A Trick of the Tail | ||||
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Studio album by | ||||
Released | 13 February 1976 [1] | |||
Recorded | October–November 1975 | |||
Studio | Trident, London | |||
Genre | ||||
Length | 51:14 | |||
Label | Charisma, Atco | |||
Producer | David Hentschel and Genesis | |||
Genesis chronology | ||||
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Singles from A Trick of the Tail | ||||
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A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released on 13 February 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively.
Following Gabriel's decision to leave the band, the remaining members wanted to carry on to show they could still write and record successful material, as keyboardist Tony Banks and bassist/rhythm guitarist Mike Rutherford, not Gabriel, were the principal writers of the music. The group wrote and rehearsed new songs during mid-1975, and listened to numerous audition tapes for a replacement frontman. They entered Trident Studios in October with producer David Hentschel to record the album without a definitive idea of who was going to perform lead vocals. After the search for a singer proved unfruitful, Collins was persuaded to sing "Squonk", and the performance was so strong, he sang lead on the rest of the album.
Upon release, critics were impressed by the improved sound quality and the group's ability to survive the loss of Gabriel without sacrificing the quality of the music. The group went out on tour with Collins as frontman and Bill Bruford as tour drummer, and the resulting performances in the US raised Genesis' profile there. The album has been reissued on CD several times, including a deluxe package with bonus videos in 2007.
Founding member and lead singer Peter Gabriel decided to leave Genesis in late 1974, early in the tour for the album The Lamb Lies Down on Broadway . [3] His bandmates hoped he would reconsider, as they were still in debt and felt his departure could destroy the band's future, but ultimately accepted that he would leave. [4] The remaining members wanted to continue to collaborate musically, and show journalists and critics they were primarily a song writing team that could still produce good music. [5] Banks had been close to Gabriel personally, and did not want the band to split up on top of seeing less of one of his best friends. [6] He had written a number of songs for a possible solo project before deciding they should be used on the new Genesis album. [7]
Following the end of the tour, guitarist Steve Hackett recorded a solo album, Voyage of the Acolyte with guitarist/bassist Mike Rutherford and drummer Phil Collins, feeling unsure that Genesis would survive. [8] [5] He reconvened with the remaining group members in July 1975. [9] Banks and Rutherford were particularly keen to write and record new material so that critics and fans would accept Gabriel's departure. [6] The group began rehearsals in a basement studio in Acton, and quickly wrote material they were happy with, but had not yet found a replacement lead singer. They placed an anonymous advertisement in the music paper Melody Maker for "a singer for a Genesis-type group", which received around 400 replies. Some applicants sent photographs of themselves in costume and wearing masks, as Gabriel had done on stage. A few weeks into rehearsals, Melody Maker managed to find out about Gabriel leaving the band, and their story made the front page of the 16 August issue, where journalist Chris Welch declared Genesis dead. The group spoke to the music papers to deny they were splitting up and explained they had a new album written and waiting to be recorded. [10] [8]
"I didn't want to not be the drummer ... this is what I did. This is my territory."
