|From Genesis to Revelation|
|Studio album by|
|Released||7 March 1969|
|Recorded||August 1968 (except "Silent Sun", recorded December 1967)|
|Studio||Regent Sound Studios, Soho, London|
|Singles from From Genesis to Revelation|
From Genesis to Revelation is the debut studio album by English rock band Genesis, released on 7 March 1969 on Decca Records. The album originated from a collection of demos recorded in 1967 while the members of Genesis were pupils of Charterhouse in Godalming, Surrey. It caught the attention of Jonathan King who named the group, organised deals with his publishing company and Decca, and studio time at Regent Sound Studios to record a series of singles and a full album. A string section arranged and conducted by Arthur Greenslade was added later on some songs. By the time Genesis had finished recording, John Silver had replaced original drummer Chris Stewart.
The album and its singles were a commercial flop, and received a mixed to negative reaction from critics. By mid-1969, the group had severed ties with King and resumed education until they reformed and turned Genesis into a full-time band. The album spawned three singles; "The Silent Sun" and "A Winter's Tale" were released in 1968, followed by "Where the Sour Turns to Sweet" in 1969. In October 1974, after the group had grown in popularity, it peaked at No. 170 on the Billboard 200 in the US. King retains the rights to the album which has been reissued multiple times since, including a 1974 release as In the Beginning and a 1987 release as And the Word Was.... A reissue in 1990 and 2005 included a bonus disc with extra tracks.
The founding line-up of Genesis consisted of lead vocalist Peter Gabriel, keyboardist Tony Banks, bassist Mike Rutherford, guitarist Anthony Phillips, and drummer Chris Stewart, all pupils of Charterhouse School in Godalming, Surrey. The five had played in the school's two active bands; Rutherford and Phillips were in Anon while Gabriel, Banks, and Stewart made up Garden Wall.In January 1967, after both groups had split, Phillips and Rutherford continued to write songs and invited Gabriel and Banks to participate. During the Easter school holiday the five entered a primitive recording studio run by Brian Roberts in Chiswick to record the material. They assembled a tape of six songs originally intended for someone else to perform as the group saw themselves foremost as a collection of songwriters. This included five songs from Rutherford and Phillips: "Don't Want You Back", "Try a Little Sadness", "That's Me", "Listen on Five", and "Patricia", an instrumental, plus one from Gabriel and Banks, "She Is Beautiful". "Patricia" was later reworked into "In Hiding" and "She Is Beautiful" was later known as "The Serpent". Banks described the material as "straight pop music" as it was the direction the band wanted to explore. At this point, the group were known as The New Anon.
The group sent the demo tape to two people, one being BBC radio presenter David Jacobs.The second was sent to former Charterhouse pupil Jonathan King who had scored commercial success as a singer-songwriter and producer with his UK top five single "Everyone's Gone to the Moon" in 1965, and therefore seemed a natural choice. King visited the school during Old Boys Day, so the group had a friend give the tape to him. He listened to the tape in his car on his drive home and, despite its roughness, was immediately enthusiastic, particularly about Gabriel's vocals.
King offered his support to the band and paid them £40 to record four songs. He pressed for more simple arrangements, but maintained that his suggestion for the group to avoid playing electric instruments was because acoustic instruments were cheaper, rather than his personal taste.These early sessions took place between August and December 1967 at Regent Sound Studios on Denmark Street, London, with the intent on releasing them as singles. The four tracks put down were new arrangements of "She's Beautiful" and "Try a Little Sadness", with "Where the Sour Turns to Sweet" and "The Image Blown Out", the latter ultimately rejected from the album. King was happy with the results enough to sign them, offering a ten-year deal with his publishing company JonJo Music with a five-year option, and a five-year recording deal with Decca Records with an optional second year. However, the group's parents expressed concern as they were aged between 15 and 17 at the time, and preferred their children to pursue careers away from music. Upon their insistence for a one-year deal with an optional second, King agreed.
