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The Son of Kong | |
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Directed by | Ernest B. Schoedsack |
Screenplay by | Ruth Rose |
Produced by | Ernest B. Schoedsack |
Starring | Robert Armstrong Helen Mack Frank Reicher John Marston Victor Wong Edward Brady |
Cinematography | Edward Linden J.O. Taylor Vernon L. Walker |
Edited by | Ted Cheesman |
Music by | Max Steiner |
Production company | |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 69 minutes |
Country | United States |
Language | English |
Budget | $269,000 [1] |
Box office | $616,000 [1] |
The Son of Kong (also known and publicized simply as Son of Kong) is a 1933 American Pre-Code adventure monster film produced by RKO Pictures. Directed by Ernest Schoedsack and featuring special effects by Willis O'Brien and Buzz Gibson, the film stars Robert Armstrong, Helen Mack and Frank Reicher. The film is the sequel to King Kong , being released just nine months after and is the second entry of the King Kong franchise.
A month after the destruction in New York City by Kong, filmmaker Carl Denham has been implicated in so many lawsuits that he is almost bankrupt. Denham leaves the city aboard the Venture with Captain Englehorn, who knows he too will be similarly prosecuted if he stays, but their efforts to make money shipping cargo around Asia are not successful. After arriving in the Dutch East Indies port of Dakang, Denham and Englehorn attend a show of performing monkeys, which ends with a song ("Runaway Blues"), sung by a young woman, Hilda Petersen, whom Denham is immediately attracted to.
That night, Mr Petersen, Hilda's father who runs the monkey show, stays up drinking with a Norwegian skipper, Nils Helstrom, who had lost his ship under questionable circumstances. The two men argue and fight, during which Petersen is killed and his tent burns down. Distraught, Hilda releases all the monkeys from their cages. Soon after, Denham and Englehorn meet Helstrom, who was the man who had sold to Denham the map to Kong's island. Helstrom convinces them that there is a treasure on the island and they agree to sail to find it. Later, Denham meets Hilda while she is trying to recapture her monkeys and tries to cheer her up. Despite pleas for her safety, Denham refuses to take her with him when he sets sail from Dakang. However, shortly after the ship leaves, Hilda is found having stowed away on board.
Helstrom talks Hilda into silence, then incites a mutiny on board the Venture, but the sailors want no more captains and force him along with Denham, Englehorn, Hilda, and Charlie the cook away in a lifeboat. The group land on Skull Island and discover that the natives now blame Denham for Kong's destruction in their village, forcing them to retreat into the interior of the island, where they split up into two groups. Denham and Hilda encounter a giant albino gorilla, smaller than Kong, but still over twice the height of a man. The giant ape is stuck in quicksand, so Denham helps him out and bandages the ape's injured finger, establishing trust with the ape. Denham tells Hilda that he believes the ape is Kong's son and names him "Little Kong". Later, Englehorn, Charlie and Helstrom are attacked by a Styracosaurus which chases them into a cave. Denham and Hilda are attacked by a giant cave bear, but "Little Kong" fights it and forces it away. Helstrom had actually made up his treasure-story to get a free ride away from Dakang, but with the ape's help, Denham and Hilda find a real treasure - a huge jewel on the head of a seemingly abandoned giant stone idol, which he takes. Little Kong, Denham, and Hilda are attacked by a Nothosaurus , but "Little Kong" fights and kills it. A storm ensues and Helstrom tries to escape in the lifeboat, but is killed by an Elasmosaurus. Englehorn, Hilda and Charlie quickly retrieve and board the lifeboat, but a violent earthquake and hurricane strikes the island and it begins to sink into the ocean. The water soon surrounds Denham and "Little Kong" atop a tall mound and as the ape's foot gets stuck in the cracking mound, he sacrifices himself to save Denham by holding him above the water. The group in the boat reach Denham just in time, as the ape's hand, with Denham's bandage still on his finger, sinks below. On the deck of a rescue ship, Denham and Hilda contemplate the tragic fate of Kong's son and of their future together, but Denham shows Hilda the jewel he salvaged, assuring her that it will provide financial security for all of them. It was Denham's intention to split the fortune four ways (Denham, Hilda, Englehorn and Charlie), but Hilda says that three ways is just fine, indicating that she is throwing her fortunes in with Denham for the long haul.
