Burials in Several Earths

Last updated

Burials in Several Earths
Burials In Several Earths.jpg
Studio album by
Released19 May 2017
Studio
Genre Electronic
Length81:26
Label Room 13
Radiophonic Workshop chronology
The Vendetta Tapes
(2015)
Burials in Several Earths
(2017)
Everything You Can Imagine Is Real
(2017)

Burials in Several Earths is a 2017 album of recordings created by the Radiophonic Workshop, released on 19 May 2017. It marks the first official studio album since 1985's Doctor Who: The Music II . [1] [2]

Contents

Unusually for the group, the album was mostly recorded live, with minimal editing, and contains five suites. [3] Each track name was taken from Sir Francis Bacon's unfinished novel New Atlantis , [2] a segment of which was framed in the workshop by late member Daphne Oram for being a "morale booster". [4] The album features appearances from Martyn Ware and engineer Steve 'Dub' Jones. [5]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 72/100 [6]
Review scores
SourceRating
Clash 6/10 [3]
Classic Rock Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [7]
Louder Than War 9/10 [8]
Mojo Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [6]
Record Collector Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [5]
Uncut Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [6]
The Wire Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [6]

At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, Burials in Several Earths has received an average score of 72, based on seven reviews, indicating "generally favorable reviews". [6]

Ioan of Louder Than War was impressed and perplexed by "the width and breadth of experimentation and ability to take oneself off to different planes" across the record, and deemed the workshop to be "truly pioneers of soundscapes and effects, and everyone else simply paddles in their wake." [8] The Quietus writer Euan Andrews wrote that the album "chimes with a clarity and freshness reminiscent of Cluster at their most benevolently aqueous and formless", and wrote that the record's filtered ambient waves, broken piano patterns and David Gilmour-esque guitar wails "are clearly intended to demonstrate the Workshop's abilities once freed from their duty as public servants to provide memorable themes." [9] Jo Kendall, writing for Classic Rock , considered the record to be "an interstellar, improvised synth par-tay", and added that while parts of "Things Buried in Water 1" and "The Stranger's House" hint at melody, the record is otherwise "an offbeat, thrumming sound collage". [7]

Joe Rivers of Clash wrote that the album's suites bear "a touching humanity", but considered the record hard "to get your teeth into" and questioned its place in the Workshop's legacy. He added: "As a musique concrète or experimental electronica album, Burials in Several Earths is an above average attempt that contains myriad intricacies and points of interest. As something to carry on a peerless lineage, however, it feels like an unnecessary move." [3] Inky Tuscadero of Record Collector wrote that while many of the Workshop's finest pieces historically were born from improvising within their limitations, Burials in Several Earths instead uses improvisation via a "let's-just-cast-ourselves-adrift-and-see-where-we-end-up approach", resulting in a "prosaic" album. He added: "Without anything to rein them in, these pieces have a tendency to drift, suggesting that a tighter remit, or more judicious editing, might have had more gravitational pull." [5] Mojo described the album as "appropriately cinematic and evocative". [6]

Track listing

Disc one
No.TitleLength
1."Burials in Several Earths"18:58
2."Things Buried in Water"22:01
Disc two
No.TitleLength
1."Some Hope of Land"25:15
2."Not Come to Light"3:58
3."The Strangers' House"11:23

Personnel

Adapted from the liner notes of Burials in Several Earths [10]

Related Research Articles

<span class="mw-page-title-main">BBC Radiophonic Workshop</span> Produced sound effects and programme scores from 1958-1998

The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as Doctor Who and Quatermass and the Pit during the 1950s and 1960s.

<span class="mw-page-title-main">Daphne Oram</span> British composer and electronic musician (1925–2003)

Daphne Blake Oram was a British composer and electronic musician. She was one of the first British composers to produce electronic sound, and was an early practitioner of musique concrète in the UK. As a co-founder of the BBC Radiophonic Workshop, she was central to the development of British electronic music. Her uncredited scoring work on the 1961 film The Innocents helped to pioneer the electronic soundtrack.

<span class="mw-page-title-main">Delia Derbyshire</span> English musician and composer of electronic music (1937–2001)

Delia Ann Derbyshire was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.

Paddy Kingsland is a composer of electronic music best known for his incidental music for science fiction series on BBC radio and television whilst working at the BBC Radiophonic Workshop. Educated at Eggar's Grammar School in Alton, Hampshire, he joined the BBC as a tape editor before moving on to become a studio manager for BBC Radio 1. In 1970 he joined the Radiophonic Workshop where he remained until 1981. His initial work was mostly signature tunes for BBC radio and TV programmes before going on to record incidental music for programmes including The Changes, two versions of The Hitchhiker's Guide to the Galaxy, as well as several serials of Doctor Who. His work on the latter series included incidental music for several serials in the early 1980s.

<span class="mw-page-title-main">Martyn Ware</span> English musician

Martyn Ware is an English musician, composer, arranger, record producer, and music programmer. As a founding member of both the Human League and Heaven 17, Ware co-wrote hit songs such as "Being Boiled" and "Temptation".

Elizabeth Parker is a British film and television composer who worked at the BBC Radiophonic Workshop from 1978 until the workshop's closure.

John William Baker was a British musician and composer who worked in jazz and electronic music.