Recording began in Trident Studios in October 1975 with producer David Hentschel. On previous Genesis albums Hentschel had served as tape op and (later) as engineer; Collins had become a fan of his album Startling Music, a re-recording of Ringo Starr's album Ringo on an ARP 2500 synthesizer. [12] Collins thought the group could carry on as an instrumental act, but the others felt that it would be boring without vocals. [8] The group had still not decided on a replacement singer, so they decided to start recording backing tracks and audition singers as they went. [12] Gabriel visited the band in the studio and listened to the album, and thought they had succeeded in proving to others that they still were "a whole, strong band without me". [13] He knew that the group could write strong material, but the little effort it took them surprised him the most. [14]
Some songs such as "Ripples..." were written with the intention that Collins could sing them, similar to "More Fool Me" on Selling England by the Pound , but he did not want to take over as a permanent replacement, opting instead to teach potential lead singers the songs. [15] The group still wanted a regular frontman for live performances, as they thought Collins would not be able to handle all the material, and it would be problematic trying to sing Gabriel's vocal parts while drumming on tour. [16] One of the auditionees, Mick Strickland, was invited into the studio to sing, but the backing tracks were in a key outside of his natural range and the band decided not to work with him. [17] [18] With the band's recruitment efforts having failed to produce a suitable vocalist, Collins reluctantly went in the studio to sing "Squonk". His performance was well received by the band, and they decided that he should be their new lead singer. [18] Hentschel stayed on as co-producer for future Genesis albums up to 1980's Duke . [19]
The opening track, "Dance on a Volcano", was the first song written for the album. Rutherford felt that, in contrast to the material on The Lamb..., it was easy to write, and was intended to show how Genesis would move forward. [8]
"Entangled" originated from a piece by Hackett that Banks particularly liked, and the latter went on to write the chorus and closing synthesiser solo for the song. Hackett also wrote the lyrics which Collins thought had a Mary Poppins feel to them. [20] Rutherford recalled that Hackett "started writing verses which were very airy-fairy and then he came down with a bang". [18]
"Squonk" is based on the North American tale of the Squonk which, when captured, dissolves in a pool of tears. [21] The song combines a main theme written by Rutherford against a middle section written by Banks, and was designed to sound like Led Zeppelin's "Kashmir". [8] [6]
"Robbery, Assault and Battery" was mostly written by Banks, in an attempt to replicate the humour in some of Gabriel's lyrics. Collins, who also contributed to the writing, sang the song in character, inspired by his earlier role as the Artful Dodger in Oliver! before he became a professional musician. [20] [22]
"Ripples..." was a combination of a 12-string guitar piece composed by Rutherford and a piano-led middle section written by Banks. [6]
Banks's track "A Trick of the Tail" took form as a song some years before the band recorded it. He was inspired from reading the novel The Inheritors by William Golding and "Getting Better" by the Beatles, and wrote about an alien visiting Earth. [22] When it came to selecting tracks for the album, he wanted to include "something lighter and more quirky". [20]
The closing song, "Los Endos", was written by the whole band. Collins came up with the basic rhythmic structure, inspired by his work in side project Brand X and "Promise of a Fisherman" by Santana, wanting to take the looser playing style into Genesis. [23] Banks and Hackett wrote the main themes, including reprises of "Dance on a Volcano" and "Squonk", and Collins sang a few lines from "Supper's Ready" (on the 1972 album Foxtrot ) on the fade-out, as a tribute and final goodbye to Gabriel. The opening section of "Los Endos" was recorded for a completely different song, "It's Yourself", which was later released as a B-side. [24] "Los Endos" became a live favourite, and continued to be played through to the 2007 Turn It On Again tour. [25] In 2014, Hackett added the song to the playlist of his extended Genesis Revisited II tour. [26]
Review scores | |
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Source | Rating |
AllMusic | [27] |
Q | [28] |
Uncut | [29] |
The Rolling Stone Album Guide | [30] |
The Music Box | [31] |
"It was very satisfying for us to show that we could carry on ... It was great not to have to involve another person too."