The film was produced and released in 1933, immediately following the success of King Kong (1933), and was a modest success. Script writer Ruth Rose intentionally made no attempt to make a serious film on the logic that it could not surpass the first. She stated, "If you can't make it bigger, make it funnier." For his part, Denham's actor, Robert Armstrong, preferred the second film, saying that the sequel offered more character development for Carl Denham. In other words, his character Denham gets the young girl at the end.
The script/screenplay featured scenes of tribal warfare and a climactic dinosaur stampede during the massive cyclone/earthquake that sinks Skull Island at the film's end. The stampede was going to utilize the models that had been built for Creation (1931) (most being used in the earlier King Kong). However, these sequences were never filmed due to the film's tight budget and shooting schedule.
Helen Mack's character is never referred to as "Hilda" in the film. The name "Hilda" is used in the credits and her father refers to her as "La Belle Helene" during the show. Denham just calls her "kid".
Little Kong was referred to as "Kiko" during production, but this name is never used in the film or in publicity materials.
Some of the stop-motion models used for King Kong were also used for The Son of Kong. The non animated "long face" Kong armature, from the log bridge and Tyrannosaurus fight sequences, was also used for "Little Kong". Of the two known existing model-armatures of Kong, one is currently owned by film historian and collector Bob Burns, and the other is owned by director Peter Jackson, who remade King Kong in 2005. [2] Also, the same Brontosaurus model used for the raft scene in King Kong can be glimpsed in the sea as the island is sinking. The stop motion animation in the film (done by Willis O'Brien who also did the effects in King Kong) is not as extensive as in the original, but included is a sequence where a Styracosaurus chases the explorers through the jungle. Today, the original Styracosaurus model, along with other original 1933 "Kong" dinosaurs, is also now owned by director Peter Jackson. An interesting giant bear is added to the creatures “Little Kong” challenges.
The Son of Kong was released on VHS by Nostalgia Merchant in the 1980s and again in 1991 by Turner Home Entertainment.
In 2005 it received a DVD release and was available both by itself and as part of a collector's set alongside King Kong (1933) and Mighty Joe Young (1949), with commentary by Ray Harryhausen. In the UK and in Italy it was released on DVD in 2010.
In 2014 it was featured on Warner Archive Instant, a streaming service dedicated to the classic films and animation properties owned by Time Warner, Inc.
Warner Bros released a Blu-ray version on October 27, 2015.
The film received mixed reviews. In the New York Times review of the film, they described it as a "low melodrama with a number of laughs" that were deemed to be satisfying, though they added that the vision of comedy by the producers would be open to discussion. [3] Variety described it as "fair entertainment". [4] Among modern critics, review aggregation site Rotten Tomatoes reported that 42% have given the film a positive review based on 12 reviews, with an average rating of 4.90 out of 10. [5] On Metacritic, the film has a weighted average score of 50 out of 100 based on 6 critic reviews, indicating "mixed or average reviews". [6] It made a profit of $133,000. [1]
The notion of King Kong’s son is referenced in the film King Kong Lives , the sequel to the 1976 remake of King Kong, where Kong encounters a female giant ape, and their pairing leads to the birth of a baby ape.
Another variation of the son of Kong would be referenced in Godzilla x Kong: The New Empire , the fifth Installment in the MonsterVerse, where Kong explores further regions of the Hollow Earth, discovering a juvenile giant ape named Suko whom he subsequently raises as his son.