King noticed the band's tendency to expand and complicate their arrangements, which he disliked and suggested they stick to straightforward pop songs. This culminated in King either trimming Banks's solo spots or removing them entirely, much to his annoyance.In response, Gabriel and Banks wrote "The Silent Sun" as a pastiche of the Bee Gees, one of King's favourite bands, though King later clarified the Bee Gees pastiche description as inaccurate. The song was recorded at Regent Sound studio A in December 1967, with a section arranged and conducted by Arthur Greenslade added later in production. It was released on 22 February 1968 with "That's Me" on the B-side as the first Genesis single. King came up with the group's name, thinking it marked the beginning of a "new sound and a new feeling", and that it was the true start of his career as a producer. Other names included King's suggestion of Gabriel's Angels and Phillips's idea, Champagne Meadow. In May 1968, the second single of "A Winter's Tale" with "One-Eyed Hound", was released and, like their first, also flopped. Stewart then left the group to continue with his studies.
Despite their lack of success King continued to support the group and, by mid-1968, suggested that a studio album might reverse their fortunes. The group were a little overwhelmed in working with a greater amount of available time on an LP, so King suggested the idea of a loose concept album that told a story about the Book of Genesis at the start and the Book of Revelation at the end, with linked instrumental tracks.The idea worked, and the group began to write at a faster pace. The band recruited fellow Charterhouse pupil John Silver on the drums, and wrote and rehearsed their new material at his parents' country home in Oxford and the parents of school friend David Thomas.
In August 1968, during the school summer holidays, the band returned to Regent Sound studio 2 to record From Genesis to Revelation.The music was recorded within two days, and the album was put together in ten. King was the producer, and brought in Brian Roberts and former Charterhouse pupil Tom Allom as recording engineers. The sessions involved two four-track recording machines, and marked Banks's first time playing an organ. The material put down, Greenslade and Lou Warburton then added more string and horn arrangements to one stereo channel while mixing the band's performance on the other. This was done without the band's knowledge, which they thought compromised the strength of the songs. Phillips was particularly angered at the decision and was the only member to express his feelings towards it by stomping out of the studio on the last day.
|The Rolling Stone Album Guide|
The album was released in March 1969 and failed to chart."Where the Sour Turns to Sweet" was released as a single on 27 June 1969 in an attempt to stimulate new interest. The album was released in the U.S. in 1974 after the group had grown in popularity, and peaked at No. 170 on the Billboard 200 in October of that year.
Prior to its release, Decca discovered that an American act had also called themselves Genesis and asked the band to change its name to avoid confusion. King reached a compromise so the band's name be omitted from the sleeve, leaving the album's title written in gold text in a Gothic style in order to evoke mystery when presented in music shops.The American Genesis in question was likely a Los Angeles-based group that released In the Beginning on the Mercury label in 1967. Banks later said that they remained Genesis in the UK and put themselves down as Revelation in the US, giving additional meaning to the album's title. However, King's idea for the sleeve failed after shops had placed the album in their religious sections, "and it sank without trace". He later said that Decca was unable to promote the album effectively and get the exposure it needed to succeed, leaving him to carry out much of the work himself which he lacked enough experience in at the time.
The album sold 650 copies.Many record shops filed the album in their religious music sections, since the title From Genesis to Revelation was the only descriptive text on the album. Banks later deemed the material as merely poor renditions of their songs, rating "Silent Sun" and "In the Wilderness" as the strongest cuts.
Noel Gallagher is a fan of the album, saying, "I became obsessed with early Genesis" despite being a frequent critic of the group's later work, particularly the Phil Collins-led era. The track "If Love is the Law" from his album Who Built the Moon? was written as a pastiche of "The Conqueror".
When the album failed to become a success, the group decided to split and resume education.This marked the end of their association with King, who had grown increasingly dissatisfied with the band directing their material away from mainstream pop. In addition, Genesis had fulfilled their contractual obligation with Decca with the release of "Where the Sour Turns to Sweet", and neither they nor King were interested in renewing the deal. In September 1969, Gabriel, Banks, Rutherford, and Phillips decided to make Genesis a full-time band and write on their own musical terms which had developed to what Phillips described as "original and dramatic". They replaced Silver with drummer John Mayhew, and toured England for six months. Their residency at Ronnie Scott's club in Soho, London caught the attention of Tony Stratton-Smith who signed them to his label, Charisma Records. Genesis began formulating the music that would be recorded on their next album, Trespass .
