Attempts to develop a feature film adaptation of Ludlum's novel first began in 1981 but stalled after being passed to different distributors, with Warner Bros. producing a television film adaptation in 1988. Liman revived the feature film project in 1996 and worked with Ludlum and David Self on its screenplay after Gilroy initially declined: Gilroy made several changes to the script upon joining, with additional contributions from Herron. After Damon and Potente were cast, principal photography began in October 2000 and lasted until February 2001, with filming taking place in Paris, Prague, Imperia, Rome, Mykonos, and Zürich. Production was troubled: the creators frequently clashed with studio executives over delays, costs, last-minute changes, and unexpected reshoots.
Originally set for release in September 2001, it was theatrically released in the United States on June 14, 2002, by Universal Pictures. The film received positive reviews from critics, with praise for the direction, Damon's performance, action sequences, and characters: it is considered one of the most influential action films of all time.[3] It grossed $214 million worldwide and was followed by the sequels The Bourne Supremacy (2004), The Bourne Ultimatum (2007), and Jason Bourne (2016).
Plot
In the Mediterranean Sea, Italian fishermen rescue an American man adrift with two gunshot wounds in his back. Tending to his wounds, they find he has amnesia but shows advanced combat skills and fluency in several languages. A tiny laser projector found implanted in his hip gives the number of a safe deposit box in Zürich, so he goes to investigate.
In the deposit box he finds various currencies, passports, IDs with different names, and a handgun. The man takes everything but the gun and starts using the name on the American passport, Jason Bourne. After Bourne's departure, a bank employee contacts Operation Treadstone, a CIA black ops program. Its head, Alexander Conklin, issues alerts to police to capture Bourne and assigns three agents – codenamed Castel, Manheim, and the Professor – to kill him.
CIA Deputy Director Ward Abbott contacts Conklin about a failed assassination attempt against exiled African dictator Wombosi, who promises to deal with the agent who failed. Bourne evades the Swiss police by using his U.S. passport to enter the American consulate but is pursued by Marine guards.
Bourne escapes after offering $20,000 to Marie Kreutz, a 26-year-old German he saw at the consulate, to drive him to an address in Paris. From the apartment, Bourne uses the phone to contact a hotel to inquire about the names on his passports. A "John Michael Kane" was registered but died two weeks before in a car crash. Castel ambushes Bourne and Marie in the apartment, but Bourne gets the upper hand. Instead of allowing himself to be interrogated, Castel throws himself from a window to his death.
While searching through Castel's belongings, Marie finds wanted posters of Bourne and herself and so agrees to help him. After they evade the police in Marie's car, they spend the night in a Paris hotel.
Meanwhile, Wombosi obsesses over the attempt on his life. Conklin, having anticipated this, has planted a body identified as John Michael Kane in a Paris morgue to appear to be the assailant. Wombosi is unconvinced and threatens to report the CIA's actions to the media. The Professor then assassinates Wombosi on Conklin's orders.
Bourne, posing as Kane, learns about the failed assassination attempt on Wombosi's yacht, and that the assassin was shot twice in the back during the escape, ultimately realizing that he was responsible for the attempt. He and Marie take refuge in the French countryside home of Marie's half-brother Eamon and his children.
Under pressure from Abbott to handle the matter, Conklin tracks Bourne's location and sends the Professor to kill him. Bourne mortally wounds the Professor, who reveals their shared connection to Treadstone before dying. Bourne sends Marie, Eamon, and the children away for their protection. He then contacts Conklin via the Professor's phone, and they agree to meet alone in Paris.
When Bourne sees that Conklin is not alone, he abandons their meeting but places a tracking device on his car, leading Bourne to the Treadstone safe house in Paris. He breaks in and holds Conklin and logistics technician Nicky Parsons at gunpoint. Conklin reveals his association with Treadstone and presses him to remember his past. Bourne recalls his attempt to assassinate Wombosi through successive flashbacks.
Under orders from Treadstone, Bourne had infiltrated Wombosi's yacht and got close enough to assassinate him. However, Bourne could not kill Wombosi while his children were present so instead fled, being shot during his escape and losing his memory.
