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Pelagia Goulimari (born 1964) is a Greek-British author, editor, and academic. She specialises in literary criticism, feminist theory, continental philosophy, and writing in English from 1740 to the present. [1] Goulimari is a Research Fellow at Somerville College, Oxford, a Senior Fellow in Feminist Studies within the Humanities Division, and a member of the Faculty of English at the University of Oxford. She co-directs the interdisciplinary MSt programme in Women's, Gender and Sexuality Studies, as well as the Intersectional Humanities network at TORCH (The Oxford Research Centre in the Humanities). [2] In 1993, Goulimari co-founded Angelaki , an academic journal in literary criticism and theory, philosophy, and cultural studies published by Routledge. She remains the journal's editor-in-chief. [3]
Goulimari has published widely on literary criticism and theory, particularly postmodernism, and on the work of Toni Morrison, Gilles Deleuze, Virginia Woolf, and Pamela Sue Anderson, among others.
Gilles Louis René Deleuze was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus.
Post-structuralism is a philosophical movement that questions the objectivity or stability of the various interpretive structures that are posited by structuralism and considers them to be constituted by broader systems of power. Although post-structuralists all present different critiques of structuralism, common themes among them include the rejection of the self-sufficiency of structuralism, as well as an interrogation of the binary oppositions that constitute its structures. Accordingly, post-structuralism discards the idea of interpreting media within pre-established, socially constructed structures.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Consequently, the word theory became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy, often witnessed within Western canon along with some postmodernist theory.
The private sphere is the complement or opposite to the public sphere. The private sphere is a certain sector of societal life in which an individual enjoys a degree of authority and tradition, unhampered by interventions from governmental, economic or other institutions. Examples of the private sphere are high society, religion, sex, family and home.
Postmodern feminism is a mix of postmodernism and French feminism that rejects a universal female subject. The goal of postmodern feminism is to destabilize the patriarchal norms entrenched in society that have led to gender inequality. Postmodern feminists seek to accomplish this goal through opposing essentialism, philosophy, and universal truths in favor of embracing the differences that exist amongst women in order to demonstrate that not all women are the same. These ideologies are rejected by postmodern feminists because they believe if a universal truth is applied to all women of society, it minimizes individual experience, hence they warn women to be aware of ideas displayed as the norm in society since it may stem from masculine notions of how women should be portrayed.
A Thousand Plateaus: Capitalism and Schizophrenia is a 1980 book by the French philosopher Gilles Deleuze and the French psychoanalyst Félix Guattari. It is the second and final volume of their collaborative work Capitalism and Schizophrenia. While the first volume, Anti-Oedipus (1972), was a critique of contemporary uses of psychoanalysis and Marxism, A Thousand Plateaus was developed as an experimental work of philosophy covering a far wider range of topics, serving as a "positive exercise" in what Deleuze and Guattari refer to as rhizomatic thought.
Affect is a concept, used in the philosophy of Baruch Spinoza and elaborated by Henri Bergson, Gilles Deleuze and Félix Guattari, that places emphasis on bodily or embodied experience. The word affect takes on a different meaning in psychology and other fields.
Minority is a philosophical concept developed by Gilles Deleuze and Félix Guattari in their books Kafka: Towards a Minor Literature (1975), A Thousand Plateaus (1980), and elsewhere. In these texts, they criticize the concept of "majority". For Deleuze and Guattari, "becoming-minor(itarian)" is primarily an ethical action, one of the becomings one is affected by when avoiding "becoming-fascist". They argued further that the concept of a "people", when invoked by subordinate groups or those aligned with them, always refers to a minority, whatever its numerical power might be.
The body without organs is a fuzzy concept used in the work of French philosophers Gilles Deleuze and Félix Guattari. The concept describes the unregulated potential of a body—not necessarily human— without organizational structures imposed on its constituent parts, operating freely. The term was first used by French writer Antonin Artaud in his 1947 play To Have Done With the Judgment of God, later adapted by Deleuze in his book The Logic of Sense, and ambiguously expanded upon by himself and Guattari in both volumes of their work Capitalism and Schizophrenia.
The Logic of Sense is a 1969 book by the French philosopher Gilles Deleuze. The English edition was translated by Mark Lester and Charles Stivale, and edited by Constantin V. Boundas.
Gilles Deleuze, a French philosopher, and Félix Guattari, a French psychoanalyst and political activist, wrote a number of works together.
Professor Patricia Waugh is a literary critic, intellectual historian and Professor of English Literature at Durham University. She is a leading specialist in modernist and post-modernist literature, feminist theory, intellectual history, and postwar fiction and its political contexts. Along with Linda Hutcheon, Waugh is notable as one of the first critics to work on metafiction and, in particular, for her influential 1984 study, Metafiction: the Theory and Practice of Self-Conscious Fiction.
Angelaki: Journal of the Theoretical Humanities is a bimonthly peer-reviewed academic journal that was established in 1993. It covers "work in the disciplinary fields of literary criticism and theory, continental philosophy, and cultural studies." Since 1998, it has been published by Routledge. The editor-in-chief is Pelagia Goulimari, who was also the founding executive editor. In 1996, Angelaki was named "Best New Journal" in the annual awards of the Council of Editors of Learned Journals.
What is Philosophy? is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari. The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia and Kafka: Towards a Minority Literature (1975). In this, the last book they co-signed, philosophy, science, and art are treated as three modes of thought.
Post-Marxism is a perspective in critical social theory which radically reinterprets Marxism, countering its association with economism, historical determinism, anti-humanism, and class reductionism, whilst remaining committed to the construction of socialism. Most notably, Post-Marxists are anti-essentialist, rejecting the primacy of class struggle, and instead focus on building radical democracy. Post-Marxism can be considered a synthesis of post-structuralist frameworks and neo-Marxist analysis, in response to the decline of the New Left after the protests of 1968. In a broader sense, post-Marxism can refer to Marxists or Marxian-adjacent theories which break with the old worker's movements and socialist states entirely, in a similar sense to Post-leftism, and accept that the era of mass revolution premised on the Fordist worker is potentially over.
A critical theory is any approach to humanities and social philosophy that focuses on society and culture to attempt to reveal, critique, and challenge or dismantle power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions than from individuals. Some hold it to be an ideology, others argue that ideology is the principal obstacle to human liberation. Critical theory finds applications in various fields of study, including psychoanalysis, film theory, literary theory, cultural studies, history, communication theory, philosophy, and feminist theory.
Proust and Signs is a book by the philosopher Gilles Deleuze, in which the author explores the system of signs within the work of the celebrated French novelist Marcel Proust. It was first published in 1964; its second edition (1972) added an eighth concluding chapter, and its third edition (1976) appended an entire second part. The book was translated into English by Richard Howard.
Thomas Nail is a professor of Philosophy at The University of Denver.
Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history. He has been an Alexander von Humboldt Fellow.
New materialism is a broad field within contemporary philosophy which seek to engage with the traditions of materialist philosophy as well as develop new articulations between intellectual currents in science and philosophy. New Materialists often draw on Gilles Deleuze and Félix Guattari's theories of the rhizome, as well as materialist interpretations of Baruch Spinoza's concept of immanence. Many philosophical tendencies are associated with new materialism, in such a way that the field resists a common definition. Common characteristics of New Materialists include the rejection of representationalism, humanism, and the intrinsic distinction of subjectivity and knowledge. New materialism also shares a critical reaction to the theoretical dominance of radical constructionism as well as the normative and analytic political theory. Some theoreticians also emphasize the critique of the deficits and inconsistencies of previous paradigms of materialism, such as phenomenology and Marxism.