Genesis is the twelfth studio album by English rock band Genesis, released on 3 October 1983 by Charisma and Virgin Records in the UK and by Atlantic Records in the US and Canada. Following the band's tour in support of their 1982 live album Three Sides Live, Genesis took an eight-month break before they regrouped in the spring of 1983 to record a new album. It is their first written and recorded in its entirety at their studio named The Farm in Chiddingfold, Surrey, and the songs were developed through jam sessions in the studio with nothing written beforehand. Hugh Padgham returned as their engineer.
"Mama" is a song by the English rock band Genesis, released as the first single in 1983 from their self-titled album. It is recognisable for its harsh drum machine introduction composed by Mike Rutherford, which leads into minimalist synthesizer lines in a minor tonality and finally Phil Collins' reverb-laden voice. It remains the band's most successful single in the UK, peaking at No. 4 on the UK Singles Chart. It also made the top 10 in Switzerland, Austria, Norway, Ireland and the Netherlands. It was less popular in the US, only reaching No. 73 on the Billboard Hot 100. A 1992 re-release of the single managed to reach the Top 40 in Germany.
"I Can't Dance" is the fourth track from English rock band Genesis' 14th studio album, We Can't Dance (1991) and was released in December 1991 as the second single from the record. Lyrics were composed by drummer Phil Collins with music written collectively by the band. The song peaked at number seven on both the US Billboard Hot 100 and the UK Singles Chart and also received a Grammy Award nomination for Best Pop Performance by a Duo or Group With Vocals at 1993. In Europe, the song reached number one in Belgium and the Netherlands, while peaking within the top five in Austria, Germany and Portugal.
"Driving the Last Spike" is the third track on the Genesis album We Can't Dance, released in 1991.
"Invisible Touch" is the title track and first single from the 1986 album of the same name by the English rock band Genesis. The song is a group composition which featured lyrics written by drummer and singer Phil Collins.
"Follow You Follow Me" is a love song written and recorded by English rock band Genesis. It was released in February 1978 as the first single from their ninth studio album, ...And Then There Were Three... (1978). The music was composed by the band, and the lyrics were written by bassist and guitarist Mike Rutherford. The single became Genesis' first top 10 hit in the UK and first top 40 hit in the US, reaching No. 7 and No. 23 respectively.
"Throwing It All Away" is the seventh track on the 1986 album Invisible Touch by Genesis. It was the second single taken from the album in the United States, reaching No. 4 on the Billboard Hot 100 in October 1986, as well as No. 1 on Billboard's Adult Contemporary chart and the Album Rock Tracks chart. It was the last single released from the album in the UK in June 1987, reaching No. 22. The song was also a top 40 hit on the Irish Singles Chart, peaking at No. 24. The working title was "Zephyr and Zeppo".
"Tonight, Tonight, Tonight" is the second track on the 1986 album Invisible Touch by the English rock band Genesis, released in January 1987 as the fourth single from the album. It peaked at No. 3 in the US and No. 18 in the UK. The working title was "Monkey, Zulu".
"Illegal Alien" is a song by the English rock band Genesis. It was written by members Tony Banks, Phil Collins, and Mike Rutherford, produced by all three alongside Hugh Padgham, and released as the third single from their eponymous 1983 studio album in January 1984. The song's lyrics, inspired by the band's troubles with getting visas to reenter the United States while on tour, tell the satirical story of an illegal alien facing obstacles in the process of trying to move to the United States. Its accompanying music video depicts the members of Genesis as a group of Mexican men unsuccessfully attempting to get their passports approved, and shows them in ponchos and sombreros.
"That's All" is a song by the English rock band Genesis. It is a group composition and appears as the second track on their 1983 album Genesis. It was the album's second single after "Mama". On June 17, 1993, MCA Records re-issued and re-released the song as a CD and "HiQ" cassette single.
"Hold on My Heart" is a song by English rock band Genesis from their 14th studio album, We Can't Dance (1991). The ballad was released as the album's third single on 6 April 1992. The song reached number one on the Canadian RPM 100 Hit Tracks chart, the RPM Adult Contemporary chart, and the US Billboard Adult Contemporary chart, as well as number 12 on the Billboard Hot 100. In the band's home country, the song peaked at number 16 on the UK Singles Chart.
