"Watcher of the Skies" | ||||
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Single by Genesis | ||||
from the album Foxtrot | ||||
B-side | "Willow Farm" | |||
Released | February 1973 [1] | |||
Recorded | August 1972 | |||
Genre | Progressive rock [2] | |||
Length | 7:23 3:42 (single version) | |||
Label | Charisma/Phonogram (UK) Atlantic (U.S.) | |||
Songwriter(s) | Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett, Mike Rutherford | |||
Producer(s) | David Hitchcock | |||
Genesis singles chronology | ||||
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Official audio | ||||
"Watcher of the Skies" on YouTube |
"Watcher of the Skies" is the first track on English progressive rock Genesis' 1972 album Foxtrot . It was also released as the album's only single. The song was re-recorded in 1972 in a radically altered and shortened single version. This version was re-released in 1998 as part of the Genesis Archive 1967–75 box set.
The title is borrowed from John Keats' 1817 poem "On First Looking into Chapman's Homer":
Then felt I like some watcher of the skies
When a new planet swims into his ken; [3]
The song was frequently used to open the group's live performances and features as the first track on their 1973 live album Genesis Live . The song opens with a Mellotron intro. According to Tony Banks, the introductory section was intended to take advantage of idiosyncrasies in the tuning of the Mellotron model he was using at the time:
It was intentionally melodramatic to conjure up an impression of incredible size. It was an extraordinary sound. On the old Mellotron Mark 2 there were these two chords that sounded really good on that instrument. There are some chords you can't play on that instrument because they'd be so out of tune. These chords created an incredible atmosphere. That's why it's just an incredible intro number. It never sounded so good on the later Mellotron. [4]
The two chords in question are Bmaj7/F# and C#/F#. [5] The long keyboard introduction crossfades into the main ensemble section, which features a prominent single-note staccato pattern in a 6/4 time signature (reminiscent of the 5/4 rhythmic pattern from "Mars" in Gustav Holst's The Planets suite)[ citation needed ] played over a pattern of sustained organ chords. Following the vocal sections of the song, there is an unusual polyrhythm part, where the staccato riff changes to 8/4 time, played against a Mellotron/organ chord part in 6/4.
The lyrics were written by Banks and Mike Rutherford during a soundcheck for a gig in Naples. While they were surveying the deserted landscape of the airfield where they were rehearsing, they wondered what an empty Earth would look like in this state if surveyed by an alien visitor. The lyrics were influenced by the Arthur C. Clarke 1953 science fiction novel Childhood's End (as were Pink Floyd's 1972 "Childhood's End" and Van der Graaf Generator's 1976 "Childlike Faith in Childhood's End"). The science fiction characters Watchers also influenced the lyrics.[ citation needed ]
The song title was used in naming of the tribute album Watcher of the Skies: Genesis Revisited (1996) by ex-Genesis member Steve Hackett. On the album, the lead vocal was provided by John Wetton. In the liner notes to the album, Hackett wrote:
I remember pushing the band to acquire a Mellotron back in the '70s and, luckily, King Crimson had one to spare at the time – the 'Black Bitch' I think they called it on account of it always breaking down ... This song alone was a strong reason for re-approaching the early material – from Phil's inventive morse code rhythm to Tony's momentous introduction which always sounded best in Italy's Palasports – an aircraft hangar type of rumble ideally suited to spacecraft impersonation.
"Watcher of the Skies" opened the band's shows during 1972–74 and (in abridged form) remained a staple in the band's live set into the 1980s. In later years, it has been played in a medley following the track "It" (from 1974 The Lamb Lies Down on Broadway ), as can be heard on Three Sides Live (1982). The song was never performed with lyrics after Peter Gabriel's departure.
The song was played live during the Foxtrot, Selling England by the Pound, The Lamb Lies Down on Broadway , A Trick of the Tail , and Three Sides Live tour encores. The band also played the song during an appearance on the January 25, 1974 episode of the U.S. TV series The Midnight Special. During performances, Peter Gabriel wore bat wings on the side of his head, glowing UV make-up around his eyes, and a multicoloured cape.
The song was performed live by Phish at the 2010 Rock & Roll Hall of Fame induction ceremony on 15 March 2010 at the Waldorf-Astoria hotel in New York City. The band also performed "No Reply at All" after Trey Anastasio's induction speech.
Genesis were an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's longest-existing and most commercially successful line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. In the 1970s, during which the band also included singer Peter Gabriel and guitarist Steve Hackett, Genesis were among the pioneers of progressive rock.
The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 22 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US. It is their longest album to date.
Anthony George Banks is an English musician primarily known as the keyboardist and founding member of the rock band Genesis. Banks is also a prolific solo artist, releasing six solo studio albums that range through progressive rock, pop, and classical music.