Bourne announces he is resigning from Treadstone and warns Conklin not to follow him. As agents descend on the safe house, he fights his way out. As Conklin leaves, he is killed by Manheim under Abbott's orders. Abbott then shuts down Treadstone. He reports to an oversight committee that Treadstone is a "decommissioned" former program of theoretical game-scenario exercises before discussion turns to a new project codenamed "Blackbriar".
Some time later, Bourne finds Marie renting out scooters to tourists on Mykonos, and they reunite.
In addition, Julia Stiles appears as Nicolette (Nicky Parsons), in a role that would be elevated to main cast billing in three later films of the Bourne franchise.
Production
Development
Attempts to develop a film adaptation of The Bourne Identity began in 1981, when film producer Anthony Lazzarino and Ludlum's literary agent Henry Morrison's company Windwood/Glen Productions purchased the film rights to the novel shortly after its publication. Morrison left the company shortly afterwards, and Lazzarino optioned the film to Orion Pictures in exchange for a 3.75 percent interest and a presentation credit. This option was eventually acquired by Warner Bros. Pictures, which intended to make a film adaptation directed by Jack Clayton and starring Burt Reynolds.[4] However, the film did not move forward because Reynolds was uninterested. Warner Bros. produced a television adaptation of the novel for ABC in 1988, but otherwise did nothing with its option and allowed the rights to revert back to the Ludlum estate in 1999.[5][6]
Director Doug Liman had been a fan of the source novel by Robert Ludlum since he read it in high school. Near the end of production of Liman's previous film Swingers in 1996, Liman decided to develop a film adaptation of the novel. However, he could not initially move forward with the project because Warner Bros. still owned the film rights.[7] After more than two years of securing rights to the book and a further year of screenplay development with screenwriter Tony Gilroy, the film went through two years of production.[8]Universal Pictures acquired the film rights to Ludlum's books in the hopes of starting a new film franchise, and because studio CEO Stacey Snider later admitted to being "intrigued by the pairing of an independent-minded filmmaker with a familiar studio genre."[9] Ludlum approved of the adaptation after befriending Liman, who repeatedly visited the author's home in Glacier National Park, Montana, to consult him.[7]
Writing
David Self was brought in to write the screenplay in 1999 after Gilroy initially declined the offer. His screenplay was more faithful to the original novel.[10] Unlike Liman, Gilroy disliked Ludlum's novels and considered them poorly suited to a film adaptation, calling Self's original script "a huge fifteen-gunmen-on-the-Metro-blowing-the-fuck-out-of-everything kind of movie." However, Gilroy agreed to write a new screenplay for the film after Liman took his advice to abandon everything from the original novel except for the basic plot involving "a guy who finds the only thing he knows how to do is kill people." Gilroy subsequently rewrote almost the entire film, although William Blake Herron was later brought in to rewrite Gilroy's script to have more action. Most of Herron's rewrites were abandoned after Matt Damon threatened to quit the role of Bourne if they were included in support of Liman and Gilroy, but Herron still received a writer's credit after the opening scene he composed for the film was included.[7][11]
Gilroy's new script rewrote the Treadstone program and its director Alexander Conklin into the film's primary antagonists; in the novel both they and Bourne had been pursuing the terrorist "Carlos the Jackal" and Treadstone had only tried to assassinate Bourne because they believed he had deliberately gone rogue from his mission after his amnesia. "Carlos the Jackal" could not appear as an antagonist in the film at all because in real life he had been captured and imprisoned by the French government in 1994.[11] The film's portrayal of Treadstone was inspired by Liman's father Arthur L. Liman's memoirs regarding his involvement as chief counsel for the United States Senate investigation of the Iran–Contra affair. Many aspects of the Alexander Conklin character were based on his father's recollections of Oliver North. Gilroy also abandoned the novels' original backstory for Bourne as a former Foreign Service officer recruited to the United States Army Special Forces during the Vietnam War after his family had been killed in the secret bombing of Cambodia and posing as an assassin named "Cain" to lure "Carlos" out of hiding.[11] Liman admitted that he jettisoned much of the content of the novel beyond the central premise, in order to modernize the material and to conform it to his own beliefs regarding United States foreign policy. However, Liman was careful not to cram his political views down "the audience's throat".
