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Skull Island | |
---|---|
King Kong location | |
First appearance | King Kong (1933) |
Last appearance | Monarch: Legacy of Monsters (2023) |
Created by | Edgar Wallace Merian C. Cooper |
In-universe information | |
Type | Phantom island |
Characters | King Kong |
Skull Island is the name most often used to describe a fictional island that first appeared in the 1933 film King Kong and later appearing in its sequels, the three remakes, and any other King Kong-based media. It is the home of the eponymous King Kong and several other species of creatures, mostly prehistoric and in some cases species that should have been extinct long before the rise of mammalian creatures, along with a primitive society of humans.
In the 1962 film King Kong vs. Godzilla and the 1967 film King Kong Escapes , the comparable islands are called "Farou Island" and "Mondo Island", respectively. Kong plays a similar role in these islands as the god-like being of the land, a role he plays in all versions of the King Kong story. Skull Island's origins are unknown, but Kong appears to be the only giant gorilla known to exist on the island. However, the 2005 remake shows other skeletons of Kong-sized gorillas, indicating that there was once a group of such creatures of an unknown number living on the island. Additionally, 2017's Kong: Skull Island depicts the skeletons of Kong's parents.
In King Kong , the island is never mentioned by name and is located at approximately 12°S78°E / 12°S 78°E – 2000 miles west from the coast of Periuk, Indonesia. There is a distinctive rocky knoll in the center of the island that is shaped like a human skull, which is referred to as "Skull Mountain".
According to the first film, the captain of a Norwegian barque discovered a canoe blown off course with only one native left alive. Before the native died, the captain of the barque was able to get a rough location of the island and some details on it, including its most distinctive feature – a huge wall built by the ancestors of the natives back when they had high civilization. When the protagonists of the picture arrive at the island and examine it, they find, in addition to the expected natives, prehistoric creatures of all sorts and one extremely large ape, known by those on the island as "Kong".
Other than being the "slipped back" descendants of a high civilization, the ancestry of the natives is never explained.
In the sequel film Son of Kong , Carl Denham returns to Skull Island when there was a mention of some treasure that was hidden there. He also encounters a large white gorilla who is thought to be the son of King Kong which he names Little Kong. Skull Island sinks into the sea during a powerful earthquake. Because his foot is caught in a collapsed mound, Little Kong drowns while holding Carl Denham above the water. Denham survives unscathed, while the treasure is claimed by him and the other three survivors.
The term "Skull Island" is never used in the original films. In King Kong, only "Skull Mountain" is named, while in the sequel Son of Kong , it is simply referred to as "Kong's island". In the novelization of King Kong by Delos Lovelace, it is called "Skull Mountain Island", but RKO referred to it as "Skull Island" in some of their publicity materials.
In 1976's King Kong , Skull Island is mentioned as being "the beach of the skull". It is located somewhere in the Indian Ocean, south of Java, covered by a permanent cloud bank. Various people are said to have visited the island through the centuries but returned with no clear proof. By the 1970s, it is an urban legend whose only evidence is in government secret files. It is also revealed to have a huge deposit of oil, which led a greedy oil company executive to go in search of it. Besides featuring a primitive native tribe and the giant, bipedal gorilla Kong, there is also a giant snake who appeared in Kong's lair and wanted to kill him and Dwan, but it was killed by the former.
In the 1986 sequel film King Kong Lives , Skull Island does not appear, but it was mentioned by adventurer Hank Mitchell (mistakenly calling it Kong Island), who believed that the islands Borneo and Skull Island were once a part of the same landmass in the past. The fate of this incarnation is unknown.
In Kong: The Animated Series , the island was named Kong Island. Unlike previous incarnations, Kong Island was situated in the infamous Bermuda Triangle, not the Indian Ocean. Although various prehistoric creatures are seen living there, Kong Island also contains some ruins where one of them serves as the prison of the demon Chiros. It is also where Jason Jenkins and his grandmother Dr. Lorna Jenkins live along with Jason's friend Tan. Another human inhabitant is Lua, the sole survivor of the native people of the island and a female shaman.
