|Studio album by|
|Released||28 March 1980|
|Studio||Polar, Stockholm, Sweden|
|Singles from Duke|
Duke is the tenth studio album by English rock band Genesis, released in March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value . Duke contained a mix of individually-written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.
Duke was positively received by music critics, who praised the album for bridging the band's progressive rock-oriented past, via experimental pieces such as the closing ten-minute "Duke's Travels"/"Duke's End" suite, with their more pop rock-oriented, commercially accessible direction, as displayed on the hit singles "Turn It On Again", "Duchess", and "Misunderstanding". It reached No. 11 in the US, 1 on the UK charts. It has since been certified Platinum in both the UK and US.and it was the first album by the group to reach No.
By 1978, Genesis were a trio of lead singer and drummer Phil Collins, keyboardist Tony Banks and guitarist/bassist Mike Rutherford. They had survived the departure of original frontman Peter Gabriel and guitarist Steve Hackett and released the album ...And Then There Were Three... , which included the top ten single "Follow You Follow Me".The group were still touring successfully, and enjoyed the songwriting collaborations between the three of them. They decided to take a break before writing and recording a new album, which would be largely group-written in a rehearsal room, without many pre-conceived ideas.
The group's touring schedule had put particular pressure on Collins, whose marriage was at risk of collapse due to him being away from home frequently. His wife, Andrea, had warned him that if he committed himself to the full ...And Then There Were Three... Tour, she would not be there when he returned.Collins, however, was convinced that Genesis were on the verge of an international breakthrough and that his work with the band would pay dividends in the future. By the end of 1978, Andrea had decided to move to Vancouver with their children. Realising that his marriage was more important than the band, Collins held a meeting with Banks, Rutherford and manager Tony Smith. He said he was moving to Vancouver and try and re-build the family, and that the group would have to accommodate this. In an interview for Sounds , Collins said, "I went off for two months to try and sort things out ... I was never going to leave the band. It was just that if I was going to be living in Vancouver then we'd have had to organise ourselves differently." He also noted that the individual members of his side project Brand X were geographically dispersed.
Banks and Rutherford suggested the band take an extended hiatus, hoping Collins would save his marriage and that the band could work with him in Vancouver.Banks recorded his solo album A Curious Feeling at Polar Studios in Stockholm with Genesis touring drummer Chester Thompson and singer Kim Beacon, while Rutherford also recorded his first solo album, Smallcreep's Day , at the same studio. In April 1979, Collins returned to the UK after the attempt to salvage his marriage failed. With time to spare before working on the next Genesis album, he gigged with Brand X, and began work on demo tracks for what became his first solo album Face Value at his home in Shalford, Surrey. As well as playing piano and synthesizers, he had recently picked up a Roland CR-78 drum machine and become interested in the possibilities of electronic drums.
In autumn 1979, Banks and Rutherford moved in with Collins in Shalford to start rehearsals on Duke. Collins had written a large number of songs, but he felt many of them would not suit Genesis, while Banks and Rutherford were short of material having just recorded their solo albums.The three decided each member should contribute two of their own songs for the band to work on. Banks put forward "Heathaze" and "Cul-de-Sac", Rutherford used "Man of Our Times" and "Alone Tonight", and Collins had "Misunderstanding" and "Please Don't Ask". The remainder of the songs were written together in rehearsals. Banks later regretted not choosing Collins' "In the Air Tonight" for the album. His track "Cul-de-Sac" became a problem for Collins to get into as its overall style and lyrical content no longer interested him, and realised that he should have kept the song for his solo output.
The group found the writing process easier and more enjoyable than ...And Then There Were Three..., which was primarily songs written in advance individually by the members. Rutherford summarised his time writing songs for Duke as "getting back to the basic stage of ideas being worked on jointly".Banks reasoned much of the band's refreshed attitude was "down to not having worked together in a while", which resulted in "good ideas" being put forward, something that he said had not "happened for some time". Collins felt the band interacted "as a group much better ... there's definitely a side to us coming out which wasn't on the last album; the playing side". Rutherford would later describe the writing process for the album, alongside the one for Abacab , as a "rethink" of Genesis' approach, refocusing their output to group writing and improvisation. In contrast to earlier Genesis albums, most tracks were short with the exception of the ten-minute "Duke's Travels"/"Duke's End" suite that closed the album. The group went to Polar Studios to record the album, starting on 12 November 1979, and recording up to the end of the year. As with several earlier albums, production duties were shared by the band and regular co-producer David Hentschel. Collins used the Roland CR-78 drum machine for "Duchess"; the first time he used one on a Genesis song.
