The Percy Society was a British text publication society. It was founded in 1840 and collapsed in 1852. [1]
The Society was a scholarly collective, aimed at publishing limited-edition books of rare poems and songs. The president was Lady Braybrooke, and the twelve founding members of the committee included John Payne Collier, Thomas Crofton Croker, Thomas Wright, James Orchard Halliwell (treasurer), Charles Mackay, Edward Francis Rimbault (secretary) and William Chappell. Later members included William Sandys, and Robert Bell.
The editors took care to print the text exactly as given in their sources. This was in contrast to their main inspiration, Thomas Percy, who often polished up vernacular text by adding lines or merging different incomplete versions. Like Percy, they omitted obscene songs and verses. Unlike Percy they tried to find the tunes to songs. John Payne Collier founded the Shakespeare Society in 1841.
The members of the Percy Society drew on manuscripts and printed ephemera in the British Museum, the Bodleian Library, the Ashmolean Museum, the Pepys collection (Cambridge), The Douce collection (Oxford), and their own private collections. The committee would decide on the theme of the next publication, and send out the bound volumes to their subscription list. All members of the society were enthusiasts of Elizabethan drama. The society grew out of the Roxburghe Club. As well as reprinting so-called "Garlands" (collections of songs), they created their own compilations related to a particular region of Britain, or to a single subject such as Robin Hood. There were 90 small publications and 31 larger volumes called "Early English Poetry, Ballads and Popular Literature".
In 1868 the Ballad Society was formed to do similar work, but was more focused on reprinting folksongs.
Of all the Percy Society publications, the ones that have been most frequently in print recently are the Irish folklore books by Thomas Crofton Croker. James Orchard Halliwell sold his personal collection of ballads, which became known as the Euing Collection, in the University of Glasgow. The "Crow Collection" at the University of Kent at Canterbury has an almost complete collection of Percy Society publications.
Vol. | Title | Year | Link |
---|---|---|---|
1 | Old Ballads from Early Printed Copies / Songs and Ballads Relative to the London Prentices / Historical Songs of Ireland / Pain and Sorrow of Evil Marriage / The King and a Poor Northern Man | 1840 | |
2 | A selection from the minor poems of Lydgate / Early naval ballads of England / A search for money, by William Rowley / The mad pranks and merry jests of Robin Goodfellow | 1840 | [2] |
3 | Political Ballads published in England during the Commonwealth / Strange Histories by Thomas Deloney / A Marriage Triumph by Thomas Heywood / The History of Patient Grissel | 1841 | |
4 | Specimins of Lyric Poetry, Temp. Edw. I. / The Boke of Curtasye / Specimins of Old Christmas Carols / The Nursery Rhymes of England | 1841 | |
5 | Kind-heart's Dream, by Henry Chettle, 1592 / A Knight's Conjuring by Thomas Dekker / The Meeting of Gallants at an Ordinaire, 1604 / The Two Agnry Women of Abingdon, by H. Porter, 1599 | 1841 | |
6 | Ancient Poetical Tracts of the Sixteenth Century / Cock Lorell's Bote / The Crown Garland of Golden Roses / Follie's Anatomie, by Henry Hutton, 1619 / Poems by Sir Henry Wotton | 1842 | |
7 | The Harmony of Birds/ A Paraphrase of the Seven Penitential Psalms, in English Verse / The Harmony of the Church, by Michael Drayton, 1591 / Jack of Dover, 1604, A Kerry Pastoral | 1842 | |
8 | A Selection of Latin Stories / A Dialogue of Witches and Witchcraft by George Gifford | 1843 | |
9 | The Four Knaves, by Samuel Rowlands / A Poem to the Memory of William Congreve, by James Thomson / The Pleasant Conceits of Old Hobson, The Merry Londoner / Maroccus Extaticus: Or Bankes Bay Horse in a Trance, 1597 / Old Ballads illustrating the Great Frost of 1683-4 | 1844 | |
10 | Lord Mayor's Pageants: Parts I. and II. | 1844 | |
11 | The Owl and the Nightingale / Thirteen Psalms and the First Chapter of Ecclesiastes, Versified by John Croke / An Historical Expostulation, etc. by John Hall, 1565 / The Honestie of the Age by Barnaby Rich, 1611 | 1844 | |
12 | Reynard the Fox, from Caxton's Edition | 1844 | |
13 | The Keen of the South of Ireland / Six Ballads, with Burdens / Lyrical Poems, Selected from Musical Publications Between 1589 and 1600 | 1844 | |
14 | The Poems of John Audelay / St. Brandan, A Legend of the Sea / The Romance of the Emperor Octavian | 1844 | |
15 | Friar Bakon's Prophesie / Poetical Miscellanies / The Crown Garland of Golden Roses, Part II | 1845 | |
16 | The Seven Sages, with an Introductory Essay / The Romance of Sir Tryamoure | 1846 | |
17 | Scottish traditional versions of ancient ballads / Ancient poems, ballads and songs | 1846 | [3] |
18 | The Passetyme of Pleasure by Stephen Hawes | 1846 | |
19 | The Civic Garland / Life and Martyrdom of Thomas Becket | 1846 | |
20 | Barnfield's Affectionate Shepherd / Dialogue on Wit and Folly / Proverbs and Popular Sayings / Song of Lady Bessy | 1847 | |
21 | Popular songs, illustrative of the French invasions of Ireland in Four Parts | 1847 | [4] |