King Kong is a 1933 American pre-Code adventure romance monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, it is the first film in the King Kong franchise. The film stars Fay Wray, Robert Armstrong, and Bruce Cabot. The film follows a giant ape dubbed Kong who is offered a beautiful young woman as a sacrifice.
Willis Harold O'Brien, known as Obie O'Brien, was an American motion picture special effects and stop-motion animation pioneer, who according to ASIFA-Hollywood "was responsible for some of the best-known images in cinema history," and is best remembered for his work on The Lost World (1925), King Kong (1933), The Last Days of Pompeii (1935) and Mighty Joe Young (1949), for which he won the 1950 Academy Award for Best Visual Effects.
King Kong is a 2005 epic adventure monster film co-written, produced, and directed by Peter Jackson. It is the ninth entry in the King Kong franchise and the second remake of the 1933 film of the same title, the first being the 1976 remake. The film stars Naomi Watts, Jack Black, and Adrien Brody. Set in 1933, it follows the story of an ambitious filmmaker who coerces his cast and hired ship crew to travel to mysterious Skull Island. There they encounter prehistoric creatures and a legendary giant gorilla known as Kong, whom they capture and take to New York City.
King Kong is a 1976 American monster adventure film produced by Dino De Laurentiis and directed by John Guillermin. It is a modernized remake of the 1933 film about a giant ape that is captured and taken to New York City for exhibition. It stars Jeff Bridges, Charles Grodin, and Jessica Lange in her first film role, and features mechanical effects by Carlo Rambaldi and makeup effects by Rick Baker who also played the title character. It is the fifth entry in the King Kong franchise.
The Valley of Gwangi is a 1969 American fantasy Western film produced by Charles H. Schneer and Ray Harryhausen, directed by Jim O'Connolly, written by William Bast, and starring James Franciscus, Richard Carlson, and Gila Golan.
The Mighty Kong is a 1998 American animated monster musical film. It is an adaptation of the classic King Kong story, produced by Lana Productions and is the seventh entry in the King Kong franchise. Jodi Benson and Dudley Moore headed its cast of voice actors. The film was animated overseas by the South Korean animation studios including Hahn Shin Corporation, and by Jade Animation in Hong Kong. It features original songs by the Sherman Brothers. The film was initially given a limited theatrical release before being released on VHS on June 16, 1998 by Warner Home Video as a part of their 75th Anniversary promotion. It was released on DVD by Tri-Coast Entertainment in 2019 as a Manufacture-on-Demand (MOD) release that is only available through online stores. The film is currently available on multiple streaming platforms such as Tubi and Vimeo.
King Kong, also referred to simply as Kong, is a fictional giant monster, or kaiju, resembling a gorilla, who has appeared in various media since 1933. Kong has been dubbed the King of the Beasts, and over time, it would also be bestowed the title of the Eighth Wonder of the World, a widely recognized expression within the franchise. His first appearance was in the novelization of the 1933 film King Kong from RKO Pictures, with the film premiering a little over two months later.
Carl Denham is a fictional character in the films King Kong and The Son of Kong, as well as in the 2005 remake of King Kong, and a 2004 illustrated novel titled Kong: King of Skull Island. The role was played by Robert Armstrong in the 1933 films and by Jack Black in the 2005 remake. In The Mighty Kong, he was voiced by Dudley Moore. Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the city. The less faithful 1976 remake has an analogue character named Fred Wilson, portrayed by Charles Grodin.
Skull Island is the name most often used to describe a fictional island that first appeared in the 1933 film King Kong and later appearing in its sequels, the three remakes, and any other King Kong-based media. It is the home of the eponymous King Kong and several other species of creatures, mostly prehistoric and in some cases species that should have been extinct long before the rise of mammalian creatures, along with a primitive society of humans.
The Lost World is a 1925 American silent fantasy giant monster adventure film, directed by Harry O. Hoyt and written by Marion Fairfax, adapted from Arthur Conan Doyle's 1912 novel of the same name.