A Trick of the Tail had a positive reception from music critics, who were impressed that the group could not only survive the loss of Gabriel but still deliver a good album. [33] The sound quality had improved from previous albums as a result of Hentschel's production skills. [34] The album reached No. 3 in the UK and No. 31 in the U.S. [35] It was certified Gold in the UK by the British Phonographic Industry in June [36] and in the US by the RIAA in March 1990. [37] The album remained in the UK charts for 39 weeks and recouped a significant amount of the $400,000 worth of debt they had accumulated by the time Gabriel left. [38]
For the first time in their career, Genesis filmed promotional videos for their songs. The first to be filmed was the title track, which features the band playing to the song together around a piano, including composite shots of a miniature Collins hopping around on a piano and a guitar. [17] The group also produced promotional films of "Ripples..." and "Robbery, Assault and Battery". [39]
Even after the album had been completed, Collins was unhappy about leaving the drumkit to sing lead, and the band were unsure he would be comfortable as frontman on tour. [8] The group decided to try anyway, and needed someone to drum while Collins was singing. Collins insisted on choosing the touring drummer himself, selecting Bill Bruford, with whom he had already worked in Brand X. Collins continued to drum during instrumental sections. [33]
The new line-up rehearsed in Dallas for a North American tour, which began in London, Ontario. Collins was nervous about what to say to the audience between songs, so Rutherford and Hackett helped with some announcements. Unlike Gabriel's theatrical approach, Collins developed a humorous rapport with the audience, and it was immediately successful. [40] Audiences were happy to hear Collins sing old material such as "Supper's Ready" in concert, and the resulting tour raised Genesis' profile in the U.S., where they had been relatively unknown while Gabriel was in the band. [41]
This is the first Genesis album to credit songwriters individually, as opposed to the band as a whole. [8]
No. | Title | Writer(s) | Length |
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1. | "Dance on a Volcano" | Rutherford, Banks, Hackett, Collins | 5:56 |
2. | "Entangled" | Hackett, Banks | 6:27 |
3. | "Squonk" | Rutherford, Banks | 6:30 |
4. | "Mad Man Moon" | Banks | 7:34 |
Total length: | 26:27 |
No. | Title | Writer(s) | Length |
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1. | "Robbery, Assault and Battery" | Banks, Collins | 6:17 |
2. | "Ripples..." | Rutherford, Banks | 8:07 |
3. | "A Trick of the Tail" | Banks | 4:35 |
4. | "Los Endos" | Collins, Hackett, Rutherford, Banks | 5:48 [21] |
Total length: | 24:47 |
A new version of A Trick of the Tail was released in the UK/Europe/Japan by Virgin/EMI & in the US by Atlantic/Rhino in 2007 as part of the Genesis 1976–1982 box set. This includes the entire album in remixed stereo, surround sound, and related video tracks. A further DVD release includes audio and video tracks, including an interview with the band, the promotional videos, and the film Genesis: In Concert , filmed during the 1976 tour promoting the album. [42]
Genesis
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [59] | Platinum | 100,000^ |
France (SNEP) [60] | Gold | 100,000* |
United Kingdom (BPI) [61] | Gold | 100,000^ |
United States (RIAA) [62] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Genesis were an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's longest-existing and most commercially successful line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. In the 1970s, during which the band also included singer Peter Gabriel and guitarist Steve Hackett, Genesis were among the pioneers of progressive rock.
The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 22 November 1974 by Charisma Records and is their last to feature the lead vocalist Peter Gabriel. It reached No. 10 on the UK Albums Chart and No. 41 on the USBillboard 200.
Michael John Cloete Crawford Rutherford is an English guitarist, bassist and songwriter, best known as co-founder, guitarist and bassist of the rock band Genesis. He and keyboardist Tony Banks are the group's two continuous members.
Trespass is the second studio album by the English rock band Genesis. It was released on 23 October 1970 by Charisma Records, and is their last album with original guitarist Anthony Phillips and their only album with drummer John Mayhew.
Nursery Cryme is the third studio album by the English rock band Genesis, released on 12 November 1971 on Charisma Records. It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. The album received a mixed response from critics and was not initially a commercial success; it did not enter the UK chart until 1974, when it reached its peak at No. 39. However, the album was successful in continental Europe, particularly Italy.
Foxtrot is the fourth studio album by the English progressive rock band Genesis, released on 15 September 1972 on Charisma Records. It features their longest recorded song, the 23-minute track "Supper's Ready".
Genesis Live is the first live album from the English rock band Genesis, released on 20 July 1973 on Charisma Records. Initially recorded for radio broadcast on the American rock program King Biscuit Flower Hour, the album is formed from the recordings of shows at Free Trade Hall, Manchester and De Montfort Hall, Leicester in February 1973 during the band's tour supporting their fourth studio album Foxtrot (1972).
Selling England by the Pound is the fifth studio album by the English progressive rock band Genesis, released on 28 September 1973 on Charisma Records. It reached No. 3 in the United Kingdom and No. 70 in the United States. A single from the album, "I Know What I Like ", was released in February 1974 and became the band's first top 30 hit in the UK.
