|Studio album by|
|Released||12 November 1971|
|Studio||Trident Studios, London|
|Singles from Nursery Cryme|
Nursery Cryme is the third studio album by the English rock band Genesis, released in November 1971 on Charisma Records. It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. The album received a mixed response from critics and was not initially a commercial success; it did not enter the UK chart until 1974, when it reached its peak at No. 39. However, the album was successful in Continental Europe, particularly Italy. At approximately 39 minutes long, it is the shortest studio album by the band to date.
Following extensive touring in support of their previous album Trespass (1970), which included the recruitment of Collins and Hackett, the band began writing and rehearsing for a follow-up in Luxford House, East Sussex, with recording following at Trident Studios. Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, "The Musical Box" combined the band's trademark mix of twelve-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favourite. Collins brought a new dimension to the group, covering the majority of the backing vocals (including his first lead vocal with Genesis on "For Absent Friends") and bringing in a sense of humour on tracks like "Harold The Barrel". Banks made more prominent use of the Mellotron at Hackett's suggestion and used it prominently on several tracks.
The band toured the UK and Europe for one year to promote the album, which raised their profile in both territories. The tour included a successful Italian leg in April 1972, where the group played to enthusiastic crowds. Nursery Cryme was certified Silver by the British Phonographic Industry in 2013.
Genesis recorded their first album as a professional outfit, Trespass in June 1970, but immediately afterwards, founding member and guitarist Anthony Phillips quit owing to increased stress and unhappiness in touring.The other founders, singer Peter Gabriel, keyboardist Tony Banks and bassist/guitarist Mike Rutherford almost split up the group, but decided to carry on and replace drummer John Mayhew with someone who was of equal stature to the others and who could write.
Phil Collins joined as the new drummer in August, also becoming an important backing vocalist, but they were unable to find a suitable replacement for Phillips. This led to the group completing the first half of their 1970–1971 tour as a four-piece with Rutherford playing rhythm guitar and bass pedals and Banks playing lead guitar lines on a Pianet through a distorted fuzz box amplifier in addition to his own keyboard parts. Banks credited this to improving his technique as it required him to play two keyboards simultaneously.The group felt that Collins was the best drummer they had worked with at that point, and his playing style and musical tastes gave a new dimension to their sound. Some songs were not practical to play live as a four-piece, so they decided to look again for a lead guitarist. In November 1970, Mick Barnard joined the group on recommendation from Friars Aylesbury's David Stopps, and "The Musical Box" was added to the live set. However, the rest of the group quickly realised that Barnard was not up to the same standard as the others, and they kept a look out for a better player.
Genesis recruited Steve Hackett after Gabriel spotted an advert he placed in Melody Maker in December 1970, which read "Imaginative guitarist/writer seeks involvement with receptive musicians, determined to drive beyond existing stagnant music forms". He saw Genesis play a concert at the Lyceum Theatre, London on 28 December, and was told by Gabriel that Barnard would have to be replaced.Hackett quickly developed a rapport with Rutherford, sharing their love of twelve-string guitars and new musical ideas, and joined the band in early 1971.
With the addition of Hackett, Genesis continued touring which included the "Six Bob Tour" with their Charisma Records labelmates Lindisfarne and Van der Graaf Generator,their first overseas shows which occurred in Belgium and the first of three appearances at the annual Reading Festival. Early attempts to work on material for their next studio album in what Hackett described as "the odd day in a windy church hall" while on tour were unproductive, causing the group to dedicate time. In July, they began a three-month break from touring to write and record which was Hackett's first experience of rehearsing with a group to a professional standard.
The five moved to Charisma owner Tony Stratton-Smith's residence, Luxford House, a 16th-century Grade II listed building in Crowborough, East Sussex.The group nicknamed the house "Toad Hall". The group was apprehensive about writing without Phillips, and both Collins and Hackett were unsure of what level of musical contributions they would be able to make. Hackett was keen to explore new sounds and musical ideas, and suggested the group buy a Mellotron, which Banks used as his main instrument, along with the Hammond organ, instead of the piano. Some material had been written when Phillips and Mayhew were still in the band, and were reworked by the new members. Collins was a particular workaholic and was happy to jam with anyone at any time.
With the new material worked out, Genesis recorded Nursery Cryme at Trident Studios in London in August 1971 with John Anthony as their producer and David Hentschel their assistant engineer who, like Anthony, had worked the same role on Trespass.The album features Hackett playing a Les Paul guitar which the band had bought him along with a Hiwatt stack amplifier. He recalled some difficulty in understanding what Banks and Rutherford were talking about as the two had devised their own sayings, for instance a passage that they had played was referred to as a "nice guy".