The cover art was drawn by French illustrator Lionel Koechlinand taken from his book L'Alphabet d'Albert, published in 1979. The band liked his work and decided to use it as the cover, but Collins maintained the character depicted is neither the album's titular character nor related to any song on it.
"Behind the Lines" was the first song arranged for the album and "Duchess" came about from rhythms that Collins had played on his set of drum pads.In its original form, "Behind the Lines", "Duchess", "Guide Vocal", "Turn It On Again", "Duke's Travels", and "Duke's End" were one 30-minute track that told a story of a fictional character named Albert which had a working title of "Duke". The group chose this name because the fanfare melodies on "Behind the Lines" and "Duke's End" conjured an image of royalty. The band decided against sequencing the tracks this way on the album, partly to avoid comparisons to their 23-minute track "Supper's Ready" from Foxtrot , but also to have certain segments of the suite, such as "Duchess" and "Turn It On Again", released as singles. The six tracks were performed live on the album's supporting tour with Collins introducing it as "The Story of Albert". "Turn It On Again" was originally a short connecting piece in the middle of this medley, but the band enjoyed playing it so much, they decided to double its length and make it more of a standout track. It came from a piece that Rutherford discarded from Smallcreep's Day and a separate piece from Banks that they joined together. The group considered placing the band-written songs on side one and the individually written tracks on the other, but this was rejected. Rutherford described the final running order as "a very balanced album".
Duke was released in the US on 24 March 1980and in the UK on 28 March. It was the band's greatest commercial success at the time of its release; it spent two weeks at No. 1 on the UK Albums Chart and peaked at No. 11 on the US Billboard 200. The album spawned three singles; "Turn It On Again" reached No. 8 in the UK and No. 58 in the US; "Duchess" reached No. 46 in the UK; "Misunderstanding" reached No. 42 in the UK and No. 14 in the US. Duke was certified Platinum by the British Phonographic Industry on 3 July 1980 and by the Recording Industry Association of America on 11 March 1988.
|Encyclopedia of Popular Music|
|The Great Rock Discography||6/10|
|The Rolling Stone Album Guide|
Duke received a mostly positive reception from music critics. In his review for Rolling Stone , David Fricke noted that "Turn It On Again" is "vibrant rock & roll" and thought that "Man of Our Times", "Duchess", "Duke's Travels", and "Duke's End" "possess a refreshing urgency". Fricke points out the band's losses without Gabriel and Hackett in the line-up, yet summarised Duke as "comforting: a reassurance that Genesis aren't for an exodus yet." ' Hugh Fielder gave the album four stars out of five, enjoying the opening of "Behind the Lines" and considering Collins's vocals to be "more convincing than ... before". He felt the first side was better than the second, and criticised some lyrics, but concluded "no Genesis fan could be disappointed". The Los Angeles Times 's Steve Pond described the album's music as "identifiably Genesis, but it is toned-down" and a "a more confident and successful album than ...And Then There Were Three...". He criticised the album as inconsistent with a lack of "melodic invention" on side one, but thought "Duke's Travels" and "Duke's End" were "one of the best and most consistent pieces of music that band has made in some time".Sounds
In a retrospective review, AllMusic's Stephen Thomas Erlewine felt Duke was the Genesis album that "leaped into the fray" of pop music but retained "a heavy dose" of progressive rock with the "Duke" suite. Erlewine thought the album comes off "a little bombastic" at times, with "Misunderstanding" and "Turn It On Again" being the two tracks that "showcase the new version of Genesis at its absolute best".