Seconds Out is the second live album by English progressive rock band Genesis. It was released as a double album on 14 October 1977 on Charisma Records, and was their first with touring drummer Chester Thompson and their last with guitarist Steve Hackett. The majority was recorded in June 1977 at the Palais des Sports in Paris during the Wind & Wuthering Tour. One track, "The Cinema Show", was recorded in 1976 at the Apollo in Glasgow during their A Trick of the Tail Tour.
Wind & Wuthering is the eighth studio album by English progressive rock band Genesis. It was released on 17 December 1976 on Charisma Records and is their last studio album to feature guitarist Steve Hackett. Following the success of their 1976 tour to support their previous album A Trick of the Tail, the group relocated to Hilvarenbeek in the Netherlands to record a follow-up album, their first recorded outside the UK. Writing and recording caused internal friction, as Hackett felt some of his contributions were dropped in favour of material by keyboardist Tony Banks.
...And Then There Were Three... is the ninth studio album by the English rock band Genesis. It was released on 31 March 1978 by Charisma Records and is their first recorded as a trio of singer/drummer Phil Collins, keyboardist Tony Banks, and bassist/guitarist Mike Rutherford, following the departure of guitarist Steve Hackett. The album marked a shift in the band's sound, mixing elements of their progressive rock roots with more accessible material, and Collins contributing to more of the group's songwriting.
Duke is the tenth studio album by English rock band Genesis, released on 28 March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value. Duke contained a mix of individually written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.
Abacab is the eleventh studio album by English rock band Genesis, released on 18 September 1981 by Charisma Records. After their 1980 tour in support of their previous album, Duke (1980), the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums.
From Genesis to Revelation is the debut studio album by English rock band Genesis, released on 28 March 1969 on Decca Records. The album originated from a collection of demos recorded in 1967 while the members of Genesis were pupils of Charterhouse in Godalming, Surrey. It caught the attention of Jonathan King who named the group, organised deals with his publishing company Jonjo Music and Decca, and studio time at Regent Sound Studios to record a series of singles and a full album. A string section arranged and conducted by Arthur Greenslade was added later on some songs. By the time Genesis had finished recording, John Silver had replaced original drummer Chris Stewart.
The discography of the British band Genesis contains 15 studio albums, 6 live albums, 3 compilation albums and 10 box sets. They have sold over 100 million records worldwide, including about 21.5 million RIAA-certified albums in the United States
The Musical Box are a Canadian tribute band formed in Montreal, Quebec in 1993 who recreate performances by the English rock band Genesis during the 1970s. The current line-up is formed of singer and performer Denis Gagné, guitarist François Gagnon, bassist Sébastien Lamothe, keyboardist Ian Benhamou, and drummer Marc Laflamme.
"I Know What I Like (In Your Wardrobe)" was the first charting single by English rock band Genesis. It was drawn from their 1973 album Selling England by the Pound. The single was released in the UK in February 1974, and became a minor hit in April 1974, when it reached number 21 in the UK Singles Chart.
"Firth of Fifth" is a song by the British progressive rock band Genesis. It first appeared as the third track on the 1973 album Selling England by the Pound, and was performed as a live piece either in whole or in part throughout the band's career.
Genesis: In Concert is a 1977 concert film directed and produced by Tony Maylam for the English progressive rock band Genesis. The recording of the film took place during concerts in Glasgow, Scotland and Stafford, England in 1976.
The Lamb Lies Down on Broadway Tour was a North American and European concert tour by English rock band Genesis. It began on 20 November 1974 in Chicago, ended on 22 May 1975 in Besançon, France, and promoted their 1974 album of the same name. At each show, the album was played in its entirety, with one or two older songs as encores. The group's final tour with singer Peter Gabriel, it was marked by extensive theatricality, with multiple costumes worn by Gabriel, three backdrop screens that displayed 1,450 slides from eight projectors, laser lighting, and practical effects.
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