22 | The Cytezen and Uplondyshman / An Interlude of the Four Elements / Interlude of the Disobedient Child / The Autobiography of Mary Countess of Warwick / Westward from Smelts | 1848 | |
23 | Songs and Carols of the Fifteenth Century / Festive Songs of the Sixteenth and Seventeenth Centuries / Popular English Histories | 1848 | |
24 | The Canterbury Tales Part I | 1847 | [5] |
25 | The Canterbury Tales Part II | 1847 | [6] |
26 | The Canterbury Tales Part III | 1851 | |
27 | Beleeve as You List / Satirical Songs and Poems on Costume | 1849 | |
28 | An Anglo-Saxon passion of Saint George / A poem on the times of Edward II. / The Poems of William de Shoreham / The triall of treasure | 1851 | [7] |
29 | Notices of fugitive tracts and chap-books / The man in the Moone / The use of dice-play / The loyal garland / Poems and songs on the assassination of the Duke of Buckingham | 1851 | [8] |
30 | The Garland of Good-Will / Britannia's Pastorals: A Third Book / John Bon and Mast Person; A Dialogue in Verse | 1852 |
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
The Canterbury Tales is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
Thomas Wright was an English antiquarian and writer. He is chiefly remembered as an editor of medieval texts.
James Orchard Halliwell-Phillipps was an English Shakespearean scholar, antiquarian, and a collector of English nursery rhymes and fairy tales.
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.
Medieval literature is a broad subject, encompassing essentially all written works available in Europe and beyond during the Middle Ages. The literature of this time was composed of religious writings as well as secular works. Just as in modern literature, it is a complex and rich field of study, from the utterly sacred to the exuberantly profane, touching all points in-between. Works of literature are often grouped by place of origin, language, and genre.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"Hey Diddle Diddle" is an English nursery rhyme. It has a Roud Folk Song Index number of 19478.
Thomas Crofton Croker was an Irish antiquary, best known for his Fairy Legends and Traditions of the South of Ireland (1825–1828), and who also showed considerable interest in Irish song and music.
Thomas Percy was Bishop of Dromore, County Down, Ireland. Before being made bishop, he was chaplain to George III of the United Kingdom. Percy's greatest contribution is considered to be his Reliques of Ancient English Poetry (1765), the first of the great ballad collections, which was the one work most responsible for the ballad revival in English poetry that was a significant part of the Romantic movement.
Songes and Sonettes, usually called Tottel's Miscellany, was the first printed anthology of English poetry. First published by Richard Tottel in 1557 in London, it ran to many editions in the sixteenth century.
Tail rhyme is a family of stanzaic verse forms used in poetry in French and especially English during and since the Middle Ages, and probably derived from models in medieval Latin versification.
The term Middle English literature refers to the literature written in the form of the English language known as Middle English, from the late 12th century until the 1470s. During this time the Chancery Standard, a form of London-based English became widespread and the printing press regularized the language. Between the 1470s and the middle of the following century there was a transition to early Modern English. In literary terms, the characteristics of the literary works written did not change radically until the effects of the Renaissance and Reformed Christianity became more apparent in the reign of King Henry VIII. There are three main categories of Middle English literature, religious, courtly love, and Arthurian, though much of Geoffrey Chaucer's work stands outside these. Among the many religious works are those in the Katherine Group and the writings of Julian of Norwich and Richard Rolle.
The Reliques of Ancient English Poetry is a collection of ballads and popular songs collected by Bishop Thomas Percy and published in 1765.
"The Marriage of Sir Gawain" is an English Arthurian ballad, collected as Child Ballad 31. Found in the Percy Folio, it is a fragmented account of the story of Sir Gawain and the loathly lady, which has been preserved in fuller form in the medieval poem The Wedding of Sir Gawain and Dame Ragnelle. The loathly lady episode itself dates at least back to Geoffrey Chaucer's "Wife of Bath's Tale" from The Canterbury Tales. Unlike most of the Child Ballads, but like the Arthurian "King Arthur and King Cornwall" and "The Boy and the Mantle", "The Marriage of Sir Gawain" is not a folk ballad but a song for professional minstrels.
Sammelband, or sometimes nonce-volume, is a book comprising a number of separately printed or manuscript works that are subsequently bound together.
Nationality words link to articles with information on the nation's poetry or literature.
Contact between Geoffrey Chaucer and the Italian humanists Petrarch or Boccaccio has been proposed by scholars for centuries. More recent scholarship tends to discount these earlier speculations because of lack of evidence. As Leonard Koff remarks, the story of their meeting is "a 'tydying' worthy of Chaucer himself".