King Kong (Original Motion Picture Soundtrack) | ||||
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Film score by | ||||
Released | December 7, 2005 | |||
Recorded | 2005 | |||
Studio | Sony Scoring Stage, California Todd-AO, Los Angeles | |||
Genre | Film score | |||
Length | 1:14:27 | |||
Label | Decca | |||
Producer | James Newton Howard Jim Weidman | |||
James Newton Howard chronology | ||||
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King Kong (Original Motion Picture Soundtrack) is the soundtrack album to the epic adventure monster film King Kong , directed by Peter Jackson. The film's music was initially set to be composed by Howard Shore, who recorded several cues for the film but opted out due to creative differences with the director. James Newton Howard replaced him and work on the film's score began in late October and was completed in late November, an overall duration of under six weeks. Howard stated that the film "[w]as the hardest to compose" due to the hectic scoring schedule as the film was set for release on December 14, 2005.
The score was recorded at the Sony Scoring Stage, California and Todd-AO, Los Angeles. Recording sessions consisted of a 108-piece orchestra and 40-member vocal choir. The score is heavily reliant on ethnic and varied instrumentation as well as ranging vocal sounds. While Howard produced much of the film's score, additional music production was done by Jim Weidman, who also worked as the music editor. It was released on December 7, 2005 by Decca Records and received positive critical response. Howard's score received several accolades, including a nomination for the Golden Globe Award for Best Original Score. [1]
The film was initially set to be composed by Howard Shore, who worked with Jackson on The Lord of the Rings film series. [2] [3] Shore completed recording several cues in the film, but left the project in October 2005 due to creative differences. [3] James Newton Howard was hired to be the film's composer after Shore's departure, and, after only two weeks, started recording the score at Sony Scoring Stage and Todd-AO in Los Angeles. [4] [5] As the film was scheduled for a December 2005 release, Howard was assigned to complete the score within five weeks, which he called the hardest challenge. To achieve this, he utilized eight orchestrators and three conductors in order to record 15-20 minutes per day. The recording sessions involved a 40-member voice choir and 108-piece orchestra, with separate sessions for percussion, ethnic instruments, and solo voices. [6]
The sessions originated in New Zealand, when Shore was the composer, and was later relocated to California, which was a "scheduling nightmare," as most sessions were booked for November. Howard managed to record the score on weekends, and choral elements were recorded during night-time. The choral material consists of "strange, unsettling vocals," as well as "weird native sounds invented by Howard." Some of the major themes were composed in three days, and during the sessions he asked for assistance from music editor Jim Weidman, who worked on the score as an additional music producer. [6]
Howard sent some of the score cues to Jackson through video-conferencing and telephone call. Utilizing live chat, Jackson heard some of the score cues, including Howard's "4M1," about which he commented, "It’s a great, twisted, weird sort of sound." The scoring was completed by late November, two weeks before the scheduled release. [6]
To fulfill Jackson's wish to pay homage to Max Steiner, the original composer of King Kong (1933), [7] some of Steiner's original score was used late in the film when Kong is on public display in New York City. [6]
All tracks are written by James Newton Howard
No. | Title | Length |
---|---|---|
1. | "King Kong" | 01:09 |
2. | "A Fateful Meeting" | 04:16 |
3. | "Defeat Is Always Momentary" | 02:48 |
4. | "It's In The Subtext" | 03:19 |
5. | "Two Grand" | 02:34 |
6. | "The Venture Departs" | 04:03 |
7. | "Last Blank Space On The Map" | 04:43 |
8. | "It's Deserted" | 07:08 |
9. | "Something Monstrous... Neither Beast Nor Man" | 02:38 |
10. | "Head Towards The Animals" | 02:48 |
11. | "Beautiful" | 04:08 |
12. | "Tooth And Claw" | 06:17 |
13. | "That's All There Is..." | 03:26 |
14. | "Captured" | 02:25 |
15. | "Central Park" | 04:36 |
16. | "The Empire State Building" | 02:36 |
17. | "Beauty Killed the Beast I" | 01:59 |
18. | "Beauty Killed the Beast II" | 02:22 |
19. | "Beauty Killed the Beast III" | 02:14 |
20. | "Beauty Killed the Beast IV" | 04:45 |
21. | "Beauty Killed the Beast V" | 04:13 |
Total length: | 74:27 |