Skull Island appears in a 2004 illustrated novel that serves as both prequel and sequel of the original "King Kong" story, conceived by Merian C. Cooper and novelized by Delos Lovelace in 1932, and authorized by the Cooper family.
Created and illustrated by Joe DeVito, and novelized by Brad Strickland and DeVito, with John Michlig, Kong: King of Skull Island depicts a Skull Island far larger than originally thought. It is either the last vestige of a volatile volcanic series of islands or the remnant of a larger landmass. Skull Island is located in the Indian Ocean, west of Sumatra, and has several much smaller islands in various locations around its perimeter, with the most prevalent of these off a small peninsula on its southeastern corner.
Skull Island contains two main mountains, the larger being shaped in the visage of a human skull. Skull Mountain is riddled with caves and passageways carved out by natural erosion, but also man-made. In earlier times, these were often used by islanders to avoid the monsters on the surface, but proved to have a multitude of dangerous denizens of their own. These include previously unknown species such as snake-like amphibians with enormous heads capable of swallowing a human whole; foot-long creatures that combine squid and crustacean characteristics with bio-luminescent sails tipped with poisonous stingers; giant spiders with 7-foot bodies and 8-foot-long legs ending in hand-like appendages.
The human civilization that inhabits Skull Island at least through the 20th century is the last remnant of a previously unknown super-race called the Tagatu (a combination of two formerly separate tribes: the Tagu and the Atu). The original culture is believed to have Asian origins that bled into an island group west of Sumatra that no longer exists. As a result of a natural disaster, they were forced to migrate to Skull Island untold millennia ago. Drawn to its spectacular makeup by their insatiable curiosity, the Tagatu believed their mastery of biological and organic sciences could overcome Skull Island's dangers. It was they who originally brought the gigantic simian Kongs there for protection and who, with the help of the Kongs, built the iconic wall across the Skull Island's peninsula for protections against Skull Island's prehistoric denizens.
Among the many mysteries revealed in the work is the reality that on Skull Island the dinosaurs never died out, but continued to evolve over the intervening 65 million years. This has resulted in strange variations on previously known species, as well as many new ones. Chief among the latter is a race of sentient dinosaurs, called Deathrunners. Bipedal, extremely aggressive and 6 to 9 feet tall, they once ruled the island and were at war with the Tagatu and the Kongs. Their race is propagated every few generations by one queen that grows to gigantic size. It is one of these, called "Gaw", that ruled Skull Island when King Kong was born and who Kong had to defeat in order to become a king.
In the story, Carl Denham's son Vincent (now a paleontologist) and an older Jack Driscoll return to Skull Island in 1957 to discover pieces of the earlier civilization's history and relationship to the island through an enigmatic Tagatu elder simply called the "Storyteller" as well as in the form of archaeological discoveries such as specially pigmented paintings in underground passageways that move when illuminated by torchlight to reveal past events on Skull Island. Primary among these is the discovery of remnants of "the Old City", which was established by the Tagatu at the zenith of their civilization in the center of the island in an ideal valley between the two mountains. The Storyteller's tale, along with Vincent and Driscoll's findings, suggest that the eerie skull visage that gave the island its name may have been the work of human hands. These and other discoveries hint that the true extent of Skull Island's secrets have yet to be revealed.
In Peter Jackson's remake, Skull Island's position west of Sumatra remains the same, in a region afflicted by magnetic anomalies and violent sea storms. According to the book The World of Kong: A Natural History of Skull Island , Skull Island was geologically unstable and has been slowly sinking into the sea for the past thousand years. By 1933, the island was on the verge of destruction. Fifteen years after its discovery to the modern world, Skull Island finally sank into the ocean.
In its prehistory, Skull Island was a refuge for a variety of prehistoric creatures. Over time, more and more species arrived either by swimming, flying, rafting, or migrating through temporary land bridges. As the island slowly receded into the sea, life was forced to adapt, resulting in an ecosystem of bizarre and nightmarish creatures.
Three thousand years before, an advanced civilization from Southeast Asia migrated to Skull Island, bringing with them domesticated animals such as Gaur and the giant ancestors of Kong. This culture eventually died off, leaving behind only gigantic eroding ruins scattered around the island (such as the enormous wall) and a small society of primitive people that became the Skull Island natives.
