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Sonic Arts Network was a UK-based organisation, established in 1979, that aimed to enable both audiences and practitioners to engage with the art of sound through a programme of festivals, events, commissions and education projects. Its honorary patron was Karlheinz Stockhausen. At time of founding in 1979 it was known as the Electroacoustic Music Association of Great Britain (EMAS), changing its name to Sonic Arts Network in 1989. [1]
On 1 October 2008 the Sonic Arts Network merged with the Society for the Promotion of New Music, the British Music Information Centre (BMIC) and the Contemporary Music Network to create a new organisation to promote contemporary Music in the UK called Sound and Music. [2]
Sonic Arts Network's activities were separated into three main areas:
Every year, Sonic Arts Network produced a number of nationwide commissions and projects in partnership with funding agencies, sponsors, broadcasters and venues. The aim of these activities was to bring some of the best new and existing work by sound artists from around the world to the UK. Sonic Arts Network's main activities included: Cut and Splice, Expo festival, Beach Singularity and Vacant Space.
Cut and Splice is a festival of experimental electronic music that brings together international artists to premiere new work or recreate seminal historical pieces. First held in 2003, [3] it is presented in association with BBC Radio 3 and has continued under the Sound And Music name after Sonic Arts Network was merged into the latter organisation. [4] [5]
The event has previously featured Bernard Parmegiani, François Bayle, Yasunao Tone [6] and Ars Electronica Prize-winner Eliane Radigue. Some of the artists featured in Cut and Splice Acousmonium 2006 at the ICA included Russell Haswell, John Wall, Hecker, Michel Chion, Christian Zanési, Philip Jeck, Carl Michael von Hausswolff, Zbigniew Karkowski and Hans-Joachim Roedelius. [7] [8]
Beginning in 1997 as a conference and renamed in 2004, [3] Expo festival was Sonic Arts Network's annual festival representing the experimental music and sound art scene in the UK, held in a different UK location each year. [9] [10] Free and open to the public, the event mobilised a national network of artists and engaged with communities from all backgrounds – placing sonic art and the people who make it, in direct contact with the public.
Expo 2006 explored the inner, outer and public spaces of Manchester. The festival included sound installations at the Cornerhouse by Berlin-based sound art collective Staalplaat Soundsystem who presented The Ultrasound of Therapy; Bob Levene's newly commissioned work The Space Between – Experiments for Speakers, Helmut Lemke's new work KLANGELN 7, and the art collective Owl Project performed a work called Sound Lathe. There was also a performance by Norwegian female electro/instrumental improv group SPUNK and Birmingham sound arts activists Dreams of Tall Buildings performing the first graphic score in 40 years by Fluxus artist and founder of the band The United States of America, Joseph Byrd. Victoria Baths, winner of BBC's 2004 Restoration competition, saw over 600 people attend a day of site-specific happenings titled that utilised the spaces and acoustics of the listed building with a programme of performances and installations. [11]
Expo 2007 was held in Plymouth and was presented in partnership with the University of Plymouth's i-DAT (Institute of Digital Art and Technology). Over the weekend of 22–25 June 2007 performances, exhibitions and presentations took place at a variety of public venues in Plymouth including outdoor performance spaces, club space and a historic architectural space, as well as online. [12] [10]
Expo 2008 was held in Brighton and featured artists including Stephan Mathieu and Aleks Kolkowski, Blood Stereo, DJ Scotch Egg, and John Wall. Works included a radiophonic intervention in the Royal Pavilion Gardens [13] and an unconference in the form of a 'wiki-conference' at the University of Brighton. [14]
In 2009, Expo (hosted under the new organisation name Sound And Music) took place in locations across Leeds, again including an unconference and featured artists including Christina Kubisch. [15]
Beach Singularity is a celebration of the British seaside. Set in an afternoon, the piece involves hundreds of holidaymakers of all ages in a bizarre and creative performance featuring a marching band, interactive electronic sound, beach activities and sound games. Composed and devised by Trevor Wishart, Beach Singularity received its first performances on the beaches of Morecambe, Cleveleys, St. Annes, and Southport in the summer of 1977 as part of the Queen's Silver Jubilee celebrations. Supported by Contemporary Music Network (CMN), Beach Singularity toured three seaside towns in August 2007.