There were initial concerns regarding the film's possible obsolescence and overall reception in the aftermath of the September 11 attacks.[8] As a result, producer Frank Marshall reshot a new ending in which Ward Abbott offers to recruit Bourne back to the CIA and abandons the agency's pursuit of him even after he declines. The ending was not included in the theatrical cut because it was deemed too different from the rest of the film.[7][11]
Casting
Damon in 2001
Liman approached a wide range of actors for the role of Bourne, including Brad Pitt,[9] who turned it down to star in Spy Game,[12] as well as Russell Crowe, Arnold Schwarzenegger, Tom Cruise and Sylvester Stallone, before he eventually cast Damon. Liman found that Damon understood and appreciated that, though The Bourne Identity would have its share of action, the focus was primarily on character and plot.[13] Damon, who had never played such a physically demanding role, insisted on performing many of the stunts himself. With stunt choreographer Nick Powell, he underwent three months of extensive training in stunt work, the use of weapons, boxing, and the Filipino martial art eskrima. He eventually performed a significant number of the film's stunts himself, including hand-to-hand combat and climbing the safe house walls near the film's conclusion.[14]
Liman initially intended to cast Sarah Polley in the role of Marie, but she declined. After Franka Potente was cast instead, the role was rewritten from a Canadian economist to a German drifter.[11]
Filming
Filming began in October 2000.[15][16] From the onset of filming, difficulties with the studio slowed the film's development and caused a rift between Liman, Gilroy, and Universal Pictures. The first problems started after Liman and Damon demanded the abandonment of Herron's re-written script shortly before production started despite the fact that extensive preparations had already been made to film it.[7] Liman also insisted on shooting the film on location in Paris rather than the cheaper option of Montreal, despite the fact that this meant the film's French-speaking crew was unable to understand the English-speaking cast and director.[11] Executives were unhappy with the film's pacing, emphasis on small scale action sequences, and the general relationship between themselves and Liman, who was suspicious of direct studio involvement.[17] The film's original producer Richard N. Gladstein also quit the film at the beginning of production due to his wife's pregnancy, resulting in delays until he was replaced by Frank Marshall.[citation needed]
Liman demanded a number of reshoots and rewrites late in development and throughout production, sometimes in the middle of a shoot.[7][11] This resulted in scheduling problems which delayed the film from its original release target date of September 2001 to June 2002 and took it $8,000,000 over budget from the initial budget of $60 million; Gilroy faxed elements of screenplay rewrites almost throughout the entire duration of filming.[17] A particular point of contention with regard to the original Gilroy script were the scenes set in the farmhouse near the film's conclusion. Liman and Matt Damon fought to keep the scenes in the film after they were excised in a third-act rewrite that was insisted upon by the studio. Liman and Damon argued that, though the scenes were low key, they were integral to the audience's understanding of the Bourne character and the film's central themes. The farmhouse sequence consequently went through many rewrites from its original incarnation before its inclusion in the final product.[17] Although Marshall ultimately sided with Liman to get the farmhouse sequence filmed, they got into an intense fight on set after Liman abruptly insisted on another reshoot to record a shot he had forgotten to include.[7]
Other issues included poor test audience reactions to the film's Paris finale. The latter required a late return to location in order to shoot a new, more action-oriented conclusion to the Paris story arc involving a large explosion.[11][18] Ironically, this ending was also cut after the studio and Marshall decided that the film could not include an explosion after 9/11.[11] In addition to Paris, filming took place in Prague, Imperia, Rome, Mykonos, and Zürich; several scenes set in Zürich were also filmed in Prague.[8] Damon described the production as a struggle, citing the early conflicts that he and Liman had with the studio, but denied that it was an overtly difficult process, stating, "When I hear people saying that the production was a nightmare it's like, a 'nightmare'? Shooting's always hard, but we finished."[19]
Liman's directorial method was often hands-on. Many times he operated the camera himself in order to create what he believed was a more intimate relationship between himself, the material, and the actors. He felt that this connection was lost if he simply observed the recording on a monitor. This was a mindset he developed from his background as a small-scale indie film maker.[14]
The acclaimed car chase sequence was filmed primarily by the second unit under directorAlexander Witt. The unit shot in various locations around Paris while Liman was filming the main story arc elsewhere in the city. The finished footage was eventually edited together to create the illusion of a coherent journey. Liman confessed that "anyone who really knows Paris will find it illogical", since few of the locations used in the car chase actually connect to each other.[18] Liman took only a few of the shots himself; his most notable chase sequence shots were those of Matt Damon and Franka Potente while inside the car.[8]
