Maleficent (Original Motion Picture Soundtrack) | ||||
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Film score by | ||||
Released | May 26, 2014 | |||
Recorded | 2012–2014 | |||
Studio | Abbey Road Studios, London | |||
Genre |
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Length | 1:11:46 | |||
Label | Walt Disney | |||
Producer | James Newton Howard | |||
James Newton Howard chronology | ||||
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Maleficent (Original Motion Picture Soundtrack) is the score album composed by James Newton Howard for the 2014 film Maleficent, based on the Disney villain character Maleficent from the animated film Sleeping Beauty (1959). The film is a live-action spin-off of Sleeping Beauty, and is loosely inspired from Charles Perrault's original fairy tale. Directed by Robert Stromberg, the film stars Angelina Jolie in the titular character.
The film marked Howard's first live-action film from Disney, as he previously scored for the Disney animation films Dinosaur (2000), Atlantis: The Lost Empire (2001) and Treasure Planet (2002). The score album was released by Walt Disney Records on May 26, 2014. It includes 22 tracks from Howard's score, and a cover version of the song "Once Upon a Dream" performed by Lana Del Rey. The track was earlier released as a single on January 26, 2014, to coincide the 56th Annual Grammy Awards, and also released for free digital download on Google Play. The score received positive reviews from critics.
James Newton Howard was announced to compose the film score in October 2012. [1] [2] Robert Stromberg had added that he wanted him to score for the film, in the very first place and had tracked the pre-visuals of the director's cut with his music from other films. When Howard was officially onboard, Stromberg felt that "he emotionally heightened the Maleficent with what felt like a classic film score". [3] The recording was held at the Abbey Road Studios in London.
Apart from Howard's score, the album also featured a cover version of the track "Once Upon a Dream" performed by Lana Del Rey. [4] [5] The track is originally composed by Pyotr Ilyich Tchaikovsky and written by Jack Lawrence and Sammy Fain from the 1959 film Sleeping Beauty, and features as the title song for Maleficent. [6] Del Rey performed the cover version of the track on stage at the 56th Annual Grammy Awards on January 26, 2014, [7] [8] where the song was also released for free digital download during its first week of availability by the Google Play Store, [9] [10] and by February 4, the song was made available for purchase. [11]
Walt Disney Records released the film's soundtrack on May 26, 2014, featuring 23 tracks. [12] Recalling in a 2016 interview to Phillip Valys of Sun-Sentinel , Howard called Maleficent as one of his favourite films he had scored for. [13] He performed the orchestral score live at the Adrienne Arsht Center for the Performing Arts in Miami, Florida, on February 19, 2016, along with the other orchestral film scores, including The Dark Knight and The Hunger Games film series. [13]
The score received positive critical response. Jonathan Broxton wrote in his review, stating "Stylistically, you can look to scores like Waterworld , King Kong , Lady in the Water and The Last Airbender for comparisons, but Maleficent is still has a sense of individual flair, and is distinct enough to stand on its own." [14] James Southall of Movie Wave wrote "Maleficent is big and bold, featuring memorable themes and emotional development. There isn't a hint of the malaise which seems to have overcome its composer in recent years and it is a truly impressive return to form, easily his finest score since Lady in the Water and perhaps even further back than that." [15] Mfiles.com wrote "an enjoyably old-fashioned film score experience, one perhaps lacking a defining identity, but a beautiful return to form for the composer nonetheless". [16]
Sheri Linden of The Hollywood Reporter wrote "the swell and bombast of James Newton Howard's score comes on strong in the early sequences before finding a groove". [17] Mark Hughes was more critical about the film in his review for Forbes , but praised Howard's score. [18] Heather Phares of Allmusic called the score as "foreboding yet witty" and praised Del Rey's cover of "Once Upon a Dream" calling it as "eerie and alluring" and added that it "... serves as a reminder as to why she's become one of the most in-demand soundtrack contributors of the 2010s". [19]