"The Musical Box" was a lengthy piece that described a macabre story placed in Victorian Britain. A young boy, Henry, is accidentally decapitated by his friend Cynthia while playing croquet. Returning to the house, Cynthia plays Henry's old musical box, which unleashes the spirit of Henry as an old man. Henry has become sexually frustrated and attempts to seduce Cynthia. The nurse enters the room, hurls the musical box at the wall, destroying both it and Henry.
The song originated when Phillips was in the group and would often write with Rutherford on 12-string acoustic guitars. The latter had begun to experiment with unorthodox guitar tunings and had the top three strings tuned into F sharp which provided the jangly sound heard in the opening and the chord that signalled the start of the electric guitar solo.The tuning influenced the title of an acoustic piece, "F#" (pronounced "F sharp") that became the basis of "The Musical Box", which was developed further after Phillips's departure. The opening section of the song features both Rutherford and Banks on twelve-string.
The guitar solos originated from Barnard's brief tenure in Genesis.Hackett modified sections that Phillips and Barnard had written while adding his own arrangements to the song. He realised that neither member had made a sound that resembled an actual musical box, so he took the opportunity to record a guitar lick that is heard before the lyric "Here it comes again". Gabriel, a big fan of The Who at the time, pushed for Rutherford to come up with a "ballsy, attacking" section in a similar style to their guitarist Pete Townshend. Gabriel incorporated themes of violence and sex into the lyrics. Collins was inspired to play a rolling drum part during the middle section from hearing "The Weaver's Answer" by Family, and put it to the rhythm. "All of a sudden", speaking about "The Musical Box" at this point, "It's 'wahey we're off!'".
The song became a live favourite during Gabriel's tenure with the band. He first decided on the idea of wearing costumes at a gig in the National Stadium, Dublin in September 1972, leaving during the instrumental break and re-appearing at the conclusion wearing his wife's red dress and a fox's head.Later, he would wear an "old man" mask for the song's ending, acting out the part of the aged Henry.
"For Absent Friends" is an acoustic song that marked Hackett's first significant writing contribution for the group, and the first Genesis song with Collins on lead vocals.After coming up with the music himself and the lyrics with Collins, Hackett recalled being shy when he presented it to Gabriel as they were the new members of the group.
"The Return of the Giant Hogweed" warns of the spread of the toxic plant Heracleum mantegazzianum after it was "captured" in Russia and brought to England by a Victorian explorer. Though the real plant is extremely toxic and dangerous, the song's lyrics are a humorous exaggeration, suggesting the plant is attempting to take over the human race.Both "The Musical Box" and "The Return of the Giant Hogweed" feature Hackett's first use of guitar tapping, a technique whereby the index finger of the plucking hand is applied directly to the guitar fret board. The opening to the latter features Hackett and Banks playing triplets in harmony.
"Seven Stones" was conceived by Banks who used what Rutherford described as "his big, schmaltzy, music hall chords [that] he loved."Melody Maker reporter Chris Welch described the song as "strangely mournful and inconclusive." He theorised that the old man addressed in the lyric is expressing his "profound belief that the secret of success and good fortune is based purely on random events and chance."
"Harold the Barrel" showed a humorous side to Genesis, which was encouraged by Collins. The lyrics show black humour of a man contemplating suicide by jumping off a building, with wordplay influenced by John Lennon's In His Own Write .The track was recorded with Gabriel and Collins singing the song as a duet. Their vocals were mixed onto the same audio track so they cannot be separated.
"Harlequin" was written by Rutherford. He played two separate guitar parts on a single 12-string which he thought produced "pretty dodgy" results, and was also critical of his lyrics.
"The Fountain of Salmacis" tells the Greek myth of Salmacis and Hermaphroditus. It originated from a short rundown passage that Banks had come up with while at university. The track makes use of the Mellotron, with an influence from King Crimson's In the Court of the Crimson King . Banks thought the instrument greatly complemented his piece when combined with the organ. It became the basis for "The Fountain of Salmacis" which was taken further to a complete song as the result of group jams.Hackett particularly enjoyed the time he came up with his ending guitar solo, which occurred around midnight at Luxford House during a rare moment when the group were up for recording.
The album's sleeve was designed and illustrated by Paul Whitehead who had also designed the cover for Trespass and the band's next album, Foxtrot .The cover depicts characters and scenes based on "The Musical Box" and Coxhill, the manor house with a croquet lawn, itself based on the Victorian home Gabriel grew up in. When the group originally saw Whitehead's painting, they said it didn't look old enough, so he varnished it with honey which made it look like it was an antique from the 19th century. When originally released, the cover shocked some people, because of the severed heads pictured on it.