The film's soundtrack includes Al Jolson's recording of "I'm Sitting on Top of the World," Peggy Lee's "Bye Bye Blackbird," and themes from Max Steiner's soundtrack for the original 1933 film, which are "Fanfares Nos. 1, 2 and 3," "The Sailors," "The Aeroplane," "Elevated Sequence," "Jungle Dance," "The Escape," and "Aboriginal Sacrifice Dance." [8] The track "Beauty Killed the Beast" was re-recorded by Dirk Brossé and the Flemish Radio Orchestra to be included in the fan-made soundtrack for Harry Potter and the Half-Blood Prince (2009). [9]
Review scores | |
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Source | Rating |
SoundtrackNet | |
Allmusic | |
Movie Music UK | |
Filmtracks |
Jonathan Broxton wrote, "James Newton Howard reportedly has 'never worked so hard on a score,' and despite the scurrilous rumours of teams of ghost-writers being hired to help, the quality of the end result is there for all to see, irrespective of who wrote what. There are times when you have to do what you have to do just to get the job done." [10] and concluded "King Kong is inarguably one of the finest action-adventure scores of the year". [10] James Christopher Monger of Allmusic had stated, "Howard manages to pinch-hit his way through with the confidence of a starting player. Using the Depression era as a launching pad, he deftly whips jazz motifs, thunderous brass sections, and wistful choirs into a stew of 'silver screen'-meets-'blue screen' harmony that may not yield any memorable themes, but manages to illuminate the film's terror, humanity, and tragedy with irrefutable professionalism." [11]
Filmtracks.com wrote, "Howard's score is very enjoyable, though one wishes that he would have made a few more nods to Steiner's work and incorporated more of the Kong-like sound effects outside of the island cues. A harmonically pleasing score from start to finish, Howard succeeds in the bouncing rhythms of his more playful interludes, as well as the broad strokes of strings for the love interest. An almost religious sensibility shines through in an ultra-dramatic series of cues at the end of the score, maybe due to the metaphorical struggles behind the Kong story, and while this may be a 180-degree turn from Steiner, it certainly excels in its mere beauty. Howard has produced the most easily listenable score of his career, but by no means his most creative or intellectual, and while this work will capture the attention of most casual film score collectors, it may not resonate as well with fans of the composer's eclectic styles." [12] Mfiles wrote, "James Newton Howard put together something in the region of 2 hours of music for the film and the core of it has been captured on this album. The first third of the film and the soundtrack is concerned with scene setting. It establishes all the characters and their motivations, and why they end up visiting the mysterious island. The initial feeling imparted by the music is that something awaits around every corner. But once they reach the island and meet King Kong, it is clearly the relationship between Kong and the heroine which is central to this story. Although the action scenes are wonderfully realised and a feast for the eyes, it is the quieter moments which bring out the best in the soundtrack." [13]
Chart (2005–2006) | Peak position |
---|---|
UK Soundtrack Albums (OCC) [14] | 18 |
US Billboard 200 [15] [ failed verification ] | 35 |
US Soundtrack Albums (Billboard) [16] [ failed verification ] | 9 |
Region | Date | Label | Catalog Code | Ref. |
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United States | December 7, 2005 | Decca | 4765224 | [17] [18] |
Canada | December 10, 2005 | Decca UMG Recordings | B000571502 | |
Europe | December 12, 2005 | Decca | B000571502 | |
Russia | December 13, 2005 | UMG Russia | 2600732 | |
Australasia | December 15, 2005 | UMG Australia | 4765224 | |
France | December 19, 2005 | UMG France | 4765224 | |
Japan | December 21, 2005 | UMG Japan | UCCL-1101 |
Award | Category | Nominee | Result | Ref. |
---|---|---|---|---|
ASCAP Awards | Top Box Office Films | James Newton Howard | Won | [19] |
Chicago Film Critics Association | Best Original Score | Nominated | [20] | |
Golden Globe Awards | Best Original Score | Nominated | [21] [22] | |
International Film Music Critics Association | Best Original Score for an Action/Adventure/Thriller Film | Won | [23] | |
Film Score of the Year | Nominated | |||
Stinkers Bad Movie Awards | Most Intrusive Musical Score | Nominated | [24] [25] | |
World Soundtrack Awards | Soundtrack Composer of the Year | Nominated | [26] | |
Original Soundtrack of the Year | Nominated |
Howard Leslie Shore is a Canadian composer, conductor and orchestrator noted for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings and The Hobbit film trilogies. He won three Academy Awards for his work on The Lord of the Rings, with one being for the song "Into the West", an award he shared with Eurythmics lead vocalist Annie Lennox and writer/producer Fran Walsh, who wrote the lyrics. He is a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979, and collaborated with Martin Scorsese on six of his films.