Andrew Barker of Variety wrote "James Newton Howard's sweeping score locates a nice sweet spot somewhere between Erich Korngold and Danny Elfman, and Lana Del Rey's gothy take on the "Sleeping Beauty" showstopper "Once Upon a Dream" makes for a fitting closer". [20] Michael Phillips of Chicago Tribune , in a mixed review, called the score as "sloshy and pushy". [21] Filmtracks.com wrote " Perhaps the most brilliant move that Howard made with this score was one that many listeners won't even notice, and that's because it's an intentional absence of theme that is key to the plot. Howard seemingly intended not to provide him with a theme, instead content to write meaninglessly fluffy underscore for his scenes [...] There are few downsides to the soundtrack for Maleficent on the whole. One of them is Howard's seeming inability to really clarify his themes with the obvious delineation you typically hear in massive fantasy scores. In other words, some listeners will have difficulty placing the themes and instead content themselves by soaking in the whole. It is not as taut a thematic narrative as Lady in the Water, but few scores will be. Still, you rarely find fantasy scores of this caliber in the 2010's, such spectacular orchestral majesty a truly rare commodity." [22]
All music is composed by James Newton Howard, except where noted
No. | Title | Length |
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1. | "Maleficent Suite" | 6:38 |
2. | "Welcome to the Moors" | 1:05 |
3. | "Maleficent Flies" | 4:39 |
4. | "Battle of the Moors" | 4:58 |
5. | "Three Peasant Women" | 1:04 |
6. | "Go Away" | 2:26 |
7. | "Aurora and the Fawn" | 2:28 |
8. | "The Christening" | 5:30 |
9. | "Prince Philip" | 2:29 |
10. | "The Spindle's Power" | 4:35 |
11. | "You Could Live Here Now" | 2:26 |
12. | "Path of Destruction" | 1:47 |
13. | "Aurora in Faerieland" | 4:41 |
14. | "The Wall Defends Itself" | 1:06 |
15. | "The Curse Won't Reverse" | 1:21 |
16. | "Are You Maleficent?" | 2:10 |
17. | "The Army Dances" | 1:28 |
18. | "Phillip's Kiss" | 2:20 |
19. | "The Iron Gauntlet" | 1:35 |
20. | "True Love's Kiss" | 2:33 |
21. | "Maleficent Is Captured" | 7:42 |
22. | "The Queen of Faerieland" | 3:25 |
23. | "Once Upon a Dream" (Lana Del Rey) | 3:20 |
Total length: | 1:11:46 |
No. | Title | Length |
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1. | "Once Upon A Dream" (Shinobu Otake) | 3:23 |
Total length: | 1:15:09 |
Credits adapted from CD liner notes: [25]
Chart (2014) | Peak position |
---|---|
UK Soundtrack Albums (OCC) [26] | 42 |
US Billboard 200 [27] | 123 |
US Soundtrack Albums (Billboard) [28] | 18 |
Region | Date | Catalog Code | Ref. |
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United States | May 26, 2014 | D001908702 | [25] |
Europe | May 26, 2014 | 050087296001 | |
Canada | May 26, 2014 | D001908702 | |
Japan | July 2, 2014 | AVCW-63031 | |
Malaysia | August 4, 2014 | 050087296001 | |
South Korea | December 3, 2014 | DY31070 | |
Taiwan | December 10, 2014 | 050087296001 |
Award | Category | Recipients | Result |
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Hollywood Music in Media Awards [29] [30] | Best Original Score – Sci-Fi/Fantasy | James Newton Howard | Nominated |
International Film Music Critics Association [31] [32] | Film Score of the Year | Nominated | |
Best Original Score for a Fantasy/Science Fiction/Horror Film | Won | ||
Film Music Composition of the Year | James Newton Howard – "Maleficent Flies" | Nominated | |
James Newton Howard – "Maleficent Suite" | Nominated |
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James Newton Howard is an American film composer, music producer and keyboardist. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards. His film scores include Pretty Woman (1990), The Fugitive (1993), Space Jam (1996), Dinosaur (2000), Peter Pan (2003), King Kong (2005), The Dark Knight (2008) which he composed with Hans Zimmer, The Hunger Games (2012), Fantastic Beasts and Where to Find Them (2016), and Jungle Cruise (2021). He has collaborated extensively with directors M. Night Shyamalan and Francis Lawrence, having scored eight of Shyamalan's films since The Sixth Sense (1999) and all of Lawrence's films since I Am Legend (2007). He even worked on other frequent scores with for other directors Edward Zwick, Michael Hoffman, P.J. Hogan, Andrew Davis, Lawrence Kasdan, Joe Johnston, Taylor Hackford, Ivan Reitman, and Joel Schumacher.
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