The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as Doctor Who and Quatermass and the Pit during the 1950s and 1960s.
Delia Ann Derbyshire was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.
John Turner, known professionally as John Nathan-Turner, was an English television producer. He was the ninth producer of the long-running BBC science fiction series Doctor Who and the final producer of the series' first run on television. He finished the role having become the longest-serving Doctor Who producer and cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors, respectively.
The Leisure Hive is the first serial of the 18th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 30 August to 20 September 1980. It marks the return of John Leeson as the voice of K9.
Revenge of the Cybermen is the fifth and final serial of the 12th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 19 April to 10 May 1975. It was the first to feature the Cybermen since The Invasion (1968) and the last until Earthshock (1982).
Full Circle is the third serial of the 18th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 25 October to 15 November 1980.
The Doctor Who theme music is a piece of music written by Australian composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Created in 1963, it was the first electronic music signature tune for television. It is used as the theme for the science fiction programme Doctor Who, and has been adapted and covered many times.
Paddy Kingsland is a composer of electronic music best known for his incidental music for science fiction series on BBC radio and television whilst working at the BBC Radiophonic Workshop. Educated at Eggar's Grammar School in Alton, Hampshire, he joined the BBC as a tape editor before moving on to become a studio manager for BBC Radio 1. In 1970 he joined the Radiophonic Workshop where he remained until 1981. His initial work was mostly signature tunes for BBC radio and TV programmes before going on to record incidental music for programmes including The Changes, two versions of The Hitchhiker's Guide to the Galaxy, as well as several serials of Doctor Who. His work on the latter series included incidental music for several serials in the early 1980s.
Malcolm Clarke was a British composer and experimental electronic musician. He was a member of the BBC Radiophonic Workshop, which was based in Maida Vale, London, for 25 years from 1969 to 1994.
Keff McCulloch is an English composer best known for his electronic music for Doctor Who in the late 1980s.
Dudley George Simpson was an Australian composer and conductor. He was the Principal Conductor of the Royal Opera House orchestra for three years and worked as a composer on British television. He worked on the BBC science-fiction series Doctor Who, for which he composed incidental music during the 1960s and 1970s. When Simpson died aged 95 in 2017, The Guardian wrote that he was "at his most prolific as the creator of incidental music for Doctor Who in the 1960s and 1970s, contributing to 62 stories over almost 300 episodes – more than any other composer."
Mark Ayres is an electronic musician, composer and audio engineer.
Through A Glass Darkly is a 1978 album by Peter Howell and the BBC Radiophonic Workshop. It featured six original instrumental compositions including "Through A Glass Darkly - A Lyrical Adventure", a 19-minute track which took up the whole of the first side of the record. Much of the music on the album leaned far more towards the prog rock of the 1970s than the previous output by the Radiophonic Workshop. The track "The Astronauts" later featured as the B-side to the 1980 single release of Howell's arrangement of the Doctor Who theme.
BBC Radiophonic Workshop – 21 is a compilation by the BBC Radiophonic Workshop to celebrate their 21st anniversary in 1979. It was compiled as an overview of their work both old and new, showcasing the changes in the Workshop as they developed from backroom sound effects suppliers for BBC Radio to full-fledged in-house music composers for the whole of the corporation. It demonstrates the move from the musique concrète and tape-manipulation techniques used in the early days, to the synthesiser works of the 1970s. The first side of the album consisted of material from 1958 to 1971, covering their early work creating jingles, sound-effects and some incidental music. This side includes the first material by Workshop founder Desmond Briscoe to be commercially released, as well as sound effects from The Goon Show, Maddalena Fagandini's interval signal that later became "Time Beat", some of Delia Derbyshire's experimental work and the pilot episode version of the Doctor Who theme music. The second side of the record covered the period between 1971 and 1979, including Richard Yeoman-Clark material from popular BBC series Blake's 7 and Peter Howell's vocoder heavy "Greenwich Chorus" theme for The Body in Question. It was reissued on CD by Silva Screen Records on 22 April 2016.
Doctor Who: The Music is a 1983 compilation of music from the BBC Radiophonic Workshop featuring incidental music from the popular science-fiction television series Doctor Who. The album was the first full-length to feature solely music from the programme. The collection was produced by Workshop member and long-time Doctor Who sound-effects creator Dick Mills. It featured the original Delia Derbyshire arrangement of Ron Grainer's theme tune and music by Malcolm Clarke from the 1972 serial "The Sea Devils", which was only the second to have an incidental score provided completely by the Radiophonic Workshop. Most of the music included came from serials from the previous three years to demonstrate the recent composers' works. For the album, each serial's incidental music was reassembled into short "suites" and although most of the music had been recorded in mono it was, for this compilation, remixed into stereo with sound effects added on to some tracks. The album was re-released in 1992 by Silva Screen records as Earthshock - Classic Music From The BBC Radiophonic Workshop Volume 1, with bonus tracks including "The Worlds of Doctor Who", a track recorded by Mills as a B-side to Dudley Simpson's 1973 "Moonbase 3" single, which featured a mix of music with sound effects from Planet of the Daleks before following with Simpson's "Master's Theme" and finishing with music from the serial The Mind of Evil. Selections from both this compilation and its follow-up, Doctor Who: The Music II, were also re-used on the 1994 Silva Screen compilation The Best of Doctor Who Volume 1: The Five Doctors.
The Soundhouse is a 1983 compilation released by BBC Records of music from the BBC Radiophonic Workshop. It featured music composed at the Workshop in the period since the previous compilation, BBC Radiophonic Workshop - 21. During the gap between releases, many advances had been made in the use of computer technology to produce electronic music and this was reflected on the compilation with much of the material having been performed using the Fairlight CMI, the first digital sampling synthesiser. The album included two tracks by Paddy Kingsland used in the television version of The Hitchhiker's Guide to the Galaxy, three electronic realisations of classical compositions and an original collaboration featuring five of the Radiophonic Workshop members entitled "Radiophonic Rock".
Doctor Who at the BBC Radiophonic Workshop Volume 2: New Beginnings 1970–1980 is the second in a series of compilations of BBC Radiophonic Workshop music from Doctor Who. The album collected various incidental music from the 1970s including, for the first time, the complete Malcolm Clarke score for the 1972 serial The Sea Devils, only the second scored completely by the Radiophonic Workshop. The compilation also featured a few of Dudley Simpson's compositions as realised by Brian Hodgson, some Delia Derbyshire music as featured in Inferno, two Peter Howell demos from 1979 and a selection of Dick Mills' sound effects from the era.
Doctor Who at the BBC Radiophonic Workshop Volume 3: The Leisure Hive is the third in a series of compilations showcasing the BBC Radiophonic Workshop's work on the science-fiction programme Doctor Who. The album focused mainly on the Peter Howell synthesiser score for the 1980 serial The Leisure Hive, which received its first full release here. The compilation also collected some Dick Mills sound effects from the story as well as some effects from other 1980 serials Meglos and Full Circle, whose music would be the subject of the fourth volume in the series. The final track was a new remix of the original Delia Derbyshire version of the show's theme tune by series compiler Mark Ayres.
BBC Radiophonic Workshop – A Retrospective is a 2008 compilation of music and effects from the BBC Radiophonic Workshop. It was released to commemorate the 50th anniversary of the establishment of the workshop and includes material ranging from then to its closure. Many of the tracks were previously released on the BBC Radiophonic Workshop - 21 and The Soundhouse.