Sonic Arts Network aimed to support the development of both emerging and established artists in the UK through a rolling programme of commissions of new work for performance and installation across the UK. Artists commissioned included Kaffe Matthews, Justin Bennett, People Like Us, Ergo Phizmiz, Dreams of Tall Buildings and Bob Levene.
Sonic Arts Network undertook its first formal education project at the 1989 Huddersfield Contemporary Music Festival pioneered by Robert Worby and Ian Dearden with composer John Cage. After the appointment of Paul Wright as Education Officer in 1990 Sonic Arts Network provided projects for the South Bank Centre, The Science Museum, Canary Wharf, Birmingham's Symphony Hall, many other venues in the UK and in Budapest and Tokyo. Electroacoustic composers involved included Robert Worby, Trevor Wishart, Stephen Montague, Alistair MacDonald, Duncan Chapman and Peter Cusack as well as video artist Stewart Collinson and poet Matthew Sweeney. In 2000 Sonic Arts Network led the education programme for Sonic Boom at London's Hayward Gallery.
The main branch of Sonic Arts Network's recent[ when? ] Education programme was Sonic postcards which aimed to explore and compare the local sound environments of young people across the UK; the impact of sound on our lives; and the possibilities for creativity through the interaction of these sounds with the internet. 52 schools from across the UK took part in its first year.
The project was aimed at pupils between the ages of 9–14 in primary, secondary and special schools. Each project provided pupils with the opportunity to record and gather sounds to use as the basis of their sonic postcards. The pupils became sound designers by composing and structuring their own sonic postcards which were emailed to other schools that participated in the project. All the sonic postcards were then uploaded to the Sonic postcards website. [16] [17]
Sonic Arts Network was a membership organisation with over 600 members. This community of artists, organisations and the wider public with an interest in sound art and experimental music [18] was served by the Sonic Arts Network through a combination of online services, performance, exhibition and educational opportunities and a range of specially curated CDs and newsletters.
These guest-curated CD were released several times a year; accompanying the aural element of the publication was a richly produced booklet that often underpinned and contextualised the themes explored on the CD.
Issues were curated by Nicolas Collins, editor-in-chief of the Leonardo Music Journal and Chair of the Department of Sound at the School of the Art Institute of Chicago, who developed a theme based around silence. Kenny Goldsmith, a writer, poet and founder of UbuWeb, who trawled his archives to create a compilation of sound poetry. Japanese performance artist, Junko Wada curated a deeply personal selection of music, produced by a process of curation, performance and collaboration. Professor Andrew Hugill explored the French absurdist movement 'Pataphysics – a CD which travels from unheard Soft Machine tracks, Marcel Duchamp and Gavin Bryars and through to Frank Zappa's former lover, Nigey Lennon and a piece of silence that predates John Cage by 70 years by Alphonse Allais. Ben Watson delivered a post-Allais polemic through a disgruntled whiny from the Esemplasm. Tim Steiner's Big Ears unearthed the lost art of Radio broadcasting and Irwin Chusid, broadcaster and author of Songs in the Key of Z, delivered DIY and outsider nuggets.
The series includes The Topography of Chance by Stewart Lee, comedian and writer of Jerry Springer: The Opera. The CD explores spoken word, music and sound that all include some chance element in their creation. [19]
The last in the series was curated by Andrew Kötting, A psyche and its geography. Inside Out. The series was produced in co-operation with London-based German graphic-designer Joerg Hartmannsgruber. [20] [ citation needed ]
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the Groupe de recherches musicales at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of elektronische Musik, and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century.
People Like Us is the stage name of London DJ multimedia artist Vicki Bennett. She has released a number of albums featuring collages of music and sound since 1992. In recent years, she has performed at a number of modern art galleries, festivals and universities.
Iain Forsyth and Jane Pollard are British artists and filmmakers.