<span class="mw-page-title-main">Burial discography</span>

English electronic music producer Burial has released two studio albums, two compilation albums, one mix album, twelve extended plays and ten singles. Burial debuted in May 2005 with the release of his debut extended play South London Boroughs on the Hyperdub label. His eponymous debut studio album followed in May 2006 and was praised by music critics for its unique incorporation of 2-step garage, ambient, downtempo, dubstep and trip hop styles. Following the releases of the extended plays Distant Lights (2006) and Ghost Hardware (2007), Burial released his second studio album Untrue in November 2007 to critical acclaim. It peaked at number 58 on the UK Albums Chart and at number 57 on the Ultratop 50 chart for the Belgian region of Flanders. Untrue later received nominations for the Mercury Prize and the Shortlist Music Prize, with the album experiencing a 1004% sales increase in the week following the Mercury Prize awards ceremony.

<span class="mw-page-title-main">The Comet Is Coming</span> British jazz-rock band

The Comet Is Coming is a London-based band who incorporate elements of jazz, electronica, funk and psychedelic rock.

Avant-pop is popular music that is experimental, new, and distinct from previous styles while retaining an immediate accessibility for the listener. The term implies a combination of avant-garde sensibilities with existing elements from popular music in the service of novel or idiosyncratic artistic visions.

<i>Channel the Spirits</i> 2016 studio album by The Comet Is Coming

Channel the Spirits is the first full-length album by London-based band The Comet Is Coming. It was released on 1 April 2016 by The Leaf Label.

<i>Death Peak</i> 2017 studio album by Clark

Death Peak is the eighth studio album by British electronic musician Chris Clark and the sixth one under the moniker Clark. Announced on 17 February 2017, it was released on 7 April 2017 by Warp Records. Upon its announcement its first single, "Peak Magnetic", was released freely for streaming on SoundCloud. The design of the album cover is that of a crumpled photograph of Clark himself, produced by photographer Alma Haser.

<i>World Be Gone</i> 2017 studio album by Erasure

World Be Gone is the seventeenth studio album by English synth-pop duo Erasure, released by Mute Records on 19 May 2017 in the United Kingdom and on 20 May 2017 in North America. The album reached number six on the UK Albums Chart, dropping out of the chart the next week.

This is the discography of the BBC Radiophonic Workshop, a British electronic music group. It consists of releases of music and sound effects.

<i>Americas National Parks</i> 2016 studio album by Wadada Leo Smith

America's National Parks is a two-disc studio album by American jazz trumpeter Wadada Leo Smith.

<i>The Inheritors</i> (album) 2013 studio album by James Holden

The Inheritors is the second studio album by British electronic music producer James Holden, released on 24 June 2013 by Border Community.

<i>Forever Alien</i> Album by Spectrum

Forever Alien is the third studio album by British space rock band Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP Songs for Owsley (1996) moved them away from guitar-oriented music and towards electronic music, Forever Alien furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars.

<i>Chemistry Lessons: Volume One</i> 2018 studio album by Chris Carter

Chemistry Lessons: Volume One is a studio album by British electronic musician Chris Carter. It was released on 30 March 2018, by Mute Records.

<i>Intruder</i> (album) 2021 studio album by Gary Numan

Intruder is the nineteenth studio album by English musician Gary Numan, released on 21 May 2021 by BMG and The End. It entered UK Albums Chart at number two, on 28 May 2021.

<i>The Ecstatic Music of Alice Coltrane Turiyasangitananda</i> 2017 compilation album by Alice Coltrane

The Ecstatic Music of Alice Coltrane Turiyasangitananda is a compilation album by Alice Coltrane. The music was drawn from the master tapes of four recordings that had been previously released on cassette in limited quantities for members of the Sai Anantam Ashram in California: Turiya Sings (1982), Divine Songs (1987), Infinite Chants (1990), and Glorious Chants (1995). The album, a double-LP set on which Coltrane is heard on vocals, organ, synthesizer, and harp, was released in 2017 by Luaka Bop as Volume 1 of their World Spirituality Classics series.

References

  1. Bleep. "The Radiophonic Workshop - Burials In Several Earths - Room 13". bleep.com. Retrieved 29 March 2017.
  2. 1 2 "The Radiophonic Workshop Announce First Album Since 1985 Burials In Several Earths - Pitchfork". pitchfork.com. Retrieved 29 March 2017.
  3. 1 2 3 Rivers, Joe (16 May 2017). "The Radiophonic Workshop – Burials In Several Earths". Clash Music. Retrieved 18 October 2022.
  4. "Listen to Radiophonic Workshop's new album Burials In Several Earths". The Wire. May 2017. Retrieved 18 October 2022.
  5. 1 2 3 Tuscadero, Inky (22 May 2017). "Burials in Several Earths - The Radiophonic Workshop". Record Collector. Archived from the original on 18 October 2022. Retrieved 18 October 2022.
  6. 1 2 3 4 5 6 "Metacritic Review". Metacritic . Retrieved 7 May 2019.
  7. 1 2 Kendall, Jo (20 May 2017). "Radiophonic Workshop - Burials In Several Earths album review". Classic Rock. Retrieved 18 October 2022.
  8. 1 2 Ioan (18 June 2017). "The Radiophonic Workshop: Burials in Several Earths – LP Review". Louder Than War. Retrieved 18 October 2022.
  9. Andrews, Euan (25 May 2017). "Reviews Radiophonic Workshop Burials in Several Earths". The Quietus. Retrieved 18 October 2022.
  10. Burials in Several Earths (liner). The Radiophonic Workshop. Room 13. 2017.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)