The inner sleeve resembled an old photo album, with a panel for each song along with an illustrated picture.Whitehead later picked his design for Nursery Cryme as his favourite of the three done for Genesis, noting: "It just works very well with the music. It fits perfect. It's the right colour, the right vibe".
Nursery Cryme was released in November 1971.Charisma promoted the album less than Trespass since the company was busy with Lindisfarne's Fog on the Tyne . The group felt discouraged by the general indifference from the record company, and believed songs like "The Musical Box" could have been as popular as "Stairway to Heaven", released at the same time.
The album did not chart in the UK until May 1974, when it peaked at No. 39, and charted there again when reissued in 1984, reaching No. 68. Though the group still had a minor cult following at home, they started to achieve commercial and critical success in mainland Europe, with the album reaching No. 4 on the Italian charts. The album continued to sell, and reached Silver certification by the British Phonographic Industry on 22 July 2013 for sales in excess of 60,000 copies.
From November 1971 to August 1972, Genesis toured to support the album which included further visits to Belgium, and Italy for the first time where they played to enthusiastic crowds.During the tour Genesis recorded "Happy the Man", a non-album single, with "Seven Stones" from Nursery Cryme on its B-side. The group played a thirty-minute set on Belgian television to promote the album, which is the earliest surviving full broadcast of the group and has been repeated numerous times. Gabriel had yet to develop his on-stage costume attire and performed the show in a more straightforward frontman role. It has been one of Genesis' most popular bootlegs.
|Christgau's Record Guide||C–|
|Encyclopedia of Popular Music|
|The Great Rock Discography||8/10|
|The Rolling Stone Album Guide|
Critical response to the album was mixed. Richard Cromelin of Rolling Stone summarised that its "main problem lies not in Genesis' concepts, which are, if nothing else, outrageously imaginative and lovably eccentric, nor with their musical structures—long, involved, multi-movemented frameworks on which they hang their narratives—nor even with their playing, which does get pretty lethargic at points. It's the godawful production, a murky, distant stew that at best bubbles quietly when what is desperately needed are the explosions of drums and guitars, the screaming of the organ, the abrasive rasp of vocal cords." He nonetheless remarked positively on some of the songs, and noted that he saw promise in the band.In a full page advert published in Melody Maker, keyboardist Keith Emerson wrote a positive summary: "This is not the start for Genesis neither is it the end. No bullshit: Their new album really is incredible". Village Voice critic Robert Christgau was less enthusiastic in a review compiled for Christgau's Record Guide: Rock Albums of the Seventies (1981). Writing in sarcastic exclamations, he said of the record: "God's wounds! It's a 'rock' version of the myth of Hermaphroditus! In quotes cos the organist and the (mime-influenced) vocalist have the drummer a little confused! Or maybe it's just the invocation to Old King Cole!"
Retrospective appraisals have been mildly positive. BBC Music praised the two new members of the band as fundamental to Genesis's artistic success, remarking "Collins' snappy drums were augmented by his uncanny ability to sound not unlike Gabriel ... Hackett's armoury of tapping and swell techniques really broadened the palette of the band, giving Tony Banks more room for his Delius-lite organ filigrees, not to mention their newly purchased Mellotron", and gushed that "Genesis had virtually invented their own genre, Edwardian rock". Although Stephen Thomas Erlewine of AllMusic deemed the album highly uneven, he considered "The Musical Box" and "The Return of the Giant Hogweed" to be "genuine masterpieces", and concluded that even if the rest of the album "isn't quite as compelling or quite as structured, it doesn't quite matter because these are the songs that showed what Genesis could do, and they still stand as pinnacles of what the band could achieve". Geddy Lee of Rush included this album among his favourites in a list from an interview with The Quietus .
All songs composed and arranged by Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford.
|1.||"The Musical Box"||10:25|
|2.||"For Absent Friends"||1:48|
|3.||"The Return of the Giant Hogweed"||8:09|
|2.||"Harold the Barrel"||3:01|
|4.||"The Fountain of Salmacis"||8:02|
Credits are adapted from the album's 1971 and 2007 liner notes.
|UK Albums (OCC)||39|
|United Kingdom (BPI)||Silver||60,000^|
^shipments figures based on certification alone
Genesis are an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's most commercially successful and longest-lasting line-up consists of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. Other former members include original lead singer Peter Gabriel and guitarists Anthony Phillips and Steve Hackett. The band moved from folk music to progressive rock in the 1970s before moving towards pop at the end of the decade.
The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 22 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US.
Trespass is the second studio album by the English rock band Genesis. It was released in October 1970 on Charisma Records, and is their last album with guitarist Anthony Phillips and their only one with drummer John Mayhew.