The culture of Plymouth is a social aspect of the unitary authority and city of Plymouth that is located in the south-west of England. Built in 1815, Union Street was at the heart of Plymouth's historical culture. It became known as the servicemen's playground, as it was where sailors from the Royal Navy would seek entertainment. During the 1930s, there were 30 pubs and it attracted such performers as Charlie Chaplin to the New Palace Theatre. It is now the late-night hub of Plymouth's entertainment strip, but has a reputation for trouble at closing hours.
Artist-Led Initiatives Support Network, abbreviated ALISN, is a non-profit international support network for artists which provides exhibition spaces, strategic support, education, creative facilitation and artist-to-artist exchange. ALISN was founded in 2007 by designer Jordan Dalladay-Simpson and artist Iavor Lubomirov. ALISN was previously known as AFMMXII, and was officially re-branded as ALISN in August 2009.
Sound and Music is the UK's national agency for new music, established on 1 October 2008 from the merger of four existing bodies working in the contemporary music field: the Society for the Promotion of New Music (SPNM), the British Music Information Centre, the Contemporary Music Network and the Sonic Arts Network.
Olivia Louvel is a French-born British composer and artist whose work draws on voice, computer music and digital narrative. The Sculptor Speaks, a resounding of a 1961 tape of Barbara Hepworth's voice, was nominated for an Ivor Novello Award in the Sound Art category at the Ivors Composer Awards 2020. She was interviewed by Stuart Maconie on his BBC Radio 6 programme Freak Zone about her "compelling sculpture-inspired work" on Barbara Hepworth. The "composer, researcher, and sound artist" often operates at the intersection of creation and documentation.
Robert Worby is a London-based composer, sound artist, writer and broadcaster.
Arts Catalyst is a visual arts organisation and charity based in Sheffield, UK. They commission artists and use art to explore social and environmental issues, provoke debate, and test out alternative ways of learning, frequently working in non-traditional arts spaces, often within a particular landscape.
Berlin Atonal is an annual festival for sonic and visual art in two distinct stages. It first took place between 1982 and 1990, relaunching in 2013 under new direction and continuing to the present day. The festival presents contemporary, interdisciplinary projects at the intersection of sound art, visual and media art, installation and performance, with an emphasis on commissioned work and world premieres. Apart from the annual event, Berlin Atonal has presented other satellite events such as The Long Now, New Assembly in Tokyo, and has collaborated with Deutsches Symphonie-Orchester, Dark Mofo and Berliner Festspiele.
Lovebytes is a digital arts organisation based in Sheffield, UK, established in 1994 and best known for the Lovebytes International Festival of Digital Art. Founded by Jon Harrison and Janet Jennings who are the directors of the organisation.
Paul Rooney is an English artist who works with music and words, primarily through installations and records.
Sonic Acts is an interdisciplinary arts organisation for the research, development and production of works at the intersection of art, science and theory. Sonic Acts is also a leading platform for international projects, research and the commissioning and co-production of new artworks, often working together with local and international partner organisations such as independent and institutional cultural incubators, universities and kindred festivals.
Lalya Gaye is a digital media artist and interaction designer whose early work was influential in the field of locative media. Currently based in Newcastle upon Tyne, UK, she is the founder and director of the international and interdisciplinary digital art practice Attaya Projects.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Yuval Avital is a composer, multimedia artist and guitarist known for his creations for large-scale compositions for numerous performers, multimedia contemporary operas involving indigenous cultures and collaborations with scientific institute such as NASA. In 2016 his icon-sonic opera Fuga Perpetua received the sponsorship of the UNHCR.
Helen Louise Thorington was an American radio artist, composer, performer and writer. She was also the founder of New Radio and Performing Arts (1981), a nonprofit organization based in New York City; the founder and executive producer of New American Radio (1987-1998); and the founder and co-director of Turbulence.org (1996–2016).
Lancaster Arts at Lancaster University (LA) is Lancaster University's public arts organisation. The organisation presents performances, for the public, staff and students, through its campus venues the Nuffield Theatre, Lancaster Concerts Series and the Peter Scott Gallery.
Ghislaine Boddington is a British artist, curator, presenter and director specialising in body responsive technologies, immersive experiences and collective embodiment, pioneering it as 'hyper-enhancement of the senses' and 'hyper-embodiment' since the late 80s.
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