Pedro Aznar | |
---|---|
Background information | |
Born | Buenos Aires, Argentina | 23 July 1959
Genres | Rock, jazz, folk |
Occupations | Musician, singer-songwriter |
Instruments | Vocals, bass, guitar |
Labels | Columbia |
Website | www |
Pedro Aznar (born 23 July 1959) is an Argentine musician and singer-songwriter. He has musical experience in jazz, Argentine folk and rock music and has a successful career as a solo artist. [1] He is well known for giving rock songs a jazz-oriented style, by playing the fretless bass, with a big influence from Jaco Pastorius. [2]
He is a multi-instrumentalist and the author of several books of poetry published in Argentina. He plays an important part in Argentine rock, where in the mid-1970s, he had various appearances with groups like Madre Atómica, Alas and Pastoral. He became one of four members of Serú Girán in 1978, one of the most musically influential bands that dominated Argentina's rock circuit for the next four years. In 1982 he accepted an invitation from Pat Metheny to join The Pat Metheny Group as a vocalist, with whom he recorded three Grammy Award-winning albums.
Later he began his solo career, while also working scoring music to film soundtracks. His 1991 album Tango 4 with Charly García as a duo went platinum and was named best rock album of the year in Argentina by the Argentine Association of Entertainment Critics. In 1990, he worked as a producer in Sandra Mihanovich and Celeste Carballo's album Mujer contra mujer . [3] [4]
Album | Band | Year | Class |
---|---|---|---|
Pinta tu aldea | Alas | 1977 (edited in 1983) | Studio |
Billy Bond and the Jets | Billy Bond and the Jets | 1978 | Studio |
Serú Girán | Serú Girán | 1978 | Studio |
La grasa de las capitales | Serú Girán | 1979 | Studio |
Bicicleta | Serú Girán | 1980 | Studio |
Peperina | Serú Girán | 1981 | Studio |
Yo no quiero volverme tan loco | Serú Girán | 1981 | Live (double album, released in 2000) |
No llores por mí, Argentina | Serú Girán | 1982 | Live |
Pedro Aznar | Pedro Aznar | 1982 | Studio |
First Circle | Pat Metheny Group | 1984 | Studio |
The Falcon and the Snowman | Pat Metheny Group | 1985 | Soundtrack |
Contemplación | Pedro Aznar | 1985 | Studio |
Tango | Charly García / Pedro Aznar | 1986 | Studio |
Fotos de Tokio | Pedro Aznar | 1986 | Studio |
Hombre mirando al sudeste | Pedro Aznar | 1987 | Soundtrack |
Letter from Home | Pat Metheny Group | 1989 | Studio |
Últimas imágenes del naufragio | Pedro Aznar | 1990 | Soundtrack |
Radio Pinti | Charly García / Pedro Aznar / Enrique Pinti | 1991 | Studio |
Tango 4 | Charly García / Pedro Aznar | 1991 | Studio |
Serú '92 | Serú Girán | 1992 | Studio |
The Road to You | Pat Metheny Group | 1993 | Live (recorded on European tour in 1991) |
En vivo | Serú Girán | 1993 | Live (double album, recorded at River Plate Stadium in 1992) |
El camino de los sueños | Pedro Aznar | 1993 | Soundtrack |
David y Goliath | Pedro Aznar | 1995 | Studio |
No te mueras sin decirme adónde vas | Pedro Aznar | 1995 | Soundtrack |
El mundo contra mí | Pedro Aznar | 1996 | Soundtrack |
Buenos Aires, 2067 | Pedro Aznar | 1997 | Soundtrack |
Cómplices | Pedro Aznar | 1998 | Soundtrack |
Cuerpo y alma | Pedro Aznar | 1998 | Studio |
Caja de música | Pedro Aznar | 2000 | Studio, poetry of Jorge Luis Borges |
Huellas en la luz | Pedro Aznar | 2001 | Studio, movie soundtracks |
Parte de volar | Pedro Aznar | 2002 | Studio |
En vivo | Pedro Aznar | 2002 | Live |
