Jean-Michel André Jarre is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks.
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the Groupe de recherches musicales at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of elektronische Musik, and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century.
Charles Benjamin Amirkhanian is an American composer. He is a percussionist, sound poet, and radio producer of Armenian origin. He is mostly known for his electroacoustic and text-sound music. Performance artist Laurie Anderson praises his work: "The art of audio collage has been reinvented here... A brilliant sense of imaginary space."
Acousmatic music is a form of electroacoustic music that is specifically composed for presentation using speakers, as opposed to a live performance. It stems from a compositional tradition that dates back to the origins of musique concrète in the late 1940s. Unlike acoustic or electroacoustic musical works that are realized from scores, compositions that are purely acousmatic often exist solely as fixed media audio recordings.
Trevor Wishart is an English composer, based in York. Wishart has contributed to composing with digital audio media, both fixed and interactive. He has also written extensively on the topic of what he terms "sonic art", and contributed to the design and implementation of software tools used in the creation of digital music; notably, the Composers Desktop Project.
Eldad Tsabary is a composer living in Montreal. He composes and performs in a variety of styles including contemporary, experimental, acousmatic, sound art, and live electronics. His works, in all styles, are created with wide textural and timbral variety and attention to motion and process.
Louis Dufort is a Canadian composer of electroacoustic music. He was born and lives in Montréal, Canada.
Birmingham ElectroAcoustic Sound Theatre, or as it is more commonly known, BEAST, is a sound diffusion system specifically designed for the performance of electroacoustic music. It consists of a set of loudspeakers connected to a computer, usually controlled by a diffusion console. It is a long-running project of the Electroacoustic Music Studios at the University of Birmingham, founded in 1982 under the directorship of Jonty Harrison. Since 2014 BEAST has been directed by Scott Wilson, with Annie Mahtani as co-director from 2020. James Carpenter was technical director until 2018. The current technical director is Simon Smith.
Kirk Whalum is an American R&B and smooth jazz saxophonist and songwriter. He toured with Whitney Houston for more than seven years and soloed on her single "I Will Always Love You", the best-selling single by a female artist in music history. He was also featured on many Luther Vandross albums, most often playing on the singer's covers of older pop and R&B standards such as "Anyone Who Had a Heart", "I ", and "Love Won't Let Me Wait".
Erdem Helvacioglu is an electronic musician from Turkey. He has collaborated with artists Mick Karn, Kevin Moore, John Wilson, Kazuya Ishigami, and Saadet Turkoz. He also composes music for theatre, film and multimedia productions, and produces for popular and rock music bands in Turkey. He has received numerous international awards including prizes from the Luigi Russolo and Insulae Electronicae Electroacoustic Music Competitions.
Dean Rosenthal is an American composer of instrumental and electronic music, sound installations, and field recordings. His pieces have included field recordings, text scores, digital pastiche, and instrumental works focussed on natural observations of properties in mathematics such as perfect tilings, combinations, graph theory, and permutations. He has conducted and performed internationally since 1996. He is the composer of the ongoing international community experimental music work Stones/Water/Time/Breath that is celebrated annually by Fête de la Musique in multiple cities across North America and Europe. He also serves as co-editor of The Open Space Web Magazine and is a contributing editor to The Open Space Magazine. He has worked closely with Guggenheim Fellow David Parker's dance company The Bang Group on several works, including their collaboration Turing Tests. Most recently, he was commissioned by the Oral History of American Music at Yale to compose a new work on the life of Vivian Perlis. This piece, There Was Only One of Her , was placed in the Rodgers and Hammerstein Archives of Recorded Sound at the New York Public Library for the Performing Arts.
Lindsay Vickery is an Australian composer and performer.
Frédéric Chaslin is a French conductor, composer and pianist. He recently joined the prestigious Music publishing house Universal Edition in Vienna.
Priscilla McLean is an American composer, performer, video artist, writer, and music reviewer.
Vivian Adelberg Rudow is an American composer, performance artist, conductor and concert producer. She composes in the genres of acoustic and electroacoustic music with works ranging from solo to full orchestra. She lives in Baltimore, Maryland.
Marc Battier is a French composer and musicologist.
Igor Lintz Maués; also spelled Igor Lintz-Maues; is a composer and sound artist born December 8, 1955, in São Paulo, Brazil, and since the end of the 1980s living in Vienna, Austria.
Ines Reingold-Tali, known by her stage names Inéz, Inèz or Inez, is an Estonian new media artist, musician, composer and writer on sound art, noise, electronic music, glitch and digital culture. She lives and works in Finland. Since the mid-1990s she has belonged to a new generation of composers in Finland interested in experimental interdisciplinary art projects and electronic music. Her repertoire includes electroacoustic chamber music, experimental, electronic and film music. She has been engaged in commissioned projects in the fields of electroacoustic, contemporary chamber music and experimental music, in different audiovisual art projects, video art, poetry, performance, theater, short films and radio-art. Her compositions have been broadcast internationally on various radio stations and television channels in many European countries, Australia, Canada and the USA. Her works have been published on solo-albums and international compilations by various labels, incl. K-tel International, FG Music/Naxos, YOCOMA, YAP and Charm of Sound. She has been nominated to participate in various international festivals, exhibitions and conferences, Florence Biennale 2007 in Italy, LACDA International Juried Competition Winners Show (award) at the Los Angeles Center for Digital Art in USA 2007, 30e Festival International des Musiques Syntheses 2000 in France and international conferences on musicology, among others.
Mon Amour, Mon Parapluie is a short film directed by Giada Dobrzenska and featuring cameo appearances by William Gibson and Douglas Coupland. The film was nominated for nine categories of British Columbia's Leo Awards, including one to Studio X for sound editing. It was an official 2007 selection at Big Sur International Film Festival.
Florence Baschet is a French composer of contemporary music.
