The TARDIS is a time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs. Due to the significance of Doctor Who in British popular culture, the shape of the police box has become associated with the TARDIS far more than its real-world inspiration. The name and design of the TARDIS is a registered trademark of the British Broadcasting Corporation (BBC), despite the fact that the design was originally created by the Metropolitan Police Service.
The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as Doctor Who and Quatermass and the Pit during the 1950s and 1960s.
Delia Ann Derbyshire was an English musician and composer of electronic music. She carried out pioneering work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.
The Mysterious Planet is the first serial of the larger narrative known as The Trial of a Time Lord which encompasses the whole of the 23rd season of the British science fiction television series Doctor Who. It was first broadcast in four weekly parts on BBC1 from 6 to 27 September 1986. The title The Mysterious Planet is not used on-screen and only appears in the serial's scripts with the four episodes that comprise the story being transmitted as The Trial of a Time Lord Parts One to Four.
Inferno is the fourth and final serial of the seventh season of the British science fiction television series Doctor Who, which was first broadcast in seven weekly parts on BBC1 from 9 May to 20 June 1970. The serial remains the last time a Doctor Who story was transmitted in seven episodes. This serial was also the last regular appearance of Caroline John in the role of Liz Shaw.
The Five Doctors is a special feature-length episode of the British science fiction television series Doctor Who, produced in celebration of the programme's 20th anniversary. It had its world premiere in the United States, on the Chicago PBS station WTTW and various other PBS member stations on 23 November 1983, the anniversary date. It was transmitted in the United Kingdom two days later.
Frontier in Space is the third serial of the tenth season of the British science fiction television series Doctor Who. The serial was first broadcast in six weekly parts on BBC1 from 24 February to 31 March 1973. It was the last serial to feature Roger Delgado in the role of the Master.
The Doctor Who theme music is a piece of music written by Australian composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Created in 1963, it was one of the first electronic music signature tunes for television. It is used as the theme for the science fiction programme Doctor Who, and has been adapted and covered many times.
White Noise is an English experimental electronic music band formed in London in 1968, after American-born David Vorhaus, a classical bass player with a background in physics and electronic engineering, attended a lecture by Delia Derbyshire, a sound scientist at the BBC Radiophonic Workshop. Derbyshire and Brian Hodgson, then both former members of electronic music project Unit Delta Plus, joined Vorhaus to form the band.
The Krotons is the fourth serial of the sixth season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from 28 December 1968 to 18 January 1969.
Brian Hodgson is a British television composer and sound technician. Born in Liverpool in 1938, Hodgson joined the BBC Radiophonic Workshop in 1962 where he became the original sound effects creator for the science fiction programme Doctor Who. He devised the sound of the TARDIS and the voices of the Daleks, which he created by distorting the actors' voices and feeding them through a ring modulator. He continued to produce effects for the programme until 1972 when he left the Workshop, leaving Dick Mills to produce effects for the remainder of the show's run.
The Radiophonic Workshop is a 1975 compilation album by the BBC Radiophonic Workshop, similar in concept to the earlier BBC Radiophonic Music of 1968. The album featured a variety of work demonstrating many of the various techniques the Workshop used. Unlike its predecessor though, it was far more synthesiser orientated. The music comes from all types of sources from serious drama and documentary to the "Major Bloodnok's Stomach" sound effect from The Goon Show. As with the 1968 compilation, the album was remastered in 2002 by Mark Ayres and re-released with two bonus tracks from John Baker.
BBC Sound Effects No. 19: Doctor Who Sound Effects is a 1978 compilation of sound effects by the BBC Radiophonic Workshop from the BBC science fiction series Doctor Who. It was the first album in the BBC Sound Effects series to feature solely Radiophonic Workshop output and also the first commercial release of an album of the Doctor Who sound effects and atmospheres. The effects included came from throughout the show's history, covering both Brian Hodgson and Dick Mills' time recording effects for the programme. Effects that did not appear on the compilation included the TARDIS taking off and landing sounds which are considered to be works of music by the BBC, rather than mere effects. Each side of the record was re-released in the United States as a part of pair of picture disc compilations, which also included tracks from Doctor Who - The Music. It was remastered and re-released on 2 February 2012, by AudioGo. It was the first time the album had a CD release in the UK. AudioGo and Discovery Records then re-released the original vinyl LP on 21 April 2012 as part of Record Store Day.
