Reception
The soundtrack received mixed reviews, with Danny Graydon of Empire gave a mixed review saying "Howard efficiently maintains Bourne’s music, but doesn’t significantly progress it", [7] while Brad Kamminga of Film Score Reviews criticised it as "dull and unmemorable". [8] Edmund Meinerts of Tracksounds also wrote "For being basically competent and containing few outright unpleasant or unlistenable moments, The Bourne Legacy scrapes a five out of ten, but when one of the year’s dullest score albums comes from an action-packed thriller, you know something has gone wrong." [9] Filmtracks.com also gave a negative review, commenting "The score is competent in each of its parts, but it concentrates more on respecting its predecessors than taking the opportunity to explore potentially convincing new avenues with that basic sound." [10] James Southall of Movie Wave wrote "even those sections are reasonably elaborate in the way they’re constructed – it’s easy to tell how much effort has gone into it – but it just never quite all comes together and too much of it is just boring". [11]
In contrast, James Christopher Monger of AllMusic wrote "The resulting score for The Bourne Legacy is as relentlessly taut as it is atmospheric, expertly doling out layer after layer of chilly electronics, thundering kettle drums, and dissonant strings, before careening feet-first into the familiar opening strains of Moby's "Extreme Ways," which appears here in a slightly updated form". [12] Brent Simon of Screen International wrote "Nicely incorporating different percussive elements, Newton Howard’s score captures the film’s nervous energy". [13] Richard Propes of The Independent Critic commented "James Newton Howard's original music is fine, though a bit more cliche'd than one might expect from the acclaimed composer". [14]
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