The consulate scenes were filmed in 2001 with real U.S. Marine Security Guards playing the roles of consulate guards.[20]
Reception
Critical response
On the review aggregator website Rotten Tomatoes, 84% of 193 critics' reviews are positive, with an average rating of 7.0/10.The website's consensus reads: "Expertly blending genre formula with bursts of unexpected wit, The Bourne Identity is an action thriller that delivers–and then some."[21]Metacritic, which uses a weighted average, assigned the film a score of 68 out of 100, based on 38 critics, indicating "generally favorable" reviews.[22]
Roger Ebert of the Chicago Sun-Times gave the film three out of four stars and praised it for its ability to absorb the viewer in its "spycraft" and "Damon's ability to be focused and sincere" concluding that the film was "unnecessary, but not unskilled".[23] A review by Film Freak Central, of the 2003 DVD release, praised the film for its pacing and action sequences, noting its "subversion of the conventions of the thriller genre".[24] Charles Taylor of Salon.com acclaimed the film as "entertaining, handsome and gripping... an anomaly among big-budget summer blockbusters: a thriller with some brains and feeling behind it, more attuned to story and character than to spectacle", without sliding into "cynicism or hopelessness".[25]
Ed Gonzalez of Slant Magazine also noted Doug Liman's "restrained approach to the material" as well as Matt Damon and Franka Potente's strong chemistry, but ultimately concluded the film was "smart, but not smart enough".[26] J. Hoberman of The Village Voice dismissed the film as "banal" and as a disappointment compared against Liman's previous indie releases;[27] Owen Gleiberman also criticised the film for a "sullen roteness that all of Liman's supple handheld staging can't disguise".[28] Aaron Beierle of DVDTalk gave particular praise to the film's central car chase which was described as an exciting action highlight and one of the best realized in the genre.[29][30]
The Bourne Identity has been described by some authors as a neo-noir film.[31]
Box office
The Bourne Identity grossed $121.7million domestically (United States and Canada) and $92.4million in other territories, for a worldwide total of $214million, against a budget of $60million.[32] Going into general release on June 14, 2002, it opened at No. 2 and spent its first five weeks in the Top 10 at the domestic box office.[33]
On January 21, 2003, Universal Pictures released The Bourne Identity in the U.S. on VHS as well as on a "Collector's Edition" DVD in two formats: widescreen and full screen. It surpassed Harry Potter and the Sorcerer's Stone to have the highest DVD rentals, making $22.7 million.[34] The film would hold this record for seven months until it was taken by The Lord of the Rings: The Two Towers in August of the same year.[35] This DVD release contains supplemental materials including a making-of documentary, a commentary from director Doug Liman and deleted scenes. On July 13, 2004, Universal released a new "extended edition" DVD of the film in the U.S. in preparation for the sequel's cinema debut.[36] This DVD came in the same two formats as the 2003 edition. The supplemental materials for this version include interviews with Matt Damon, deleted scenes, alternative opening and ending, a documentary on the consulate fight and information features on the CIA and amnesia. The alternate ending on the DVD has Bourne collapsing during the search for Marie, waking up with Abbott standing over him, and getting an offer to return to the CIA. Neither contain the commentary or DTS tracks present in the 2003 edition. The film was also released on UMD for Sony's PlayStation Portable on August 30, 2005 and on HD DVD on July 24, 2007. With the release of The Bourne Ultimatum on DVD, a reprint of the 2004 version was included in a boxed set with Supremacy and Ultimatum, entitled The Jason Bourne Collection. A trilogy set was released on Blu-ray in January 2009.[37]
It was the top DVD video rental in the United States during the first quarter of 2003, earning $36,400,000(equivalent to $60,000,000 in 2023) in US DVD rental revenue by March 2003.[38]
Soundtrack
The Bourne Identity: Original Motion Picture Soundtrack
The score for The Bourne Identity was composed by John Powell. Powell was brought in to replace Carter Burwell, who had composed and recorded a more traditional orchestral score for the film, which director Doug Liman rejected. Since a lot of the music budget had been spent recording the rejected score, Powell's score was initially conceived to be entirely non-orchestral, making extensive use of percussion, guitars, electronics and studio techniques. However, a string section was later overdubbed onto many of the cues to give them a 'cinematic' quality.[39]
The Bourne Identity was followed by a 2004 sequel, The Bourne Supremacy, which received a similar positive critical and public reception,[41] but received some criticism for its hand-held camerawork, which observers argued made action sequences difficult to see.[42]The Bourne Supremacy was directed by Paul Greengrass with Matt Damon reprising his role as Jason Bourne. A third film, The Bourne Ultimatum, was released in 2007 and again was directed by Paul Greengrass and starred Matt Damon. Like Supremacy, Ultimatum received generally positive critical and public reception, but also received similar criticism for the camera-work.[43] Liman remained as executive producer for both films as well as for the fifth film Jason Bourne, once again directed by Greengrass and released in 2016.