Cuando la lluvia te bese los pies | Pedro Aznar | 2002 | Studio (compilation – Mexico) |
Mudras. Canciones de a dos | Pedro Aznar | 2003 | Studio |
Indocumentados | Pedro Aznar | 2004 | Soundtrack |
Un buda | Pedro Aznar | 2005 | Soundtrack |
Aznar canta Brasil | Pedro Aznar | 2005 | Live |
A Roar Of Southern Clouds | Pedro Aznar | 2006 | Studio (compilation) |
Aznar – Lebón | Pedro Aznar – David Lebón | 2007 | Live (double album) |
El Amor En Los Tiempos Del Cólera | Pedro Aznar | 2007 | Soundtrack |
Quebrado | Pedro Aznar | 2008 | Studio (double album) |
Quebrado vivo | Pedro Aznar | 2009 | Live (double album) |
A solas con el mundo | Pedro Aznar | 2010 | Live |
Ahora | Pedro Aznar | 2012 | Studio |
Puentes Amarillos – Aznar celebra la música de Spinetta | Pedro Aznar | 2012 | Live (double album) |
Mil noches y un instante | Pedro Aznar | 2013 | Live (double album) |
Contraluz | Pedro Aznar | 2016 | Studio |
Resonancia | Pedro Aznar | 2017 | Studio, EP |
Abrazo de Hermanos | Pedro Aznar - Manuel García | 2019 | Studio |
Utopía | Pedro Aznar - Ramiro Gallo | 2020 | Studio |
Flor y Raíz | Pedro Aznar | 2021 | Studio |
El mundo no se hizo en dos días | Pedro Aznar | 2022 | Studio (double album) |
John FrancisAnthony Pastorius III, also known as Jaco Pastorius was an American jazz bassist, composer, and producer. Widely regarded as one of the greatest and most influential bassists of all time, Pastorius recorded albums as a solo artist, band leader, and as a member of the jazz fusion group Weather Report from 1976 to 1981. He also collaborated with numerous artists, including Herbie Hancock, Pat Metheny and Joni Mitchell.
Patrick Bruce Metheny is an American jazz guitarist and composer.
The Pat Metheny Group was an American jazz band founded in 1977 by guitarist and composer Pat Metheny, along with his core collaborating member, keyboardist and composer Lyle Mays. Other long-standing members included bassist and producer Steve Rodby from 1981 to 2010, and drummer Paul Wertico from 1983 to 2001, after which Antonio Sanchez became the percussionist from 2002 to 2010. Vocalist Pedro Aznar was also a long-time member, performing with the group from 1984 to 1993. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians.
Michael Leonard Brecker was an American jazz saxophonist and composer. He was awarded 15 Grammy Awards as a performer and composer, received an honorary doctorate from Berklee College of Music in 2004, and was inducted into the DownBeat Jazz Hall of Fame in 2007.
Rodolfo Páez, popularly known as Fito Páez, is an Argentine popular rock and roll musician and filmmaker.
Norberto Aníbal Napolitano, popularly known as Pappo, was an Argentine rock musician, guitarist, singer and songwriter. One of the most influential figures in Argentine music, he was a forerunner of Argentine rock, heavy metal and blues.
Serú Girán was an Argentine rock supergroup. Formed in 1978, the group consisted of Charly García, David Lebón, Oscar Moro and Pedro Aznar the three first being already consecrated musicians through their previous bands. It is considered one of the best in the history of rock en español, both musically and conceptually, including the staging
Shadows and Light is the second live album by Canadian musician Joni Mitchell. It was released in September 1980 through Asylum Records, her last release for the label. It was recorded in September 1979 at the Santa Barbara Bowl in Santa Barbara, California.