To coincide with the 80th anniversary of both characters, Altus Press released an officially sanctioned novel titled Doc Savage: Skull Island in March 2013, which sees King Kong meeting pulp hero Doc Savage, written by Will Murray and artist Joe DeVito, who made the cover artwork. Set in 1920, shortly after returning from military service during World War I, Doc Savage searches for his long-lost grandfather (the legendary mariner Stormalong Savage) with his father, the explorer Clark Savage, Sr., that ultimately leads father and son to the mysterious Skull Island and its prehistoric denizens, including King Kong. [3] In his review for the New York Journal of Books, playwright-author Mark Squirek concluded:
Altus Press also released an authorized crossover novel, King Kong vs. Tarzan, in the summer of 2016. Written by Will Murray, it tells the previously untold story of the transportation by cargo ship of Kong from Skull Island to America, and King Kong's inevitable encounter with Tarzan of the Apes. [5]
Skull Island is the main setting of Kong: Skull Island , which is set in the same universe of the 2014 film Godzilla . Kong is 104 feet (31.7 m) tall [6] in the film and there is evidence that more of Kong's species once existed on the island. The island is located in the South Pacific and sits in the eye of a massive swirling storm system that conceals it from the outside world. This version of the island resembles a human skull when seen from the air. The island is situated atop an entrance to the Hollow Earth, which is home to large, bipedal, lizard-like predators known as "Skullcrawlers" that are referred to as the island's "devils". The Skullcrawlers wiped out King Kong's family, making him the last of his kind.
There is also evidence of dinosaurs living, or having lived, on the island, in the form of a Triceratops skull found in the "graveyard" of the island. A number of other species are referred to as "florafauna" for displaying physiological traits of plants. Similar to previous incarnations, there is a human native tribe present (characterized as Iwis) who are much less hostile than in previous versions, mainly because a stranded air pilot from World War II named Hank Marlow makes peace between them and modern-day humans. The film sees an expedition in 1973 landing upon the island after Skull Island is detected by Landsat. The animated series Skull Island sees castaways arriving on the island in the 1990s, contending with the island's wildlife and an invasive Kraken that has come to challenge Kong for control of the island.
During the credits of Godzilla: King of the Monsters , a newspaper clipping states that the awakened Titans are converging on Skull Island, which is becoming unstable. It is also revealed that Monarch has an outpost on Skull Island. [7] Between the events of the film and Godzilla vs. Kong , the island's climate deteriorated, with a remnant of King Ghidorah's global superstorm merging with Skull Island's pre-existing storm system causing it to move inwards and make it uninhabitable, [8] save for a domed habitat created to contain Kong.
Besides King Kong and the natives, much of the wildlife on Skull Island consists of many kinds of prehistoric animals from each different era, such as dinosaurs. However, some of them are fictional descendants of real animals.
All the creatures in Peter Jackson's remake of King Kong are established in the companion book The World of Kong: A Natural History of Skull Island to be fictional descendants of real animals.
Among the creatures in the 2005 remake are: [11]
The MonsterVerse's version of Skull Island does not appear to be inhabited by any living dinosaurs, though an oversize Triceratops skull can be seen in the Valley of Fallen Giants, which indicates that there were dinosaurs living on the island. Much of the island's ecosystem in the film and supplementary material is populated by naturally-evolved hybrids of plant and animal, referred to as "Florofauna" by Monarch scientists.
King Kong is a 1933 American pre-Code adventure romance monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, it is the first film in the King Kong franchise. The film stars Fay Wray, Robert Armstrong, and Bruce Cabot. The film follows a giant ape dubbed Kong who is offered a beautiful young woman as a sacrifice.
King Kong is a 2005 epic adventure monster film co-written, produced, and directed by Peter Jackson. It is the ninth entry in the King Kong franchise and the second remake of the 1933 film of the same title, the first being the 1976 remake. The film stars Naomi Watts, Jack Black, and Adrien Brody. Set in 1933, it follows the story of an ambitious filmmaker who coerces his cast and hired ship crew to travel to mysterious Skull Island. There they encounter prehistoric creatures and a legendary giant gorilla known as Kong, whom they capture and take to New York City.
