Peter Draper (architectural historian)

Last updated

Peter Draper (born 7 May 1943), is an architectural historian who has, over his long academic career, specialised in medieval architecture with a particular interest in English ecclesiastical building, primarily cathedrals, and the relationship between the architecture and its social, political and liturgical functions. Latterly his research has extended to Islamic architecture and its influence on Western traditions. [1] He is Professor emeritus and an honorary life member of Birkbeck College, University of London where he is currently Visiting Professor in the History of Architecture. [2] He has published numerous articles and books including The Formation of English Gothic : Architecture and Identity, for which he won two prestigious awards; the Spiro Kostof Book Award from the Society of Architectural Historians in 2008 [3] and the Alice Davis Hitchcock Medallion in 2009, awarded by the Society of Architectural Historians of Great Britain. [4]

Contents

Career

After graduating from King's College, Cambridge in 1964, Draper went onto study for a PhD at the Courtauld Institute of Art where he was taught by the renowned medievalist, Peter Kidson, whose "inspirational teaching", as Draper has said, motivated him into the study of architecture. [5] Draper spent his early career as a librarian in the Conway Library at the Courtauld before taking up a position as lecturer at Birkbeck College in 1969. [5] He undertook this role, becoming senior lecturer in 1993, until his retirement in 2004 when, as professor emeritus, he took up the position of Visiting Professor in the School of History of Art and Screen Media at Birkbeck. [2] In 2004 he wrote the obituary in The Guardian for his friend and colleague, the art historian Linda Murray who specialised in Renaissance art. [6]

Draper was elected a Fellow of the Society of Antiquaries of London in 1979. [7]

Other

Peter Draper often takes his own photographs to illustrate his writing [8] and, while he was at the Courtauld, he donated photographs to the Conway Library, whose archive, of primarily architectural images, is in the process of being digitised as part of the wider Courtauld Connects project. [9] One of those photographs, of a hoodmold, has been used in the Encyclopædia Britannica as an example of that particular piece of architecture. [10]

Public office

First World War Cathedral Centenary Fabric Repairs Fund, member of expert panel, 2014 [2]

English Heritage Commissioner, appointed 1 September 2011 [11]

British Archaeological Association, President 2007–10, [12] joint editor of the Medieval Conference Transactions, 1978–82, Honorary Secretary, 1968-72 [1]

Society of Architectural Historians of Great Britain President 2000–4, [13] Honorary Editor of Architectural History , 1985-92 [1]

Cathedrals Fabric Commission for England, member 2001-11 [1]

Fabric Advisory Committee Southwark Cathedral, Chairman 1995–2008, [2] member 1992-2016 [14]

Books

Related Research Articles

Geoffrey Fairbank Webb CBE was a British art historian, Slade Professor of Fine Art and head of the Monuments and Fine Arts section of the Allied Control Commission during World War II.

<span class="mw-page-title-main">Jonathan Foyle</span> British architectural historian

Jonathan Foyle is an architectural historian, broadcaster and advocate for heritage sites. He is also an artist.

Alixe Bovey FSA is a Canadian medieval art historian and Dean and Deputy Director at the Courtauld Institute of Art, a college of the University of London. Her research has been chiefly concerned with pictorial narratives and their cultural and literary context. She has also written on medieval monsters.

Peter John Murray was a British art historian and the Professor of History of Art at Birkbeck College, London from 1967 to 1980. Together with his wife, Linda Murray, he wrote primers on Italian Renaissance art which have been used by generations of students. In 1959 they published the highly successful Penguin Dictionary of Art and Artists, which was frequently updated and reissued. In 1963, they published two substantial introductory texts The Art of the Renaissance, and a book that became a classic primer The Architecture of the Renaissance.

Peter Erik Lasko was a British art historian, Professor of Visual Art at the University of East Anglia, from 1965 to 1974, Director of the Courtauld Institute of Art, London, from 1974–85 and a Fellow of the British Academy.

Lindy M. Grant,, is professor emerita of medieval history at the University of Reading, an honorary research fellow of the Courtauld Institute of Art, and a former president of the British Archaeological Association. Grant is a specialist in Capetian France and its neighbours in the 11th to 13th centuries.

(Bernard) Paul Crossley, was professor of the history of art at the Courtauld Institute of Art, University of London. He was elected a fellow of the British Academy in 2016. He was a specialist in the architecture of medieval central Europe.

<span class="mw-page-title-main">Jean Bony</span>

Jean Victor Edmond Paul Marie Bony was a French medieval architectural historian specialising in Gothic architecture. He was Slade Professor of Fine Art at the University of Cambridge from 1958 to 1961, Fellow of St John's College, Cambridge, and Professor of Art at the University of California at Berkeley, from 1962 to 1980.

Peter Kidson was a British Emeritus Professor and Honorary Fellow at the Courtauld Institute of Art where he lectured on Medieval Architecture until 1990. In his obituary in The Telegraph, he was described as “the most influential historian of medieval architecture of his generation in the English-speaking world”.

Margaret Alison Stones, FSA, is a British/American medievalist and academic. She has held the position of professor emerita of history of art and architecture at University of Pittsburgh since 2012. Her work has been published in national and international academic journals and she has contributed to international exhibitions.