BBC Radiophonic Workshop – 21 is a compilation by the BBC Radiophonic Workshop to celebrate their 21st anniversary in 1979. It was compiled as an overview of their work both old and new, showcasing the changes in the Workshop as they developed from backroom sound effects suppliers for BBC Radio to full-fledged in-house music composers for the whole of the corporation. It demonstrates the move from the musique concrète and tape-manipulation techniques used in the early days, to the synthesiser works of the 1970s. The first side of the album consisted of material from 1958 to 1971, covering their early work creating jingles, sound-effects and some incidental music. This side includes the first material by Workshop founder Desmond Briscoe to be commercially released, as well as sound effects from The Goon Show, Maddalena Fagandini's interval signal that later became "Time Beat", some of Delia Derbyshire's experimental work and the pilot episode version of the Doctor Who theme music. The second side of the record covered the period between 1971–1979, including Richard Yeoman-Clark material from popular BBC series Blake's 7 and Peter Howell's vocoder heavy "Greenwich Chorus" theme for The Body in Question. It was reissued on CD by Silva Screen Records on 22 April 2016.
Doctor Who: The Music is a 1983 compilation of music from the BBC Radiophonic Workshop featuring incidental music from the popular science-fiction television series Doctor Who. The album was the first full-length to feature solely music from the programme. The collection was produced by Workshop member and long-time Doctor Who sound-effects creator Dick Mills. It featured the original Delia Derbyshire arrangement of Ron Grainer's theme tune and music by Malcolm Clarke from the 1972 serial "The Sea Devils", which was only the second to have an incidental score provided completely by the Radiophonic Workshop. Most of the music included came from serials from the previous three years to demonstrate the recent composers' works. For the album, each serial's incidental music was reassembled into short "suites" and although most of the music had been recorded in mono it was, for this compilation, remixed into stereo with sound effects added on to some tracks. The album was re-released in 1992 by Silva Screen records as Earthshock - Classic Music From The BBC Radiophonic Workshop Volume 1, with bonus tracks including "The Worlds of Doctor Who", a track recorded by Mills as a B-side to Dudley Simpson's 1973 "Moonbase 3" single, which featured a mix of music with sound effects from Planet of the Daleks before following with Simpson's "Master's Theme" and finishing with music from the serial The Mind of Evil. Selections from both this compilation and its follow-up, Doctor Who: The Music II, were also re-used on the 1994 Silva Screen compilation The Best of Doctor Who Volume 1: The Five Doctors.
The Soundhouse is a 1983 compilation released by BBC Records of music from the BBC Radiophonic Workshop. It featured music composed at the Workshop in the period since the previous compilation, BBC Radiophonic Workshop - 21. During the gap between releases, many advances had been made in the use of computer technology to produce electronic music and this was reflected on the compilation with much of the material having been performed using the Fairlight CMI, the first digital sampling synthesiser. The album included two tracks by Paddy Kingsland used in the television version of The Hitchhiker's Guide to the Galaxy, three electronic realisations of classical compositions and an original collaboration featuring five of the Radiophonic Workshop members entitled "Radiophonic Rock".
Doctor Who at the BBC Radiophonic Workshop Volume 2: New Beginnings 1970–1980 is the second in a series of compilations of BBC Radiophonic Workshop music from Doctor Who. The album collected various incidental music from the 1970s including, for the first time, the complete Malcolm Clarke score for the 1972 serial The Sea Devils, only the second scored completely by the Radiophonic Workshop. The compilation also featured a few of Dudley Simpson's compositions as realised by Brian Hodgson, some Delia Derbyshire music as featured in Inferno, two Peter Howell demos from 1979 and a selection of Dick Mills' sound effects from the era.
Doctor Who at the BBC Radiophonic Workshop Volume 3: The Leisure Hive is the third in a series of compilations showcasing the BBC Radiophonic Workshop's work on the science-fiction programme Doctor Who. The album focused mainly on the Peter Howell synthesiser score for the 1980 serial The Leisure Hive, which received its first full release here. The compilation also collected some Dick Mills sound effects from the story as well as some effects from other 1980 serials Meglos and Full Circle, whose music would be the subject of the fourth volume in the series. The final track was a new remix of the original Delia Derbyshire version of the show's theme tune by series compiler Mark Ayres.
Music from the BBC Radiophonic Workshop is a 2003 limited edition 4X10" vinyl compilation collecting and re-ordering the compilations BBC Radiophonic Music and The Radiophonic Workshop, including the bonus tracks from their 2002 CD re-releases. It featured the remasters provided by Mark Ayres for the original re-releases. The tracks were ordered in such a way as to provide Delia Derbyshire and John Baker with the first records dedicated solely to their work. The album was released on electronic musician Richard D. James' Rephlex Records label.
BBC Radiophonic Workshop – A Retrospective is a 2008 compilation of music and effects from the BBC Radiophonic Workshop. It was released to commemorate the 50th anniversary of the establishment of the workshop and includes material ranging from then to its closure. Many of the tracks were previously released on the BBC Radiophonic Workshop - 21 and The Soundhouse.