The fourth film of the Bourne franchise, The Bourne Legacy was released in 2012. Neither Damon nor Greengrass was involved.[44][45]
Robert Ludlum was an American author of 27 thriller novels, best known as the creator of Jason Bourne from the original The Bourne Trilogy series. The number of copies of his books in print is estimated between 300 million and 500 million. They have been published in 33 languages and 40 countries. Ludlum also published books under the pseudonyms Jonathan Ryder and Michael Shepherd.
The Bourne Identity is a 1980 spy fiction thriller novel by Robert Ludlum that tells the story of Jason Bourne, a man with remarkable survival abilities who has retrograde amnesia, and must seek to discover his true identity. In the process, he must also determine why several shadowy groups, a professional assassin, and the CIA want him dead. It is the first novel of the original Bourne Trilogy, which also includes The Bourne Supremacy and The Bourne Ultimatum.
Franka Potente is a German actress. She first appeared in the comedy film After Five in the Forest Primeval (1995), for which she won a Bavarian Film Award for Best Young Actress. Her breakthrough came in 1998, when she starred in the acclaimed action thriller Run Lola Run, for which she won a BAMBI Award for Best Actress. She received further critical acclaim and a Bavarian Television Award nomination for her performance in the television film Opernball.
The Bourne Supremacy is a 2004 action-thriller film featuring Robert Ludlum's Jason Bourne character. Although it takes the name of the second Bourne novel (1986), its plot is entirely different. The film was directed by Paul Greengrass from a screenplay by Tony Gilroy. It is the second installment in the Bourne franchise, a direct sequel to The Bourne Identity (2002).
The Bourne Supremacy is the second Jason Bourne novel written by Robert Ludlum, first published in 1986. It is the sequel to Ludlum's bestseller The Bourne Identity (1980) and precedes Ludlum's final Bourne novel, The Bourne Ultimatum (1990).
Jason Bourne is the title character and the protagonist in a series of novels and subsequent film adaptations. The character was created by novelist Robert Ludlum. He first appeared in the novel The Bourne Identity (1980), which was adapted for television in 1988. The novel was adapted into a feature film of the same name in 2002 and starred Matt Damon in the lead role.
The Bourne Legacy is a 2004 spy fiction thriller written by Eric Van Lustbader. It is the fourth novel in the Jason Bourne series created by Robert Ludlum and the first to be written by Lustbader. He has also written other novels in the series, The Bourne Betrayal, The Bourne Sanction, The Bourne Deception, The Bourne Objective, The Bourne Dominion, The Bourne Imperative, The Bourne Retribution, The Bourne Ascendancy, The Bourne Enigma, The Bourne Initiative and The Bourne Nemesis.
The Bourne Ultimatum is a 2007 action-thriller film directed by Paul Greengrass. Although it shares its name with Ludlum's titular 1990 novel, its plot is entirely different. The third installment in the Jason Bourne film series after The Bourne Identity (2002) and The Bourne Supremacy (2004), the screenplay was written by Tony Gilroy, Scott Z. Burns and George Nolfi and based on a screen story of the novel by Gilroy. Matt Damon reprises his role as Ludlum's signature character, former CIA assassin and psychogenic amnesiac Jason Bourne.