Roger Andrew Stalley is a scholar and teacher in medieval architecture and sculpture. His speciality is Early Gothic and Romanesque architecture and sculpture in England and Western Europe with a particular focus on Irish architecture and art. He has published numerous papers and books including Cistercian Monasteries of Ireland in 1987, for which he was awarded the Alice Davis Hitchcock Medallion in 1988 by the Society of Architectural Historians of Great Britain, and Early Medieval Architecture in 1999 for the Oxford History of Art series. He is noted for his innovative teaching practices for example, The Medieval Architecture Online Teaching Project, and is recognised in the 2021 publication Mapping New Territories in Art and Architectural Histories, Essays in Honour of Roger Stalley.

Nicola Coldstream, FSA, is a British architectural historian and academic with special interests in the 13th and 14th centuries. Coldstream studied History and Fine Arts at Cambridge University and obtained her PhD at the Courtauld Institute of Art.

Charles William Justin Hanbury-Tracy is a British scholar and heritage consultant on the history and development of medieval British and European continental church furniture. He publishes under the name of Charles Tracy.

Stephen D. Murray, Professor Emeritus of the Department of Art History and Archaeology at Columbia University, is an architectural historian, specialising in Romanesque and Gothic architecture. Before his retirement, Murray held the Lisa and Bernard Selz chair in Medieval Art History at Columbia University. He has written several important monographs on French Gothic cathedrals, including Troyes, Beauvais, and Amiens. His work combines analysis of architectural details with discussion of medieval writing about cathedrals. He is considered a pioneer in the development of digital media and visual arts resources for educational use.

George David Smith Henderson is a British art historian, author, and Emeritus Professor of Medieval Art at the University of Cambridge. He is a Fellow of The Society of Antiquaries of London and a member of the Association of Art Historians. He was awarded the Reginald Taylor Prize by the British Archaeological Association in 1962 for his paper "The Sources of the Genesis Cycle at St.-Savin-sur-Gartempe".

Deborah Kahn is an American art historian, author, and academic, specializing in European Medieval art and architecture. She is an eminent figure in the study of Canterbury Cathedral collection. Kahn has acted as a consultant on sculpture and conservation to Canterbury Cathedral and Lincoln Cathedral. She became Visiting Assistant Professor, Department of Art History at Columbia University from 1986 to 1987. She went on to work at Princeton University, from 1989 to 1991; before joining Boston University in 1996, where she is currently Associate Professor, in the department of art history. She is the author of two books, as well as numerous articles and conference papers.

Andrew Henry Robert Martindale (1932–1995) was Professor of Visual Art at the University of East Anglia at the time of his sudden death, aged just 62. One of the pioneers in the teaching of art history as an academic discipline and a founding member of the Association of Art Historians, he was also a highly respected medieval scholar specialising in the late Gothic and early Renaissance periods with a number of publications to his name. His 1972 book, The Rise of the Artist, is much vaunted, often cited, and has been described as 'a brilliant study of the hierarchies within the medieval patronage system'.

Roderick O'Donnell is an architectural historian currently working as a freelance writer, lecturer and adviser. O'Donnell is an expert on the works of the English architect, Augustus Pugin (1812-1852) and has published extensively on this subject.

Malcolm Thurlby, teaches art and architectural history at York University, Toronto. His research interests focus on Romanesque and Gothic architecture and sculpture in Europe and 19th and early 20th century architecture in Canada.

Richard Marks, is a British art historian. He has held a number of curating and academic posts in art history in the United Kingdom and researched and written extensively on medieval religious images in a variety of media, including stained glass and illuminated manuscripts.

References

  1. 1 2 3 4 "Dr Peter Draper | British Archaeological Association". thebaa.org. Retrieved 4 May 2021.
  2. 1 2 3 4 "Peter Draper — Department of History of Art, Birkbeck, University of London". www.bbk.ac.uk. Retrieved 4 May 2021.
  3. "Kostof Book Award Recipients". www.sah.org. Retrieved 4 May 2021.
  4. "Society of Architectural Historians of Great Britain : The Alice Davis Hitchcock Medallion" (PDF). Architectural History. 58, 2015: Front matter.
  5. 1 2 "Draper, Peter - Mapping Gothic France". mappinggothic.org. Retrieved 4 May 2021.
  6. Draper, Peter (24 November 2004). "Obituary: Linda Murray". the Guardian. Retrieved 9 May 2021.
  7. "Mr Peter Draper". Society of Antiquaries of London. Retrieved 4 May 2021.
  8. "Holy Trinity, Meldreth: dating architectural features". Meldreth History. Retrieved 4 May 2021.
  9. "Who made the Conway Library?". Digital Media. 30 June 2020. Retrieved 4 May 2021.
  10. "Hoodmold | architecture". Encyclopedia Britannica. Retrieved 4 May 2021.
  11. Department for Culture, Media and Sport, English Heritage: appointment of five new Commissioners, https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/77882/PA_EH_appointments-AUG2011.pdf
  12. "Annual Report of the Council for the year ended 31 December 2018". Journal of the British Archaeological Association. 172 (1): 194–202. 1 January 2019. doi:10.1080/00681288.2019.1658930. ISSN   0068-1288.
  13. "Lecturer Biographies – London Art History Society". londonarthistorysociety.org.uk. Retrieved 4 May 2021.
  14. Southwark Cathedral, The Dean's Annual Report, 7 May 2017, https://cathedral.southwark.anglican.org/media/1089/deans-report-2016.pdf