The Mighty Kong is a 1998 American animated monster musical film. It is an adaptation of the classic King Kong story, produced by Lana Productions and is the seventh entry in the King Kong franchise. Jodi Benson and Dudley Moore headed its cast of voice actors. The film was animated overseas by the South Korean animation studios including Hahn Shin Corporation, and by Jade Animation in Hong Kong. It features original songs by the Sherman Brothers. The film was initially given a limited theatrical release before being released on VHS on June 16, 1998 by Warner Home Video as a part of their 75th Anniversary promotion. It was released on DVD by Tri-Coast Entertainment in 2019 as a Manufacture-on-Demand (MOD) release that is only available through online stores. The film is currently available on multiple streaming platforms such as Tubi and Vimeo.
King Kong, also referred to simply as Kong, is a fictional giant monster, or kaiju, resembling a gorilla, who has appeared in various media since 1933. Kong has been dubbed the King of the Beasts, and over time, it would also be bestowed the title of the Eighth Wonder of the World, a widely recognized expression within the franchise. His first appearance was in the novelization of the 1933 film King Kong from RKO Pictures, with the film premiering a little over two months later.
Carl Denham is a fictional character in the films King Kong and The Son of Kong, as well as in the 2005 remake of King Kong, and a 2004 illustrated novel titled Kong: King of Skull Island. The role was played by Robert Armstrong in the 1933 films and by Jack Black in the 2005 remake. In The Mighty Kong, he was voiced by Dudley Moore. Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the city. The less faithful 1976 remake has an analogue character named Fred Wilson, portrayed by Charles Grodin.
The Son of Kong is a 1933 American Pre-Code adventure monster film produced by RKO Pictures. Directed by Ernest Schoedsack and featuring special effects by Willis O'Brien and Buzz Gibson, the film stars Robert Armstrong, Helen Mack and Frank Reicher. The film is the sequel to King Kong, being released just nine months after and is the second entry of the King Kong franchise.
Peter Jackson's King Kong: The Official Game of the Movie is a 2005 action-adventure video game developed by Ubisoft Montpellier and published by Ubisoft, based on the 2005 film King Kong. The game was created in collaboration between the film's director Peter Jackson and the game's director Michel Ancel. The film's cast members reprise their roles. The game follows New York scriptwriter Jack Driscoll through Skull Island, as he attempts to save love interest Ann Darrow who has been sacrificed by the island's natives to the giant gorilla Kong.
Jack Driscoll is a fictional character in the King Kong franchise. In the original 1933 film he was the first mate of the ship named the Venture, while in its 2005 remake he was a playwright. He was played by Bruce Cabot in the original and by Adrien Brody in the remake. In both versions he is one of the main heroes of the story, a man who is on a ship heading for the mysterious Skull Island, where Carl Denham intends to make a film. On the way, Driscoll falls in love with the actress Ann Darrow. When she is kidnapped by a giant ape named Kong on the island, Driscoll rescues her after helping to lead a search. Beyond these facts, his characterization is quite different in the two films.
Creation is an unfinished feature film, and a project of stop motion animator Willis O'Brien. It was about modern men encountering dinosaurs and other prehistoric animals on an island. The picture was scrapped by RKO studio head David O. Selznick on the grounds of expense, and Merian C. Cooper, the studio producer who recommended the film's cancellation, considered the storyline to be boring, due to lack of action. The completed footage ran 20 minutes in length, although approximately five minutes is all that survives today. The surviving footage shows a stop motion dinosaur watching a live action boy hunting a live action animal. Cooper later used some of the miniatures and dinosaur armatures and O'Brien's stop-motion animation techniques for King Kong.