James Newton Howard is an American film composer, orchestrator and music producer. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards.
Grant Kirkhope is a Scottish composer and voice actor for video games and film. Some of his notable works include GoldenEye 007, Banjo-Kazooie, Donkey Kong 64, and Perfect Dark, among many others. He has won an Ivor Novello Award for Mario + Rabbids Sparks of Hope and a World Soundtrack Award for The King's Daughter as well as being nominated for various BAFTA, ASCAP, and IFMCA awards.
Soundtrack.Net is a website dedicated to film and television music.
Batman Begins: Music from the Motion Picture is the soundtrack album to Christopher Nolan's 2005 film Batman Begins. It was released on June 15, 2005. The soundtrack drew from the film score, composed by Hans Zimmer and James Newton Howard, as well as contributions by Ramin Djawadi, Lorne Balfe and Mel Wesson.
The Dark Knight: Original Motion Picture Soundtrack is the soundtrack album to the 2008 film of the same name, which is a sequel to Christopher Nolan's 2005 film Batman Begins. The soundtrack was released on July 15, 2008, in three editions: CD, limited edition CD digipak, and digital download. The 2-CD Special Edition was released on December 9, along with the DVD. A limited edition 180-gram vinyl LP was released on August 12. The soundtrack was composed by Batman Begins collaborators Hans Zimmer and James Newton Howard and recorded in April.
The Last Airbender is the soundtrack album of the fantasy adventure film The Last Airbender, directed by M. Night Shyamalan. The score was composed by James Newton Howard. It was released on June 29, 2010, by Lakeshore Records.
Hollywood in Vienna is an annual film music gala hosted in the Vienna Concert Hall where the Max Steiner Film Music Achievement Award is presented.
The International Film Music Critics Association (IFMCA) is a professional association for online, print and radio journalists who specialize in writing about original film and television music.
Dunkirk (Original Motion Picture Soundtrack) is the soundtrack to the 2017 film of the same name directed by Christopher Nolan, released under WaterTower Music on 21 July 2017, the same day as the film's theatrical release. The score was composed and created by Hans Zimmer, who collaborated with Lorne Balfe, Andrew Kawczynski, Steve Mazzaro, and Benjamin Wallfisch to provide additional music. It was recorded at a 11-month period during early-2016 and several instrumentation and sounds were modified to create intensity in the score. Nolan and Zimmer wanted to create suspense through cinematography and music, hence Zimmer had written several tracks to accommodate the auditory Shepard tone illusion, a feature that has been explored in Nolan's previous films.