Foxtrot is the fourth studio album by the English progressive rock band Genesis, released in October 1972 on Charisma Records. It features their longest recorded song; the 23-minute epic "Supper's Ready".
Genesis Live is the first live album from the English rock band Genesis, released in July 1973 on Charisma Records. Initially recorded for radio broadcast on the American rock program King Biscuit Flower Hour, the album is formed from the recordings of shows at Free Trade Hall, Manchester and De Montfort Hall, Leicester in February 1973 during the band's tour supporting their fourth studio album Foxtrot (1972).
Selling England by the Pound is the fifth studio album by the English progressive rock band Genesis, released in October 1973 on Charisma Records. It reached No. 3 in the UK and No. 70 in the U.S. A single from the album, "I Know What I Like ", was released in February 1974 and became the band's first top 30 hit in the UK.
Seconds Out is the second live album by English progressive rock band Genesis. It was released as a double album on 14 October 1977 on Charisma Records and was their last to feature guitarist Steve Hackett prior to his departure. The majority was recorded in June 1977 at the Palais des Sports in Paris during the Wind & Wuthering Tour. One track, "The Cinema Show", was recorded the previous year at the Pavillon de Paris during their A Trick of the Tail Tour.
A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released in January 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively.
Wind & Wuthering is the eighth studio album by English progressive rock band Genesis. It was released on 17 December 1976 on Charisma Records and is their last studio album to feature guitarist Steve Hackett. Following the success of their 1976 tour to support their previous album A Trick of the Tail, the group relocated to Hilvarenbeek in the Netherlands to record a follow-up album, their first recorded outside the UK. Writing and recording caused internal friction, for Hackett felt some of his contributions were dropped in favour of material by keyboardist Tony Banks.
...And Then There Were Three... is the ninth studio album by the English rock band Genesis. It was released in March 1978 by Charisma Records and is their first recorded as a trio of singer/drummer Phil Collins, keyboardist Tony Banks, and bassist/guitarist Mike Rutherford following the departure of guitarist Steve Hackett. The album marked a change in the band's sound, mixing elements of their progressive rock roots with shorter material, and Collins contributing to more of the group's songwriting.
Duke is the tenth studio album by English rock band Genesis, released in March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value. Duke contained a mix of individually-written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.
Abacab is the eleventh studio album by English rock band Genesis, released on 18 September 1981 by Charisma Records. After their 1980 tour in support of their previous album, Duke (1980), the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums.
From Genesis to Revelation is the debut studio album by the English rock band Genesis, released in March 1969 on Decca Records. The album originated from a collection of demos recorded in 1967 while the members of Genesis were pupils of Charterhouse in Godalming, Surrey. It caught the attention of Jonathan King who named the group, organised deals with his publishing company and Decca, and studio time at Regent Sound Studios to record a series of singles and a full album. A string section arranged and conducted by Arthur Greenslade was added later on some songs. By the time Genesis had finished recording, John Silver had replaced original drummer Chris Stewart.
The discography of the British band Genesis contains 15 studio albums, six live albums, three compilation albums, and a variety of box sets. They have sold around 21.5 million RIAA-certified albums in the United States and over 100 million worldwide.
The Musical Box are a French-Canadian tribute band formed in Montreal, Quebec in 1993 who recreate performances by the English rock band Genesis during the 1970s. The current line-up is formed of singer and performer Denis Gagné, guitarist François Gagnon, bassist Sébastien Lamothe, keyboardist Ian Benhamou, and drummer Bob St-Laurent.
"Dancing with the Moonlit Knight" is a song by the progressive rock band Genesis. It was released on their 1973 album Selling England by the Pound. The song was originally going to be titled "Disney".
"Firth of Fifth" is a song by the British progressive rock band Genesis. It first appeared as the third track on the 1973 album Selling England by the Pound, and was performed as a live piece either in whole or in part throughout the band's career.
"The Knife" is a song by progressive rock band Genesis from their second album, Trespass (1970).
"The Musical Box" is a song by English progressive rock band Genesis, which was originally released on their third studio album Nursery Cryme in 1971. The song is written in the key of F# major. This song is the longest song on the album at 10 minutes long.
The Lamb Lies Down on Broadway Tour was a North American and European concert tour by English rock band Genesis. It began on 20 November 1974 in Chicago, ended on 22 May 1975 in Besançon, France, and promoted their 1974 album of the same name. At each show, the album was played in its entirety, with one or two older songs as encores. The group's final tour with singer Peter Gabriel, it was marked by extensive theatricality, with multiple costumes worn by Gabriel, three backdrop screens that displayed 1,450 slides from eight projectors, laser lighting, and practical effects.