Paul Greengrass is an English film director, film producer, screenwriter and former journalist.
Douglas Eric Liman is an American film director and producer. He is known for directing the films Swingers (1996), Go (1999), The Bourne Identity (2002), Mr. & Mrs. Smith (2005), Jumper (2008), Edge of Tomorrow (2014), American Made (2017) and Road House (2024).
The Bourne Identity is a 1988 American mystery action thriller miniseries adaptation of Robert Ludlum's 1980 novel The Bourne Identity. The adaptation was written by Carol Sobieski, directed by Roger Young for Warner Bros. Television with Richard Chamberlain in the title role, along with Jaclyn Smith. It follows the storyline of the original novel, with a run-time of 185 minutes; with commercials added, the running time was extended to four hours, and was first shown on ABC in two 120 minute installments over two nights, making its first run count as a miniseries rather than a TV movie. As such, it was nominated in the Outstanding Miniseries category at the 40th Primetime Emmy Awards.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
The Bourne Ultimatum is the third Jason Bourne novel written by Robert Ludlum and a sequel to The Bourne Supremacy (1986). First published in 1990, it was the last Bourne novel to be written by Ludlum himself. Eric Van Lustbader wrote a sequel titled The Bourne Legacy fourteen years later.
Robert Ludlum's The Bourne Conspiracy is a third-person action video game developed by High Moon Studios and published by Vivendi Games for the PlayStation 3 and Xbox 360. The game expands upon Robert Ludlum's character Jason Bourne. The game was released in North America on June 3, June 5 in Australia and June 27, 2008, in Europe. It received mixed to positive reviews.
Bourne is a series of three novels by Robert Ludlum based on the fictional spy Jason Bourne. The series has since been further extended by Eric Van Lustbader after the death of Robert Ludlum. When Eric Van Lustbader decided to stop writing the Bourne novels during the writing of The Bourne Nemesis, Brian Freeman was approached by the Ludlum estate to continue the stories of Jason Bourne.
Green Zone is a 2010 action thriller film directed by Paul Greengrass and written by Brian Helgeland, based on the 2006 non-fiction book Imperial Life in the Emerald City by journalist Rajiv Chandrasekaran. The book documented life within the Green Zone in Baghdad during the 2003 invasion of Iraq.
The Bourne franchise consists of action-thriller installments based on the character Jason Bourne, created by author Robert Ludlum. The franchise includes five films and a spin-off television series. The overall plot centers around Jason Bourne, a CIA assassin suffering from dissociative amnesia, portrayed by Matt Damon.
The Bourne Legacy is a 2012 American action-thriller film directed by Tony Gilroy, and is the fourth installment in the series of films adapted from the Jason Bourne novels originated by Robert Ludlum and continued by Eric Van Lustbader, being preceded by The Bourne Identity (2002), The Bourne Supremacy (2004), and The Bourne Ultimatum (2007). The film centers on black ops agent Aaron Cross, an original character. In addition to Renner, the film stars Rachel Weisz and Edward Norton.
Jason Bourne is a 2016 American action-thriller film directed by Paul Greengrass and written by Greengrass and Christopher Rouse. It is the fifth installment of the Bourne film series and a direct sequel to The Bourne Ultimatum (2007). Matt Damon reprises his role as the main character, former CIA assassin Jason Bourne. In addition, the film stars Tommy Lee Jones, Alicia Vikander, Vincent Cassel, Riz Ahmed, Ato Essandoh, Scott Shepherd, with Julia Stiles reprising her role as Nicky Parsons.
Captivate Entertainment LLC. is an American film production company, founded by Jeffrey Weiner and Ben Smith in 2009. It has a first-look deal with Universal Studios and it is based on the Universal Studios Backlot in Universal City, California. The company is best known for managing the movie rights of Robert Ludlum's books and producing the 2012 film The Bourne Legacy starring Jeremy Renner, Rachel Weisz and Edward Norton.
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