Genesis supported the album with a 78-date tour across Europe and North America, between 17 March to 30 June 1980.They were joined by drummer Chester Thompson and guitarist Daryl Stuermer. As the group had not embarked on a full scale UK tour since 1977, the tour began with a 40-date trek across the country, which saw all 108,000 available tickets sold within hours of going on sale. A 40-minute excerpt from the performance at the Lyceum Ballroom in London was broadcast on The Old Grey Whistle Test and released as a bonus feature on the 2007 reissue of Duke. Recordings from the tour were released on Three Sides Live (1982) and Genesis Archive 2: 1976–1992 (2000).
A digitally remastered version of Duke was released on CD in 1994 on Virgin in Europe and Atlantic in the US and Canada. The CD included the album's original booklet, artwork and lyrics.It was reissued again in 2007 as part of the Genesis 1976–1982 box set, which included a new stereo and 5.1 surround sound mix and a DVD of bonus features including band interviews, music videos, live performances and tour programs.
|1.||"Behind the Lines"||Tony Banks, Phil Collins, Mike Rutherford||5:31|
|2.||"Duchess"||Banks, Collins, Rutherford||6:40|
|4.||"Man of Our Times"||Rutherford||5:35|
|1.||"Turn It On Again"||Banks, Collins, Rutherford||3:50|
|4.||"Please Don't Ask"||Collins||4:00|
|5.||"Duke's Travels"||Banks, Collins, Rutherford||8:41|
|6.||"Duke's End" (instrumental)||Banks, Collins, Rutherford||2:04|
|1.||"Evidence of Autumn"||Banks||4:58|
Genesis are an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's most commercially successful line-up consists of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. The 1970s line-up featuring singer Peter Gabriel and guitarist Steve Hackett was among the pioneers of progressive rock.
The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 18 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US.
Trespass is the second studio album by the English rock band Genesis. It was released in October 1970 on Charisma Records, and is their last album with guitarist Anthony Phillips and their only one with drummer John Mayhew.
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Selling England by the Pound is the fifth studio album by the English progressive rock band Genesis, released in October 1973 on Charisma Records. It reached No. 3 in the UK and No. 70 in the U.S. A single from the album, "I Know What I Like ", was released in February 1974 and became the band's first top 30 hit in the UK.
We Can't Dance is the fourteenth studio album by English rock band Genesis, released on 28 October 1991 by Atlantic Records in the United States and 11 November 1991 on Virgin Records in the United Kingdom. It is their last studio album recorded with drummer and singer Phil Collins before his departure in 1996 to pursue solo projects full time. Production began after a four-year period of inactivity from the group, following the commercial success of Invisible Touch (1986) and its tour.
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A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released in February 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively.
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...And Then There Were Three... is the ninth studio album by the English rock band Genesis. It was released in March 1978 by Charisma Records and is their first recorded as a trio of singer/drummer Phil Collins, keyboardist Tony Banks, and bassist/guitarist Mike Rutherford following the departure of guitarist Steve Hackett. The album marked a change in the band's sound, mixing elements of their progressive rock roots with shorter material, and Collins contributing to more of the group's songwriting.
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The discography of the British band Genesis contains 15 studio albums, six live albums, three compilation albums, and a variety of box sets. They have sold over 100 million albums worldwide, including around 21.5 million RIAA-certified albums in the United States
"Follow You Follow Me" is a love song written and recorded by English rock band Genesis. It was released in February 1978 as the first single from their ninth studio album, ...And Then There Were Three... (1978). The music was composed by the band, and the lyrics were written by bassist and guitarist Mike Rutherford.
"Behind the Lines" is a song by the English progressive rock band Genesis, from their 1980 album Duke. The group's drummer and vocalist Phil Collins released a re-recorded version on his first solo album Face Value in February 1981.
"I Know What I Like " was the first charting single by the rock band Genesis. It was drawn from their 1973 album Selling England by the Pound. The single was released in the UK in February 1974, and became a minor hit in April 1974, when it reached number 21 in the UK Singles Chart.
"Firth of Fifth" is a song by the British progressive rock band Genesis. It first appeared as the third track on the 1973 album Selling England by the Pound, and was performed as a live piece either in whole or in part throughout the band's career.
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