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Motion Picture Sound Editors (M.P.S.E.) is an American honorary society of motion picture sound editors founded in 1953. The society's goals are to educate others about and increase the recognition of the sound editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members. The society is not to be confused with an industry union, such as the I.A.T.S.E. The current president is Mark Lanza.
Dody Jane Dorn is an American film and sound editor, best known for working with director Christopher Nolan on several films including Memento (2000). Dorn was nominated for the Academy Award for Memento, which Variety described as a "...beautifully structured puzzle..." that "...deconstructs time and space with Einstein-caliber dexterity in the service of a delectably disturbing tale of revenge ... Dody Dorn's editing is top-notch as pic -- scripted, acted and lensed with precision -- smoothly toggles back and forth between sequences in B&W and in color."
Rabid Grannies is a 1988 comedy horror film written and directed by Emmanuel Kervyn, and starring Danielle Daven and Anne-Marie Fox as elderly sisters who, following a present from an ostracised black sheep relative, proceed to kill their greedy family.
Elizabeth Clare Douglas was a British film editor who received a BAFTA Award for Best Editing for the 2006 film United 93. Douglas worked extensively for British television, and had been nominated four times for BAFTA Television Editing Awards.
Michael Minkler is a motion picture sound re-recording mixer. He has received Academy Awards for his work on Dreamgirls, Chicago and Black Hawk Down. His varied career has also included films like Inglourious Basterds, JFK and Star Wars, as well as television programs like The Pacific and John Adams. Minkler works at Todd-AO Hollywood. He is also the Managing Director of Moving Pictures Media Group, a company that specializes in film development, packaging projects for production funding acquisition.
Amrit Pritam(Assamese: অমৃত প্ৰীতম) is an Indian sound designer who works closely with Resul Pookutty. Amrit was born in Jorhat, Assam, and is presently based in Mumbai. He is a member of the Academy of Motion Picture Arts and Sciences.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film. It was first awarded in 1989, for films released the previous year, under the title Best Sound Editing - Animated Feature. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Animated Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Dialogue and ADR for Episodic Short Form Broadcast Media is an annual award given by the Motion Picture Sound Editors in the United States. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in short form broadcast media. The "short form" of the title refers to television episodes that have a runtime of less than one hour, though more than 35 minutes, as those episodes now have their own category. It was first awarded in 1998, for episodes premiering the previous year, under the title Best Sound Editing - Television Episodic - Effects & Foley. The term "short form" was added to the category in 2005, though long form television had had its own category by then. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects and Foley for Episodic Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in long form broadcast media. The "long form" of the title refers to television episodes that have a runtime of more than one hour. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television - Effects & Foley, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing - Television Movie of the Week - Effects & Foley, or some moniker of it, since 1998. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of sound effects and foley. It was first awarded in 1954, for films released the previous year, under the title Best Sound Editing - Feature Film. In 1964 the award was split in two, this to honor sound effects editing, while the other honored adr. It wasn't until 1974 that the title specified that it was being awarded to sound effects, under the title Best Sound Editing - Sound Effects. The "foley" of the title wasn't recognized until 1997. Between then and 2018, the category's title fluctuated between similar variations. The award has been given under its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-English language film. It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not until 2018, when this award was first given under its current title, that this category awarded, exclusively, non-English language films. Previously, the award was given to either foreign language films and/or English language films produced outside of the United States.
Donald Sylvester is an American sound editor who has worked on over 100 films. He is best known for his work with James Mangold on the films Ford v Ferrari (2019), Logan (2017), 3:10 to Yuma (2007), and Walk the Line (2005). Sylvester won the Academy Award for Best Sound Editing at the 92nd Academy Awards for Ford v Ferrari and BAFTA Award for Best Sound at the 59th British Academy Film Awards for Walk the Line. He has been a member of BAFTA since 2007.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work on episodes with run times 35 or less. The "short form" of the title refers to television episodes that have a runtime of less than one hour, though more than 35 minutes, as those episodes now have their own category. The award has been given with its current title since 2019. Previously, series eligible for this award could be nominated for the short form dialogue & ADR and sound effects & foley categories.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Music Score and Musical for Episodic Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of music editing in television. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. The term "long form" was added to the category in 2002, as long form television had been awarded under both the category titled Best Sound Editing - Television Movies of the Week - Music, and Best Sound Editing - Television Episodic - Music, or some moniker of them, since 1997. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Documentary Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of documentary feature (theatrical) film. The award has been given with its current title since 2018.
Rachael Tate is a British sound editor in the film industry. She was nominated for an Academy Award and won a BAFTA Award for Best Sound for her work on the 2019 film 1917.