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Sir Roy Colin Strong, is an English art historian, museum curator, writer, broadcaster and landscape designer. He has served as director of both the National Portrait Gallery and the Victoria and Albert Museum in London. Strong was knighted in 1982.
Elizabeth Ann Dewar Churcher was an Australian arts administrator, best known as director of the National Gallery of Australia from 1990 to 1997. She was also a painter in her own right earlier in her life.
Clifton Ernest Pugh AO, was an Australian artist and three-time winner of Australia's Archibald Prize. One of Australia's most renowned and successful painters, Pugh was strongly influenced by German Expressionism, and was known for his landscapes and portraiture. Important early group exhibitions include The Antipodeans, the exhibition for which Bernard Smith drafted a manifesto in support of Australian figurative painting, an exhibition in which Arthur Boyd, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman showed; a joint exhibition with Barry Humphries, in which the two responded to Dadaism; and Group of Four at the Victorian Artists Society Gallery with Pugh, John Howley, Don Laycock and Lawrence Daws.
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Funnell is an English surname and it may refer to:
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Sir Lionel Henry Cust was a British art historian, courtier and museum director. He was director of the National Portrait Gallery from 1895 to 1909 and co-edited The Burlington Magazine from 1909 to 1919. He was the father of Lionel George Archer Cust.
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Peter Douglas Edwards,, is a British painter. He won the 1994 BP Portrait Award.
Judith Flanders is a historian, journalist and author, who has settled in London, England. Her writings centre on the Victorian period.
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Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern is a photograph taken by Robert Howlett in November 1857. It shows Brunel, the British engineer, during the troubled first attempt to launch the SS Great Eastern, by far the largest ship constructed to that date. Brunel stands before a drum of chain used during the launching of the vessel; he carries his customary cigar case and his boots and trousers are muddy. Brunel is smoking a cigar and his waistcoat is askew. His pose has been described as casual and self-assured. The image has become iconic of the industrial era and the 19th century and has been included in many published collections of photographs. It was widely reproduced at the time of the ship's eventual launch in January 1858 and again after Brunel's death in 1859.
References
- ↑ "National Portrait Gallery - Peter Funnell". Archived from the original on 16 October 2013.