Peter Jackson's King Kong: The Official Game of the Movie is a 2005 action-adventure video game developed by Ubisoft Montpellier and published by Ubisoft, based on the 2005 film King Kong. The game was created in collaboration between the film's director Peter Jackson and the game's director Michel Ancel. The film's cast members reprise their roles. The game follows New York scriptwriter Jack Driscoll through Skull Island, as he attempts to save love interest Ann Darrow who has been sacrificed by the island's natives to the giant gorilla Kong.
King Kong, commonly referred to as The King Kong Show, is an animated television series produced by Videocraft International and Toei Animation. ABC ran the series in the United States on Saturday mornings between September 10, 1966, and August 31, 1969. It is the first anime-based series produced in Japan for an American company.
Jack Driscoll is a fictional character in the King Kong franchise. In the original 1933 film he was the first mate of the ship named the Venture, while in its 2005 remake he was a playwright. He was played by Bruce Cabot in the original and by Adrien Brody in the remake. In both versions he is one of the main heroes of the story, a man who is on a ship heading for the mysterious Skull Island, where Carl Denham intends to make a film. On the way, Driscoll falls in love with the actress Ann Darrow. When she is kidnapped by a giant ape named Kong on the island, Driscoll rescues her after helping to lead a search. Beyond these facts, his characterization is quite different in the two films.
Creation is an unfinished feature film, and a project of stop motion animator Willis O'Brien. It was about modern men encountering dinosaurs and other prehistoric animals on an island. The picture was scrapped by RKO studio head David O. Selznick on the grounds of expense, and Merian C. Cooper, the studio producer who recommended the film's cancellation, considered the storyline to be boring, due to lack of action. The completed footage ran 20 minutes in length, although approximately five minutes is all that survives today. The surviving footage shows a stop motion dinosaur watching a live action boy hunting a live action animal. Cooper later used some of the miniatures and dinosaur armatures and O'Brien's stop-motion animation techniques for King Kong.
Throughout the decades King Kong has been featured in numerous comic book publications from numerous publishers.
King Kong is one of the best-known figures in cinema history. He and the series of films featuring him are frequently referenced in popular culture around the world. King Kong has achieved the stature of a pop-culture icon and modern myth. King Kong has inspired advertisements, cartoons, comic books, films, magazine covers, plays, poetry, political cartoons, short stories, television programmes, and other media. The forms of references to King Kong range from straight copies to parodies and humorous references.
A*P*E, released in South Korea as King Kong's Great Counterattack, is a 1976 monster film. An international co-production between South Korea and the United States, the film was produced by Kukje Movies and the Lee Ming Film Co. and Worldwide Entertainment (U.S.), and was shot in 3-D using the Space-Vision process. Directed by Paul Leder and featuring special effects by Park Kwang Nam, the film stars Joanna Kerns, Rod Arrants and Alex Nicol. It marked an early film appearance by Kerns, later known for her work in television.
King Kong is a musical with music by Marius de Vries, lyrics by Michael Mitnick and Craig Lucas, a book by Lucas and additional musical and lyrical contributions by 3D, Sarah McLachlan, Guy Garvey, Justice and The Avalanches. It is based on the 1933 film of the same name. The original production was mounted in Australia in 2013. A re-worked Broadway production premiered in October 2018.
King Kong is an American monster media franchise that consists of thirteen films, as well as television, novels, comic books, video games, attractions, and other merchandise. The franchise is centered on King Kong, a giant ape living on a primordial island inhabited by prehistoric creatures. The original film King Kong was co-directed by Merian C. Cooper and Ernest B. Schoedsack and was released on March 2, 1933; it was a box office success, despite opening during the Great Depression. The film's stop motion effects by Willis H. O'Brien revolutionized special effects, leaving a lasting impact on the film industry worldwide.
The World of Kong: A Natural History of Skull Island is a 2005 art book released as a tie-in to the film King Kong (2005). The book is written in the form of a field guide and natural history of the version of Skull Island and its creatures as presented in the film.