| "Taking It All Too Hard" | ||||
|---|---|---|---|---|
 | ||||
| Single by Genesis | ||||
| from the album Genesis | ||||
| B-side | "Silver Rainbow" | |||
| Released | June 1984 | |||
| Length | 3:56 | |||
| Label | Atlantic | |||
| Songwriter(s) | Tony Banks, Phil Collins, Mike Rutherford | |||
| Producer(s) | Genesis, Hugh Padgham | |||
| Genesis singles chronology | ||||
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"Taking It All Too Hard" is the sixth track from the self-titled album by Genesis, released in 1983. It included the eighth track from the album, "Silver Rainbow," as the B-side.
No music video was made for this single, and the song has never been performed live by the band. [1] Tony Banks' played a Yamaha CP-70 electric piano on the track.
Cash Box said that "Collins' versatile vocals help make this song another potential mega-hit." [2]
The single was only released in the US in the summer of 1984; it peaked at No. 11 on the Billboard Adult Contemporary Chart [3] and received significant airplay, but stalled at No. 50 on the Billboard Hot 100. [4]
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Ain't That Peculiar" is a 1965 song recorded by American soul musician Marvin Gaye for the Tamla (Motown) label.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"Red Red Wine" is a song originally written, performed and recorded by American singer Neil Diamond in 1967 that appears on his second studio album, Just for You. The lyrics are written from the perspective of a person who finds that drinking red wine is the only way to forget his woes.
"No Son of Mine" is a song by British rock group Genesis, released in October 1991 by Atlantic and Virgin as the lead single from their 14th album, We Can't Dance (1991). The song, written by Phil Collins and composed by him with Tony Banks and Mike Rutherford, reached No. 6 on the UK Singles Chart and No. 12 on the US Billboard Hot 100. It was also a top-10 hit in several European countries and peaked atop Canada's RPM 100 Hit Tracks chart for five weeks.
"Since I Don't Have You" is a song written and composed by Jackie Taylor, James Beaumont, Janet Vogel, Joseph Rock, Joe Verscharen, Lennie Martin, and Wally Lester. It was first a 1958 hit single for the doo-wop group the Skyliners on the Billboard Hot 100. Country music singer Ronnie Milsap had a hit with the song in 1991. American hard rock band Guns N' Roses also had some success in 1994 with their version of the song which reached the top 10 on the UK Singles Chart.
"That's All" is a song by the English rock band Genesis. It is a group composition and appears as the second track on their self-titled album (1983). It was the album's second single after "Mama". On June 17, 1993, MCA Records re-issued and re-released the song as a CD and "HiQ" cassette single.
"Remember (Walking in the Sand)", also known as "Remember", is a song written by George "Shadow" Morton. It originally was recorded by the girl group the Shangri-Las, who had a top five hit with it in 1964. A remake by Aerosmith in 1979 was a minor hit. There have been many other versions of the song as well.
"My Hometown" is a single by Bruce Springsteen off his Born in the U.S.A. album as its closing track, that was the then-record-tying seventh and last top 10 single to come from it, peaking at #7 on the Cash Box Top 100 and #6 on the Billboard Hot 100 singles chart. It also topped the U.S. adult contemporary chart, making the song Springsteen's only #1 song on this chart to date. The song is a synthesizer-based, low-tempo number that features Springsteen on vocals.
"Love Me Tomorrow" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their album Chicago 16 (1982), with Cetera singing lead vocals. The second single released from the album, it reached No. 22 on the U.S. Billboard Hot 100 chart and No. 8 on the adult contemporary chart. Songwriter Cetera, a member of the American Society of Composers, Authors and Publishers (ASCAP), won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.
"I Wanna Go Back" is a 1984 song by American rock band Billy Satellite, written by band members Monty Byrom, Danny Chauncey, and Ira Walker, that achieved major popularity when recorded by Eddie Money in 1986. Another version was recorded by former Santana/Journey keyboardist/singer Gregg Rolie for his self-titled 1985 debut solo album.
"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the Billboard Easy Listening chart and number 86 on the Billboard Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their Made in America album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album It Takes Believers and in 1986 by the country music group Alabama.
"Misunderstanding" is a song by the English rock band Genesis, released on their 1980 album Duke. It reached No. 14 in the U.S. and No. 42 in the UK. Its highest charting was in Canada, where it reached No. 1 and is ranked as the seventh biggest Canadian hit of 1980. It was also featured on the band's 1982 double-album Three Sides Live, where it led off side three.
"I Just Fall in Love Again" is a song written by Larry Herbstritt, with co-writers Steve Dorff, Harry Lloyd, and Gloria Sklerov. Herbstritt had composed the melody and chords for the chorus and a chord progression for the verse, which he took to his friend Steve Dorff. Harry Lloyd and Gloria Sklerov completed the lyrics. The song was originally recorded by the Carpenters and later covered by Dusty Springfield, and Anne Murray, who was unaware Springfield had recorded it just 6 months prior.
"Too Late for Goodbyes" is the first single from Julian Lennon's debut studio album Valotte (1984). It featured the harmonica of Jean "Toots" Thielemans, and it was a top-10 hit, reaching No. 6 in the UK Singles Chart in November 1984, and No. 5 on the Billboard Hot 100 singles chart in late March 1985. B-side "Big Mama" has been described by Lennon as "semi-hard rock".
"I Don't Know Why" is a song by American singer-songwriter Stevie Wonder, from the 1968 album For Once in My Life. It was released as a single on January 28, 1969, with "My Cherie Amour" on the B-side. A few months later, the single was re-issued with sides reversed because of the growing popularity of "My Cherie Amour", which became a Top Ten hit.
"Never a Time" is the fifth track from English rock band Genesis's 14th studio album, We Can't Dance (1991). This song, a ballad, was released as the fifth single from the album, and peaked at No. 4 on the US Billboard Hot Adult Contemporary Tracks chart, No. 21 on the Billboard Hot 100, and No. 9 in Canada.
You've Got a Friend is the twenty-eighth studio album by American pop singer Andy Williams, released in August 1971 by Columbia Records. The album bears a striking resemblance to the Johnny Mathis album You've Got a Friend released that same month. Besides sharing their name, the two albums are both made up of covers of easy listening hits of the time, with 11 songs each, and the two albums have seven songs in common that are positioned in a similar order.
"Will the Wolf Survive?" is a single by American Chicano rock band Los Lobos. It was released in 1984 as the second single from their album How Will the Wolf Survive? The track was recorded with a drum machine.
"Why Me?" is a song written by Giorgio Moroder, Keith Forsey, and the song's performer, Irene Cara, that was the first official single to be released from Cara's 1983 album, What a Feelin', making it the follow-up to the songwriting trio's previous project for Cara, "Flashdance... What a Feeling". This new collaboration, however, was described as having more of a hard rock edge and had lyrics that conveyed the difficulties in a relationship.
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