Material that was put onto tape during this time but remained unreleased was included on the Genesis Archive 1967–75 box set, in 1998. This included tracks on From Genesis to Revelation without the string arrangements.Some of the tapes had been in storage in Phillips's attic, and he initially pleaded the group not to release them due to what he considered was poor guitar work.
On 27 July 1990, the album was reissued in a two disc set. The second disc included the four tracks included on And the Word Was....., four early versions of songs on the album, and ten interviews.On 25 October 2010, the album was released as a special edition on iTunes. It includes the bonus tracks from the 1990 reissue.
Although King initially had From Genesis to Revelation licensed to Decca Records on a short term basis, he continues to hold the rights to the album and has re-released it several times under a variety of titles.He chooses to reissue it when there is demand for it, and claimed that Genesis have not attempted to purchase the rights from him. Banks said the group did attempt to purchase the rights but King wanted "vast sums" for it. The album was not included in their Genesis 1970–1975 box set which covers the rest of the band's era with Gabriel.
|1969||Decca||LP||SKL 4990 (stereo) LK 4990 (mono)|
|1974||London||LP||XPS 643 (stereo)|
|1974||Decca||LP||Released as In the Beginning, SKL 4990.|
|1976||Decca||LP||Released as Rock Roots, ROOTS 1.|
|1977||London||LP||Released as In the Beginning, LC 50006.|
|1986||Rock Machine||CD||Released as Where the Sour Turns to Sweet, MACD 4.|
|1987||London||CD||Released as And the Word Was..., 820 496-2.|
|1990||DCC Compact Classics||CD||Contains three bonus tracks, DZS-051.|
|1993||Music Club||CD||MCCD 133.|
|1996||Disky Communications Europe B.V.||CD||Released as From Genesis To Revelation - The Original Album, 19 tracks, DC 863092|
|2005||Edsel Records||CD||Released as 2xCD, MEDCD 721|
|2007||Weton-Wesgram||CD||Released as Genesis, DL 1017.|
|2017||JonJo Music||Digital||Released as Genesis: 50 Years Ago, featuring previously unreleased multitrack recordings.|
All songs written by Tony Banks, Peter Gabriel, Anthony Phillips, and Mike Rutherford.
|1.||"Where the Sour Turns to Sweet"||3:14|
|2.||"In the Beginning"||3:42|
|5.||"Am I Very Wrong?"||3:28|
|6.||"In the Wilderness"||3:21|
|13.||"A Place to Call My Own"||1:57|
Credits are adapted from the original 1969 release.
Genesis are an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's most commercially successful line-up consists of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. The 1970s line-up featuring singer Peter Gabriel and guitarist Steve Hackett was among the pioneers of progressive rock.
The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 18 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US.
Anthony George Banks is an English musician, songwriter and film composer primarily known as the keyboardist and founding member of the rock band Genesis. Banks is also a prolific solo artist, releasing six solo albums that range through progressive rock, pop, and classical music.
Michael John Cloete Crawford Rutherford is an English guitarist, bassist, songwriter, and singer who co-founded the rock band Genesis in 1967. Rutherford and keyboardist Tony Banks are the group's two continuous members.
Anthony Edwin Phillips is an English musician, songwriter, producer and singer who gained prominence as the original lead guitarist of the rock band Genesis, from 1967 to 1970. After Phillips recorded From Genesis to Revelation and Trespass with the band, he left in July 1970 and learned to play more instruments, before he began a solo career.
Trespass is the second studio album by the English rock band Genesis. It was released in October 1970 on Charisma Records, and is their last album with guitarist Anthony Phillips and their only one with drummer John Mayhew.