Lincoln (Original Motion Picture Soundtrack) is the score album to the 2012 biographical historical drama film Lincoln, based on the Doris Kearns Goodwin's 2005 biography Team of Rivals: The Political Genius of Abraham Lincoln, a semi-biographical novel that covers the final four months of United States President Abraham Lincoln's life. The film is directed by Steven Spielberg, from a screenplay written by Tony Kushner and featured musical score composed by John Williams, Spielberg's frequent collaborator. The orchestral score was recorded at Symphony Center, Chicago by the Chicago Symphony Orchestra and the Chicago Symphony Chorus. It was released by Sony Classical on November 2, 2012.
Treasure Planet (An Original Walt Disney Records Soundtrack) is the soundtrack album to the 2002 animated science fiction action-adventure film Treasure Planet. The album features seventeen tracks – fifteen tracks from the score composed by James Newton Howard, and also featured two pop singles: "I'm Still Here" and "Always Know Where You Are". Walt Disney Records released the film's soundtrack album on November 19, 2002. The film's score received positive critical reception, with praise directed on Howard's composition.
Raya and the Last Dragon (Original Motion Picture Soundtrack) is the soundtrack album to the 2021 animated film Raya and the Last Dragon. The film score was composed by James Newton Howard, scoring a Disney animated film for the first time in 19 years since Treasure Planet (2002). The album features 24 tracks and was released by Walt Disney Records on February 26, 2021. Jhené Aiko wrote and performed a song entitled "Lead the Way" for the end credits.
The King's Speech (Original Motion Picture Soundtrack) is the soundtrack to the Academy Award-winning film The King's Speech, released by Decca Records on 22 November 2010. Alexandre Desplat composed the film's original music. The score consisted of minimalistic sounds created with piano and strings, and a limited orchestra with oboe and harp being used. It was recorded using old microphones from the EMI archives, used by the royal family, in order to create a vintage and dated sound. The minimalistic use of the music is used to describe Colin Firth's character, the future King George VI.
Maleficent (Original Motion Picture Soundtrack) is the score album composed by James Newton Howard for the 2014 film Maleficent, based on the Disney villain character Maleficent from the animated film Sleeping Beauty (1959). The film is a live-action spin-off of Sleeping Beauty, and is loosely inspired from Charles Perrault's original fairy tale. Directed by Robert Stromberg, the film stars Angelina Jolie in the titular character.
Valkyrie (Original Motion Picture Soundtrack) is the score album to the 2008 film of the same name directed by Bryan Singer and stars Tom Cruise. John Ottman composed the film's musical score in his fifth collaboration with Singer after Lion's Den (1988), Public Access (1993), The Usual Suspects, (1995) Apt Pupil (1998), X2 (2003) and Superman Returns (2006).
The Spiderwick Chronicles (Original Motion Picture Score) is the score album to the 2008 film of the same name composed and conducted by James Horner. The album featured 15 tracks from Horner's score and was released on February 12, 2008, by Lakeshore Records. The film featured an original song, a rendition of the nursery rhyme "London Bridge Is Falling Down" performed by Jordy Benattar, that was not included in the soundtrack. The score received positive reviews.
Bridge of Spies (Original Motion Picture Soundtrack) is the soundtrack to the Steven Spielberg-directed historical drama film Bridge of Spies, released by Hollywood Records, alongside the film on October 16, 2015. It is the second Spielberg film not to be scored by John Williams after The Color Purple (1985). The film was scored by Thomas Newman, who replaced Williams in March 2015, due to health complications. The score was critically acclaimed and received nominations for Academy Award for Best Original Score and BAFTA Award for Best Film Music in 2016.
Ready Player One is a 2018 American science fiction action film based on Ernest Cline's novel of the same name, directed by Steven Spielberg from a screenplay by Zak Penn and Cline. The film stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Simon Pegg, and Mark Rylance.
A Dangerous Method (Original Motion Picture Soundtrack) is the soundtrack to the 2011 film A Dangerous Method, directed by David Cronenberg. The film's musical score is composed by Howard Shore, which consisted of 18 cues tuned for the film, along with the opera piece "Siegfried Idyll" by Richard Wagner. The score was released through Sony Classical Records on 21 November 2011.