The Fuller Brooch is an Anglo-Saxon silver and niello brooch dated to the late 9th century, which is now in the British Museum, where it is normally on display in Room 41. The elegance of the engraved decoration depicting the Five Senses, highlighted by being filled with niello, makes it one of the most highly regarded pieces of Anglo-Saxon art.
A brooch is a decorative jewellery item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term fibula.
The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century. It is of the pseudo-penannular type, and made from bronze, silver and gold. Its head consists of an intricately decorated circular ring, and overall, its front and reverse sides are equally decorated; each holds around 50 inserted cast panels packed with filigree. The brooch was constructed from numerous individually made pieces; all of the borders and its terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree, and Celtic spirals. The brooch is widely considered the most complex and ornate of its kind and would have been commissioned as a fastener for the cloak of a high-ranking cleric or as ceremonial insignia of high office for a High King of Ireland.
Niello is a black mixture, usually of sulphur, copper, silver, and lead, used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens, and flows or is pushed into the engraved lines in the metal. It hardens and blackens when cool, and the niello on the flat surface is polished off to show the filled lines in black, contrasting with the polished metal around it. It may also be used with other metalworking techniques to cover larger areas, as seen in the sky in the diptych illustrated here. The metal where niello is to be placed is often roughened to provide a key. In many cases, especially in objects that have been buried underground, where the niello is now lost, the roughened surface indicates that it was once there.
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast.
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
The St Ninian's Isle Treasure, found on St Ninian's Isle, Scotland in 1958 is the best example of surviving silver metalwork from the Early Medieval period in Scotland. The 28-piece hoard includes various silver metalwork items, including twelve pennanular brooches. The treasure is now in the National Museum of Scotland.
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa.
In the early Middle Ages, there were distinct material cultures evident in the different federations and kingdoms within what is now Scotland. Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards. Irish-Scots art from the kingdom of Dál Riata suggests that it was one of the places, as a crossroads between cultures, where the Insular style developed.
Trewhiddle style is a distinctive style in Anglo-Saxon art that takes its name from the Trewhiddle Hoard, discovered in Trewhiddle, Cornwall in 1770. Trewhiddle ornamentation includes the use of silver, niello inlay, and zoomorphic, plant and geometric designs, often interlaced and intricately carved into small panels. It was primarily used to decorate metalwork. During the late Anglo-Saxon era, silver was the precious metal most commonly used to create Trewhiddle style jewellery and to decorate weapons. Famous examples include the Pentney Hoard, the Abingdon sword, the Fuller brooch, and the Strickland brooch.
The Strickland Brooch is an Anglo-Saxon silver and niello disc brooch dated to the mid 9th century, now in the British Museum. Although its exact provenance is unknown, it is regarded by scholars as a rare and important example of an Anglo-Saxon brooch.
The Galloway Hoard, currently held in the National Museum of Scotland, is a hoard of more than 100 gold, silver, glass, crystal, stone, and earthen objects from the Viking Age, discovered in the historical county of Kirkcudbrightshire in Dumfries and Galloway in Scotland, in September 2014. Found on Church of Scotland land, the hoard has been described by experts as "one of the most significant Viking hoards ever found in Scotland". With years of extensive study and research, scholars are still not certain who buried the hoard, why they did so and whether they were Vikings or Anglo-Saxons. During the Viking Age, Galloway found itself squeezed between two Viking kingdoms and essentially cut off from other Anglo-Saxons in Britain – "Galloway is where these different cultures were meeting. It's not just Scandinavians, but people from Britain and Ireland as well."
The Bedale Hoard is a hoard of forty-eight silver and gold items dating from the late 9th to early 10th centuries AD and includes necklaces, arm-bands, a sword pommel, hacksilver and ingots. It was discovered on 22 May 2012 in a field near Bedale, North Yorkshire, by metal detectorists, and reported via the Portable Antiquities Scheme. Following a successful public funding campaign, the hoard was acquired by the Yorkshire Museum for £50,000.
Ædwen's brooch is an early 11th-century Anglo-Scandinavian silver disc brooch with an inscription on the reverse side. It was discovered in 1694 during the ploughing of a field in Sutton, Isle of Ely, Cambridgeshire, along with a hoard including coins and gold rings. The brooch was re-discovered in a private collection in 1951 and bought by the British Museum.
A disc fibula or disc brooch is a type of fibula, that is, a brooch, clip or pin used to fasten clothing that has a disc-shaped, often richly decorated plate or disc covering the fastener. The terms are mostly used in relation to the Middle Ages of Europe, especially the Early Middle Ages. They were the most common style of Anglo-Saxon brooches.
Anglo-Saxon brooches are a large group of decorative brooches found in England from the fifth to the eleventh centuries. In the early Anglo-Saxon era, there were two main categories of brooch: the long (bow) brooch and the circular (disc) brooch. The long brooch category includes cruciform, square-headed, radiate-headed, and small-long brooch brooches. The long brooches went out of fashion by the end of the sixth century.
The Beeston Tor Hoard is an Anglo-Saxon jewellery and coin hoard discovered in 1924 at Beeston Tor in Staffordshire. The hoard consists of forty-nine coins, two silver brooches with Trewhiddle style decoration, three finger rings, and miscellaneous fragments. The coins date the burial of the hoard to approximately 875 AD.
The West Yorkshire Hoard is a precious-metal hoard of six gold objects, including four gold finger-rings, and a lead spindle whorl, which was discovered near Leeds, West Yorkshire, in 2008–2009 by a metal detectorist. The find was of national and international significance, expanding the understanding of hoards and hoarding in the north of England in early medieval England, as well as expanding the corpus of known gold rings from the period.
The Talnotrie Hoard is a 9th-century mixed hoard of jewellery, coinage, metal-working objects and raw materials found in Talnotrie, Scotland, in 1912. Initially assumed to have belonged to a Northumbrian metal-worker, more recent interpretations associate its deposition with the activities of the Viking Great Army.