Turn It On Again: The Tour was a 2007 concert tour of Europe and North America by the English rock band Genesis. The tour was notable for the return of drummer and vocalist Phil Collins, who had fronted the band during their most commercially successful period before leaving in 1996, rejoining founder members Tony Banks and Mike Rutherford, with their traditional on-stage musicians, Chester Thompson on drums and Daryl Stuermer on guitar/bass.
"Abacab" is a song by the British rock band Genesis, released on 14 August 1981. It was produced by Genesis and distributed in the United States by Atlantic Records and Warner Music Group. The song, written by Mike Rutherford, Tony Banks and Phil Collins, was featured on Genesis' album of the same name and was a top 10 hit on the British pop chart, where it peaked at No. 9. The song was the second single from the album in the US, where it peaked at No. 26 on the Billboard Hot 100 chart in early 1982. It stayed in the Top 40 for six weeks.
Invisible Touch Tour is a live video by the English rock band Genesis, released on the 22nd May 1989 on Virgin Music Video. It was the first concert ever shot in High Definition and cameras and lenses had to be flown in from the United States and Japan. It was directed by Jim Yukich and produced by Paul Flattery of FYI. It was edited at the band's facilities known as The Farm by Jerry Behrens and David Foster. It documents the band's four sold out shows at Wembley Stadium in London between 2-3 July 1987 at the end of their Invisible Touch Tour promoting their thirteenth studio album, Invisible Touch. A limited edition release included a CD single containing the live version of "Domino" as performed on the video. In November 2003, the video was reissued on DVD and renamed Genesis Live at Wembley Stadium.
Genesis Live: The Mama Tour is a concert film by the English progressive rock band Genesis, released for home video on the 17th October 1985 by Virgin Music Video and on the 27th June 1986 by Atlantic Records. It contains highlights from the group's five concerts at the National Exhibition Centre in Birmingham, the video was filmed on the 26th, 27th and 28 February 1984 at the end of their Mama Tour, supporting their 1983 album Genesis. It was directed by Jim Yukich.
"Domino" is a song written by the band Genesis for their 1986 album Invisible Touch. The song was the sixth track on the album. The music was written by the band, while the lyrics were written by keyboardist Tony Banks. The song is divided into two parts, "In the Glow of the Night" and "The Last Domino".
The Way We Walk – Live in Concert is a 1992 live video from the We Can't Dance tour by Genesis. The footage was videotaped on 6th, 7th and 8th November 1992 at Earls Court in London, and first released on VHS on the 29th March 1993 as Genesis Live – The Way We Walk – In Concert. It was also available on PAL format LaserDisc. In November 26th 2001 the video was reissued on DVD.
The Invisible Touch Tour was a worldwide concert tour by the English rock band Genesis. The tour began on 18 September 1986 in Detroit and ended on 4 July 1987 in London. London dates at Wembley Stadium were filmed for a video release entitled Genesis Live at Wembley Stadium. The group earned as much as $300,000 a night in North America alone. The five shows in East Rutherford, New Jersey, Philadelphia, and Washington, D.C. in May 1987 grossed $5.4 million and were attended by a total of 273,414 people.
Following the release of We Can't Dance, Genesis spent 13 weeks performing 55 concerts between May and July 1992, with a 16-date UK tour in October/November.
Genesis supported their 1997 album Calling All Stations with a 47-date European tour from 29 January to 31 May 1998, featuring shows in large arenas throughout Europe. The core trio of lead vocalist Ray Wilson, keyboardist Tony Banks, and guitarist/bassist Mike Rutherford were joined by Israeli musician Nir Zidkyahu on drums, percussion, and backing vocals and Irish musician Anthony Drennan on guitar and bass. This was the only tour with Wilson, Zidkyahu and Drennan, as well as the first since 1978 not to feature longtime singer/drummer Phil Collins or touring members Daryl Stuermer and Chester Thompson as part of the lineup. Rehearsals took place at Bray Film Studios in Windsor and the Working Men's Club in Chiddingfold, England close to the band's recording studio. The tour concluded with spots at the Rock am Ring and Rock im Park Festival in Germany. A majority of the older songs were transposed in a lower key to accommodate Wilson's lower vocal range. Midway through the set included an acoustic medley of songs from their 1970s output.