Tyrannosaurus rex is unique among dinosaurs in its place in modern culture; paleontologist Robert Bakker has called it "the most popular dinosaur among people of all ages, all cultures, and all nationalities". Paleontologists Mark Norell and Lowell Dingus have likewise called it "the most famous dinosaur of all times." Paleoartist Gregory S. Paul has called it "the theropod. [...] This is the public's favorite dinosaur [...] Even the formations it is found in have fantastic names like Hell Creek and Lance." Other paleontologists agree with that and note that whenever a museum erects a new skeleton or bring in an animatronic model, visitor numbers go up. "Jurassic Park and King Kong would not have been the same without it." In the public mind, T. rex sets the standard of what a dinosaur should be. Science writer Riley Black similarly states, "In all of prehistory, there is no animal that commands our attention quite like Tyrannosaurus rex, the king of the tyrant lizards. Since the time this dinosaur was officially named in 1905, the enormous carnivore has stood as the ultimate dinosaur."
A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature.
The Rhedosaurus is a fictional dinosaur that debuted in the 1953 monster film The Beast from 20,000 Fathoms, directed and co-written by Eugène Lourié. The Rhedosaurus is depicted as a giant, destructive, prehistoric reptile that is immune to most modern artillery in its major on-screen appearance, and would later appear in the 1977 science fiction film Planet of Dinosaurs.
Throughout the decades King Kong has been featured in numerous comic book publications from numerous publishers.
King Kong is one of the best-known figures in cinema history. He and the series of films featuring him are frequently referenced in popular culture around the world. King Kong has achieved the stature of a pop-culture icon and modern myth. King Kong has inspired advertisements, cartoons, comic books, films, magazine covers, plays, poetry, political cartoons, short stories, television programmes, and other media. The forms of references to King Kong range from straight copies to parodies and humorous references.
King Kong is a musical with music by Marius de Vries, lyrics by Michael Mitnick and Craig Lucas, a book by Lucas and additional musical and lyrical contributions by 3D, Sarah McLachlan, Guy Garvey, Justice and The Avalanches. It is based on the 1933 film of the same name. The original production was mounted in Australia in 2013. A re-worked Broadway production premiered in October 2018.
Kong: Skull Island is a 2017 American monster film directed by Jordan Vogt-Roberts. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, it is a reboot of the King Kong franchise and the second film in the Monsterverse, serving as the 11th film in the King Kong franchise. The film stars Tom Hiddleston, Samuel L. Jackson, John Goodman, Brie Larson, Jing Tian, Toby Kebbell, John Ortiz, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann, Terry Notary, and John C. Reilly. Set in 1973, the film follows a team of scientists and Vietnam War soldiers travelling to the uncharted Skull Island and meeting Kong, a gigantic ape who is the last of his species, closely followed by other terrifying creatures.
Skull Island: Reign of Kong is a trackless dark ride located at Universal Islands of Adventure theme park within Universal Orlando Resort. Universal Creative based its design on various films in the King Kong franchise and consulted with Peter Jackson, who directed the 2005 film King Kong, during the initial phase of the project. The ride officially opened to the public on July 13, 2016, which was preceded by a series of soft openings held the previous month.
King Kong is an American monster media franchise that consists of thirteen films, as well as television, novels, comic books, video games, attractions, and other merchandise. The franchise is centered on King Kong, a giant ape living on a primordial island inhabited by prehistoric creatures. The original film King Kong was co-directed by Merian C. Cooper and Ernest B. Schoedsack and was released on March 2, 1933; it was a box office success, despite opening during the Great Depression. The film's stop motion effects by Willis H. O'Brien revolutionized special effects, leaving a lasting impact on the film industry worldwide.
The World of Kong: A Natural History of Skull Island is a 2005 art book released as a tie-in to the film King Kong (2005). The book is written in the form of a field guide and natural history of the version of Skull Island and its creatures as presented in the film.
Kong, also known as Titanus Kong, is a giant monster, or kaiju, based on character of the same name created by Edgar Wallace amd Merian C. Cooper, and one of the protagonists in Legendary Pictures' Monsterverse franchise.
Be it Goya's influence on Jack Pierce's iconic make-up design for Boris Karloff in James Whale's Frankenstein (1931), Arnold Böcklin's painting Isle of the Dead (1880-1901) on the design of Skull Island in King Kong [...]
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World – Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
King Kong Vs. Tarzan is scheduled for a Summer, 2016 release, timed to coincide with the promising and much-anticipated new Warner Bros. Legend of Tarzan film, and will be issued in trade paperback, eBook and hardcover editions.