Nursery Cryme is the third studio album by the English rock band Genesis, released in November 1971 on Charisma Records. It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. The album received a mixed response from critics and was not initially a commercial success; it did not enter the UK chart until 1974, when it reached its peak at No. 39. However, the album was successful in Continental Europe, particularly Italy. At approximately 39 minutes long, it is the shortest studio album by the band to date.
Foxtrot is the fourth studio album by the English progressive rock band Genesis, released in October 1972 on Charisma Records. It features their longest recorded song; the 23-minute epic "Supper's Ready".
Genesis Live is the first live album from the English rock band Genesis, released in July 1973 on Charisma Records. Initially recorded for radio broadcast on the American rock program King Biscuit Flower Hour, the album is formed from the recordings of shows at Free Trade Hall, Manchester and De Montfort Hall, Leicester in February 1973 during the band's tour supporting their fourth studio album Foxtrot (1972).
Selling England by the Pound is the fifth studio album by the English progressive rock band Genesis, released in October 1973 on Charisma Records. It reached No. 3 in the UK and No. 70 in the U.S. A single from the album, "I Know What I Like ", was released in February 1974 and became the band's first top 30 hit in the UK.
Invisible Touch is the 13th studio album by the English rock band Genesis, released on 6 June 1986 by Atlantic Records in the United States and 9 June 1986 by Charisma and Virgin Records in the United Kingdom. After taking a break in group activity for each member to continue with their solo projects in 1984, the band reconvened in October 1985 to write and record Invisible Touch with engineer and producer Hugh Padgham. As with their previous album, it was written entirely through group improvisations and no material developed prior to recording was used.
A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released in February 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively.
Wind & Wuthering is the eighth studio album by English progressive rock band Genesis. It was released on 17 December 1976 on Charisma Records and is their last studio album to feature guitarist Steve Hackett. Following the success of their 1976 tour to support their previous album A Trick of the Tail, the group relocated to Hilvarenbeek in the Netherlands to record a follow-up album, their first recorded outside the UK. Writing and recording caused internal friction, for Hackett felt some of his contributions were dropped in favour of material by keyboardist Tony Banks.
...And Then There Were Three... is the ninth studio album by the English rock band Genesis. It was released in March 1978 by Charisma Records and is their first recorded as a trio of singer/drummer Phil Collins, keyboardist Tony Banks, and bassist/guitarist Mike Rutherford following the departure of guitarist Steve Hackett. The album marked a change in the band's sound, mixing elements of their progressive rock roots with shorter material, and Collins contributing to more of the group's songwriting.
Duke is the tenth studio album by English rock band Genesis, released in March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value. Duke contained a mix of individually-written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.
Abacab is the eleventh studio album by English rock band Genesis, released on 18 September 1981 by Charisma Records. After their 1980 tour in support of their previous album, Duke (1980), the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums.
The discography of the British band Genesis contains 15 studio albums, six live albums, three compilation albums, and a variety of box sets. They have sold over 100 million albums worldwide, including around 21.5 million RIAA-certified albums in the United States
"Dancing with the Moonlit Knight" is a song by the progressive rock band Genesis. It was released on their 1973 album Selling England by the Pound. The song was originally going to be titled "Disney".
"The Silent Sun" is the premiere single by English rock band Genesis. It was written by Tony Banks and Peter Gabriel when the band's producer, Jonathan King, first discovered them, before he decided to produce an entire album, a heavy investment. Knowing that King was a fan of the Bee Gees, Banks and Gabriel wrote the song specifically to capture his attention. The song was released as a single on 2 February 1968. They would soon begin work on their debut album, From Genesis to Revelation.
The Lamb Lies Down on Broadway Tour was a North American and European concert tour by English rock band Genesis. It began on 20 November 1974 in Chicago, ended on 22 May 1975 in Besançon, France, and promoted their 1974 album of the same name. At each show, the album was played in its entirety, with one or two older songs as encores. The group's final tour with singer Peter Gabriel, it was marked by extensive theatricality, with multiple costumes worn by Gabriel, three backdrop screens that displayed 1,450 slides from eight projectors, laser lighting, and practical effects.
rolling stone genesis album guide.