songwriter Peter Hammill's late 1970s solo work.
Vital: Van der Graaf Live is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome (1977), and featured the same line-up plus newcomer cellist/keyboardist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
Over is the sixth studio album by the English singer and songwriter Peter Hammill, released on Charisma Records in April 1977. It was issued for the first time on CD on Virgin Records in the early 1990s, and was reissued again in a remastered version in 2006 with bonus tracks.
World Record is the seventh studio album by the British progressive rock group Van der Graaf Generator, originally released in 1976 on Charisma Records. Bonus tracks were added for the 2005 rerelease.
Chameleon in the Shadow of the Night is the second solo album by British singer-songwriter Peter Hammill. It followed in the aftermath of the breakup of Hammill's band Van der Graaf Generator, and other ex-members of Van der Graaf Generator perform on the album.
Fool's Mate is the debut solo album by Peter Hammill of progressive rock band Van der Graaf Generator. The title is both a chess and tarot reference. It was produced by Trident Studios' in-house producer John Anthony. The album was recorded in 1971, in the midst of one of Van der Graaf Generator's most prolific periods. Hammill used the album to record a backlog of songs which were much shorter and simpler than his Van der Graaf Generator material, and declared on the original album sleeve: "This isn't intended to be any kind of statement of my present musical position, but at the same time, it is an album which involves a great deal of me, the person, basically a return to the roots."
Nadir's Big Chance is the fifth solo album by Peter Hammill, released on Charisma Records in 1975.
Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and are still musically active with a line-up of Hammill, organist Hugh Banton and drummer Guy Evans.
Repeat Performance were a series of budget compilation albums issued by Charisma Records in 1980. The first of the series was a various artists compilation, subsequent albums showcased an artist on the label. BG004, claimed to be a compilation of Genesis, was unissued.
Nic Potter was a British bassist, composer and painter, best known for his work with the group Van der Graaf Generator in the 1970s.
John Anthony is an English music producer. He has worked with Van der Graaf Generator, Genesis, Queen, Roxy Music and Peter Hammill.
Maida Vale: The BBC Radio One Sessions is a compilation album by Van der Graaf Generator, containing eight songs from four different recording sessions at Maida Vale Studios for BBC Radio 1 in 1971, 1975 and 1976, three of which were Peel Sessions. It was released in June 1994 on Band of Joy Records.
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