 | This article needs additional citations for verification .(January 2019) |
| Pebbles, Volume 10 | ||||
|---|---|---|---|---|
 | ||||
| Compilation album | ||||
| Released | 1996 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Pebbles, Volume 10 is a compilation album among the CDs in the Pebbles series.
This album was released on AIP Records in 1996 as #AIP-CD-5027. [1] Despite the similar catalogue number, there is no relation between the tracks on this CD and the tracks on the corresponding LP. This represents the first appearance on CD of any of these songs.
This CD begins with the opening track from the Pebbles, Volume 11 LP by the mysterious Milan, in the name of The Leather Boy in this case; a second track that was not among the three Milan songs on that LP, "On the Go" is also included.
"I Can't Stand this Love, Goodbye" is the outstanding, opening track on the first Pebbles CD, Pebbles, Volume 1 , released by ESD Records (not AIP Records) in 1989.
The Canadian Squires were already known as Levon and the Hawks by this time – and had also released a single as the Hawks – and would eventually become the Band.
The Spirit were forced to change their name by the California band Spirit, although they had been using it longer.
Silver Fleet is an early effort by Jeffry Katz and Jerry Kasenetz before their bubblegum pop successes a little later in the decade.
The second, unreleased single by GONN closes out the album; their classic first single, "Blackout of Gretely" was a bonus track on the Pebbles, Volume 1 CD.
Milan Radenkovich (December 15, 1941 – March 14, 1971), who was always credited mononymously as Milan, was an American record producer, songwriter and recording artist on numerous songs made throughout the 1960s, mostly though not exclusively in the garage rock genre. He released an LP and numerous singles for seven different national record labels and other independent labels (a total of more than 30 songs) under a variety of names, including Milan with His Orchestra, Milan, The World of Milan, Milan (The Leather Boy), and The Leather Boy, and also worked under the name Rick Rodell. As a producer, arranger and/or songwriter, Milan oversaw many other releases by a variety of artists ranging from the pop singer Lou Christie to the psychedelic rock band the Head Shop.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Pebbles, Volume 5 is a compilation album in the Pebbles series that has been issued in both LP and CD formats.
Pebbles, Volume 6 is a compilation album among the LPs in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The Pebbles, Volume 6 CD is not at all related to this LP; instead, the CD featuring the songs on this LP was released as English Freakbeat, Volume 6.
Pebbles, Volume 9 is a compilation album among the LPs in the Pebbles series. The music on this album has no relation to Pebbles, Volume 9 that was released on CD many years later.
Pebbles, Volume 11 is a compilation album among the LP's in the Pebbles series and has no relation to the Pebbles, Volume 11 CD that was released many years later. The cover was adapted and colorized for a later Pebbles double CD, Essential Pebbles, Volume 2.
Pebbles, Volume 12 is a compilation album among the LPs in the Pebbles series. The music on this album has no relation to Pebbles, Volume 12 that was released on CD many years later.
The Pebbles Box is a 5-LP box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. Several years later, a similar 5-CD box set was released that was called the Trash Box. The Pebbles Box purports to collect the first five volumes of the Pebbles series, although there are fewer songs than on the original LPs: 72 total tracks on the five discs, as compared with 86 on the original LPs. Also, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely.
Trash Box is a 5-CD box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. This box set is similar to the earlier Pebbles Box and includes almost all of the same recordings in that box set, along with numerous bonus tracks at the end of each disc. Supposedly, the Trash Box collects the first five volumes of the CDs in the Pebbles series. However, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely. Overall, there are 109 tracks in the box set as compared to 101 songs on the individual CDs and 72 tracks in the Pebbles Box.
Pebbles, Volume 6: Chicago Pt. 1, also known as Chicago 1, is a compilation album featuring American garage and psychedelic rock musical artists from the 1960s that were associated with the Chicago music scene. It is a compact disc installment of the Pebbles series, and was released on AIP Records in 1994.
Pebbles, Volume 7 is a compilation album among the CDs in the Pebbles series; it is subtitled Chicago 2. The previous CD in the series, Pebbles, Volume 6 also features bands from Chicago, as does the LP Highs in the Mid-Sixties, Volume 4.
Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Pebbles, Volume 9 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 2. The previous CD in the series, Pebbles, Volume 8 also features bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Essential Pebbles, Volume 1 is the first compilation album in the Essential Pebbles series. Although subtitled Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
Essential Pebbles, Volume 2 is a compilation album in the Essential Pebbles series. Although subtitled Still More Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
Highs in the Mid-Sixties were a series of compilation albums released in the mid 1980s on AIP Records developed by Greg Shaw. The series was spun off of the similar Pebbles series. Each volume focuses on a specific geographical region.
Highs in the Mid-Sixties, Volume 7 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 14 and Highs in the Mid-Sixties, Volume 16 are later volumes in the series that feature bands from these states.
Highs in the Mid-Sixties, Volume 9 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Ohio. Highs in the Mid-Sixties, Volume 21 is a later volume in the series that features bands from this state.
English Freakbeat, Volume 1 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
English Freakbeat, Volume 3 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.