Andrés Calamaro is an Argentine musician, composer and Latin Grammy winner. He is considered one of the greatest and most influential rock artists in Spanish. He is also one of the most complete artists for his wide range of musical styles, including funk, reggae, ballads, boleros, tangos, jazz. His former band Los Rodríguez was a major success in Spain and throughout Latin America mainly during the 1990s. He is multi-instrumentalist and became one of the main icons of Argentine rock, selling over 1.3 million records to date.
Bright Size Life is the debut album by Pat Metheny, recorded in December 1975 and released on ECM March the following year. The trio features rhythm section Jaco Pastorius and Bob Moses.
Pat Metheny Group is the debut album by the Pat Metheny Group, recorded in January 1978 and released on ECM in March that same year. The quartet features rhythm section Lyle Mays, Mark Egan, and Danny Gottlieb.
Live Under the Sky was an annual jazz festival held in summer, July and August, at the Denen Coliseum and Yomiuriland in Tokyo and other areas in Japan. The multiple day festival featured musicians from Japan and other countries performing on different stages. It was held from 1977 – 1992.
First Circle is the fourth studio album by the Pat Metheny Group recorded over four days in February 1984 and released on ECM later that year. Metheny is joined by Lyle Mays on keyboards, Steve Rodby on bass, Paul Wertico on drums, and Pedro Aznar on vocals, percussion, and guitar. First Circle won the Grammy Award for Best Jazz Fusion Performance.
"I Am What I Am" is a song originally introduced in the Broadway musical La Cage aux Folles. The song is the finale number of the musical's first act, and performed by the character of Albin Mougeotte, first played by George Hearn. His version appears on the original cast album released in 1983. The song was composed by Jerry Herman.
Fabián Andrés González Amado, known by his stage name Tweety González, is an Argentine musician and record producer. González is mostly known for playing the keyboard for Argentine rock band Soda Stereo and Argentine musician Fito Páez. Tweety is also a music producer and has worked with artists Shakira, Gustavo Cerati, Illya Kuryaki and the Valderramas, Luis Alberto Spinetta, Superlitio, Famasloop and several others. Gustavo Cerati's 2006 Ahí vamos in which Tweety played keyboards won the Latin Grammy for Best Rock Solo Vocal Album.
Sandra Mihanovich is an Argentine singer, musician, and composer of rock, blues, and tango rhythms.
"Une femme avec une femme" is a 1990 song by Spanish pop band Mecano. In late 1990, it was released as a single from the band's seventh album, released in 1988, Descanso dominical, on which it appears as the third track. It became a hit in France, hitting number one for seven weeks. Also in 1990, the song was notably covered by the pop duo formed by Argentine singers Sandra Mihanovich and Celeste Carballo as the title track of their studio album Mujer contra mujer, which is regarded as a landmark by the country's lesbian community. In 2003, the song was covered by Saya, becoming a top-10 hit in France.
Celeste Carballo is an Argentine singer-songwriter in rock, blues, hard rock, punk and tango.
Clics modernos is the second solo studio album by the Argentine musician Charly García, released on November 5, 1983 on SG Discos and Interdisc. It was a decisive work to consolidate the modern trends that would mark the profile of Argentine rock during the 1980s and saw García heralded as a "revolutionary" for his musical and lyrical boldness. It was ranked at number two in the Argentine edition of Rolling Stone's list of The 100 Greatest Albums of Argentine Rock.
Mujer contra mujer is the second and final studio album by the pop duo formed by Argentine singers Sandra Mihanovich and Celeste Carballo, released by RCA Records and Sony BMG in October 1990. Mihanovich and Carballo had already developed successful solo careers before joining as a duo. After collaborating on a successful show in the summer of 1987, they decided to record together and released their first studio album as a duo, Somos mucho más que dos, in 1988. Around this time, Mihanovich and Carballo became romantically involved, although not publicly. Their songs included subtle references to lesbian love, and the nature of their relationship caused much speculation in the media. Before forming the duo, Mihanovich already had two popular gay anthems in her repertoire: her 1981 breakthrough single "Puerto Pollensa", and "Soy lo que soy", her 1984 Spanish-language cover of "I Am What I Am".
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)