Duke is the tenth studio album by English rock band Genesis, released in March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value. Duke contained a mix of individually-written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.
Abacab is the eleventh studio album by English rock band Genesis, released on 18 September 1981 by Charisma Records. After their 1980 tour in support of their previous album, Duke (1980), the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums.
Three Sides Live is the third live album by the English rock band Genesis, released as a double album on 4 June 1982 on Charisma Records in the United Kingdom. It was released by Atlantic Records in the United States. After touring in support of their studio album Abacab ended in December 1981 the band entered an eight-month break in activity, during which they selected recordings from their previous tours for a live album. Three Sides Live includes recordings between 1976 and 1981; the UK edition contains additional live tracks while the international edition features tracks from their 1982 EP 3×3 with B-sides from Duke.
Live – The Way We Walk, Volume Two: The Longs is the fifth live album by British band Genesis and was released in 1993, having been recorded during their 1992 tour for We Can't Dance. The album's title refers to a lyric in two songs, "I Can't Dance" on the previous volume and "I Know What I Like" on this one.
3×3 is the second extended play by the English rock band Genesis, released in May 1982 on Charisma Records. Its three songs were originally written and recorded for their eleventh studio album Abacab (1981), but they were not included on the album's final track selection. 3×3 reached No. 10 on the UK Singles Chart. In the US, its tracks were included on the international edition of the band's live album Three Sides Live (1982). The lead track, "Paperlate", peaked at No. 32 on the US Billboard Hot 100 singles chart and No. 2 on the Billboard Mainstream Rock Tracks chart.
"The Carpet Crawlers" is a song by the English progressive rock band Genesis, recorded for their sixth studio album The Lamb Lies Down on Broadway. Mike Rutherford and Tony Banks wrote most of the music, with the help of Peter Gabriel. Lyrically, the song tells the section of the album's story whereby Rael, the lead character, finds himself in a red carpeted corridor surrounded by kneeling people slowly crawling towards a wooden door. Rael dashes by them towards the door and goes through it. Behind the door is a table with a candlelit feast on it, and behind that, a spiral staircase that leads upwards out of sight.
"Behind the Lines" is a song by the English progressive rock band Genesis, from their 1980 album Duke. The group's drummer and vocalist Phil Collins released a re-recorded version on his first solo album Face Value in February 1981.
Live in Houston 1981: The Escape Tour is a live DVD/CD package by the American rock band Journey, released in November 2005. The content of the package was also released in May 2006 as a separate CD and separate DVD on the Columbia Records label.
Turn It On Again: The Tour was a 2007 concert tour of Europe and North America by the English rock band Genesis. The tour was notable for the return of drummer and vocalist Phil Collins, who had fronted the band during their most commercially successful period before leaving in 1993, rejoining founder members Tony Banks and Mike Rutherford, with their traditional on-stage musicians, Chester Thompson on drums and Daryl Stuermer on guitar/bass.
"Man on the Corner" is a 1981 song by British rock band Genesis, released as a single on 5 March 1982. The song was written and sung by drummer Phil Collins. It peaked at No. 41 on the UK Singles Chart and No. 40 on the U.S. Billboard Hot 100.
"Abacab" is a song by the British rock band Genesis, released on 14 August 1981. It was produced by Genesis and distributed in the United States by Atlantic Records and Warner Music Group. The song, written by Tony Banks, Phil Collins, and Mike Rutherford, was featured on Genesis' album of the same name and was a top 10 hit on the British pop chart, where it peaked at No. 9. The song was the second single from the album in the US, where it peaked at No. 26 on the Billboard Hot 100 chart in early 1982. It stayed in the Top 40 for six weeks.
Invisible Touch Tour is a live video by the English rock band Genesis, released in 1988 on Virgin Music Video. It was the first concert ever shot in High Definition and cameras and lenses had to be flown in from the USA and Japan. It was directed by Jim Yukich and produced by Paul Flattery of FYI. It was edited at the band's facilities known as The Farm by Jerry Behrens and David Foster. It documents the band's four sold out shows at Wembley Stadium in London between 1–4 July 1987 at the end of their Invisible Touch Tour promoting their thirteenth studio album, Invisible Touch. A limited edition release included a CD single containing the live version of "Domino" as performed on the video. In 2003, the video was reissued on DVD and renamed Genesis Live at Wembley Stadium.
Genesis Live: The Mama Tour is a concert film by the English progressive rock band Genesis, released for home video in October 1985 by Virgin Music Video. It contains highlights from the group's five concerts at the National Exhibition Centre in Birmingham in February 1984 at the end of their Mama Tour, supporting their 1983 album Genesis. It was directed by Jim Yukich.
The Way We Walk – Live in Concert is a 2002 double DVD featuring live performances from the We Can't Dance tour by Genesis. The footage was videotaped on 8 November 1992 at Earls Court in London, and first released on VHS in March 1993 as Genesis Live – The Way We Walk – In Concert. It was also available on PAL format LaserDisc.
The Video Show is a DVD by British band Genesis containing music videos produced between 1976 and 1999.
Genesis Live in London 1980 is a short concert film by the progressive rock band Genesis. It was filmed by the BBC at the Lyceum Theatre in London on 7 May 1980, but was not released until 2007. The show features the band performing live during the Duke tour. DVDs of the full show have been widely available for a number of years and are of generally less-than-standard DVD quality and some even have tracks missing, most frequently "The Knife". A 39-minute remastered excerpt from this concert was included on the DVD of the 2007 re-issue of Duke in higher quality and is the only officially released version to date; this re-issue was originally part of the Genesis 1976–1982 box set.
The Live Anthology is a live box set by American rock band Tom Petty and the Heartbreakers. The box set was released by Reprise Records on November 23, 2009, in a number of formats, with the standard CD and download formats, composed of 48 tracks.
Genesis Movie Box 1981–2007 is a box set by Genesis which includes the following DVDs:
The Invisible Touch Tour was a worldwide concert tour by the English rock band Genesis. The tour began on 18 September 1986 in Detroit and ended on 4 July 1987 in London. London dates at Wembley Stadium were filmed for a video release entitled Genesis Live at Wembley Stadium. The group earned as much as $300,000 a night in North America alone. The five shows in East Rutherford, New Jersey, Philadelphia, and Washington, D.C. in May 1987 grossed $5.4 million and were attended by a total of 273,414 people.