Nursery Cryme is the third studio album by the English rock band Genesis, released on 12 November 1971 on Charisma Records. It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. The album received a mixed response from critics and was not initially a commercial success; it did not enter the UK chart until 1974, when it reached its peak at No. 39. However, the album was successful in Continental Europe, particularly Italy.
Foxtrot is the fourth studio album by the English progressive rock band Genesis, released on 15 September 1972 on Charisma Records. It features their longest recorded song, the 23-minute track "Supper's Ready".
Genesis Live is the first live album from the English rock band Genesis, released on 20 July 1973 on Charisma Records. Initially recorded for radio broadcast on the American rock program King Biscuit Flower Hour, the album is formed from the recordings of shows at Free Trade Hall, Manchester and De Montfort Hall, Leicester in February 1973 during the band's tour supporting their fourth studio album Foxtrot (1972).
Selling England by the Pound is the fifth studio album by the English progressive rock band Genesis, released on 5 October 1973 on Charisma Records. It reached No. 3 in the United Kingdom and No. 70 in the United States. A single from the album, "I Know What I Like ", was released in February 1974 and became the band's first top 30 hit in the UK.
A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released on 13 February 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively.
"Supper's Ready" is a song by English progressive rock band Genesis, recorded for their 1972 studio album Foxtrot. At 23 minutes in length, it is the band's longest recorded song and almost takes up the entire second side of the vinyl. Frontman Peter Gabriel wrote the lyrics, which mainly describe a personal journey of scenes from the Book of Revelation and good versus evil, with several real life experiences providing further inspiration.
Please Don't Touch! is the second studio album by English guitarist and songwriter Steve Hackett. It was released in April 1978 on Charisma Records, and it is his first album released after leaving the progressive rock band Genesis in 1977. Hackett had released Voyage of the Acolyte (1975) during his time in Genesis. For his next solo release he recorded in the United States and hired various guest artists, including singers Randy Crawford, Richie Havens, and Steve Walsh, drummers Phil Ehart and Chester Thompson, bassist Tom Fowler, with Van der Graaf Generator violinist Graham Smith.
The Musical Box are a Canadian tribute band formed in Montreal, Quebec in 1993 who recreate performances by the English rock band Genesis during the 1970s. The current line-up is formed of singer and performer Denis Gagné, guitarist François Gagnon, bassist Sébastien Lamothe, keyboardist Ian Benhamou, and drummer Marc Laflamme.
"I Know What I Like (In Your Wardrobe)" was the first charting single by the rock band Genesis. It was drawn from their 1973 album Selling England by the Pound. The single was released in the UK in February 1974, and became a minor hit in April 1974, when it reached number 21 in the UK Singles Chart.
"Dancing with the Moonlit Knight" is a song by the progressive rock band Genesis. It was released on their 1973 album Selling England by the Pound. The song was originally going to be titled "Disney".
"Firth of Fifth" is a song by the British progressive rock band Genesis. It first appeared as the third track on the 1973 album Selling England by the Pound, and was performed as a live piece either in whole or in part throughout the band's career.
"The Knife" is a song by progressive rock band Genesis from their second album, Trespass (1970).
"Get 'Em Out by Friday" is a rock song on the 1972 album Foxtrot by British progressive rock band Genesis, lasting eight and a half minutes. It also appears on their 1973 live album. The lyrics were written by lead singer Peter Gabriel.
"A Trick of the Tail" is a song by the progressive rock band Genesis taken from the 1976 album of the same name. It was written by the band's keyboard player Tony Banks.
"The Musical Box" is a song by English progressive rock band Genesis, which was originally released on their third studio album Nursery Cryme in 1971. The song is written in the key of F# major. This song is the longest song on the album at ten and a half minutes.
"Can-Utility and the Coastliners" is the fourth song on Genesis' fourth album, Foxtrot, released in 1972. "Can-Utility and the Coastliners", written mostly by guitarist Steve Hackett with bass player Mike Rutherford and keyboardist Tony Banks, is based on the legend of King Cnut of England, Denmark, and Norway, who supposedly ordered the seas to retreat to mock the sycophancy of his followers. Steve Hackett wrote the lyrics.
The Lamb Lies Down on Broadway Tour was a North American and European concert tour by English rock band Genesis. It began on 20 November 1974 in Chicago, ended on 22 May 1975 in Besançon, France, and promoted their 1974 album of the same name. At each show, the album was played in its entirety, with one or two older songs as encores. The group's final tour with singer Peter Gabriel, it was marked by extensive theatricality, with multiple costumes worn by Gabriel, three backdrop screens that displayed 1,450 slides from eight projectors, laser lighting, and practical effects.