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Peter Meineck (born 1967) is Professor of Classics in the Modern World at New York University. He is also the founder and humanities program director of Aquila Theatre and has held appointments at Princeton University and University of South Carolina. [1]
Peter Meineck was born in Melton Mowbray, England and grew up in New Malden in South West London. His mother, Margaret was a primary school teacher and his father David, a builder. He has two older siblings. He attended Glastonbury Junior School in Morden and Beverley Boys School in New Malden and left at age 16 to pursue a military career culminating in service with the Royal Marines Reserve while at University. He earned a BA (Hons) in Ancient World Studies at University College London and a PhD in Classics at the University of Nottingham. [2]
He is Professor of Classics in the Modern World at New York University, Honorary Professor in Humanities at the University of Nottingham and an affiliated faculty member in Drama at NYU's Tisch School of the Arts. He specializes in Greek drama, performance and literature, cognitive theory applied to antiquity and the performance of trauma in antiquity. He has also held teaching posts at Princeton University, NYU's Tisch School of the Arts, and USC.
He is the director of Aquila Theatre's public programming and has implemented arts and humanities programs aimed at veteran and civilian dialogues, At-Risk students in Harlem and The Bronx, and underserved communities via public libraries. His public programs received a Chairman's Special Award from the National Endowment for the Humanities and have been presented at the Obama and Bush White Houses, the U.S. Supreme Court, U.S. Congress, Metropolitan Museum of Art, Federal Hall National Memorial and throughout the United States. Fellowships include the Harvard Center for Hellenic Studies, Princeton University, the University of California San Diego, the Onassis Foundation, the Loeb Classical Library Foundation and a Phi Beta Kappa visiting scholar.
Peter Meineck worked extensively in London theatre and founded Aquila Theatre in 1991. [3] His stated aim with Aquila is to bring the greatest works to the greatest number and he has developed a sixty-seventy city American tour that brings classical drama to communities of all sizes across the USA. [4] He also developed regular seasons Off-Broadway in New York City and has produced classical drama at venues such as Carnegie Hall, Lincoln Center, the Ancient Stadium at Delphi, and the Brooklyn Academy of Music. He has directed and/or produced over fifty stage productions including Agamemnon (1991 and 2004 with Olympia Dukakis), Ajax (1992), Wasps (1994), Coriolanus (1995), The Iliad Book One (1999 and 2005), Comedy of Errors (1999, 2003, and 2007), The Invisible Man (2005), Much Ado About Nothing (2001 and 2006), Romeo and Juliet (2007), Prometheus Bound (2007), Catch-22 (2008), An Enemy of the People (2009), Murder on the Nile (2016).
Peter Meineck has translated and published several Greek dramas including Aeschylus' Oresteia, Sophocles' Philoctetes, Oedipus at Colonus, Oedipus Tyrannus (with Paul Woodruff), and Ajax, Euripides' Trojan Women, and Herakles and Aristophanes' Clouds, Wasps, Birds and Frogs. He has also adapted the opera libretto for Cherubini’s Medee performed at Carnegie Hall and wrote and directed a new stage adaptation of Joseph Heller's Catch-22. [5] He was a consultant on the film I Am Legend and several other movie projects. Other stage adaptations or co-adaptations include Frankenstein, The Odyssey, The Man Who Would Be King, A Female Philoctetes, and The Canterbury Tales.
Peter Meineck married ballerina Desiree Sanchez in 2004. [6]
University Press 2017
Constantinidis (ed.), Brill 2016.
Entries: Dwellings Furniture Masks Staging of Euripides Staging of Modern Productions Stage Set Stage Vehicles Statues Theatre Architecture Theatrical Space
(eds.) Brill, 2013.
Aristophanes was an Ancient Greek comic playwright from Athens and a poet of Old Attic Comedy. He wrote in total forty plays, of which eleven survive virtually complete today. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries.
Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Euripides was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
Sophocles was an ancient Greek tragedian, known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes, and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four.
The Oresteia is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies.
The Dionysia was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.
Greek tragedy is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Robert Fagles was an American translator, poet, and academic. He was best known for his many translations of ancient Greek and Roman classics, especially his acclaimed translations of the epic poems of Homer. He taught English and comparative literature for many years at Princeton University.
Philip Humphrey Vellacott was an English classical scholar, known for his numerous translations of Greek tragedy.
Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians. The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, de facto define the genre. It is important to note that the only extant plays of Old Comedy are credited to Aristophanes. There are only fragments and 'testimonia' of all other Old Comedy playwrights and plays.
Sophocles' Ajax, or Aias, is a Greek tragedy written in the 5th century BCE. Ajax may be the earliest of Sophocles' seven tragedies to have survived, though it is probable that he had been composing plays for a quarter of a century already when it was first staged. It appears to belong to the same period as his Antigone, which was probably performed in 442 or 441 BCE, when he was 55 years old. The play depicts the fate of the warrior Ajax, the second greatest hero at Troy, after the events of the Iliad but before the end of the Trojan War.
Oliver Taplin, FBA is a retired British academic and classicist. He was a fellow of Magdalen College and Professor of Classical Languages and Literature at the University of Oxford. He holds a DPhil from Oxford University.
The Cambridge Greek Play is a play performed in Ancient Greek by students and alumni of the University of Cambridge, England. The event is held once every three years and is a tradition which started in 1882 with the Ajax of Sophocles.
David Grene was an Irish American professor of classics at the University of Chicago from 1937 until his death. He was a co-founder of the Committee on Social Thought and is best known for his translations of ancient Greek literature.
Rush Rehm is professor of drama and classics at Stanford University in California, in the United States. He also works professionally as an actor and director. He has published many works on classical theatre. Rehm is the artistic director of Stanford Repertory Theater (SRT), a professional theater company that presents a dramatic festival based on a major playwright each summer. SRT's 2016 summer festival, Theater Takes a Stand, celebrates the struggle for workers' rights. A political activist, Rehm has been involved in Central American and Cuban solidarity, supporting East Timorese resistance to the Indonesian invasion and occupation, the ongoing struggle for Palestinian rights, and the fight against US militarism. In 2014, he was awarded Stanford's Lloyd W. Dinkelspiel Award for Outstanding Service to Undergraduate Education.
The Aquila Theatre was founded in London in 1991 by Peter Meineck and has been based in New York City since 1999. Aquila's mission is to bring the greatest theatrical works to the greatest number and present a regular season of plays in New York and at international festivals. Education programming is an important component of Aquila's mission. The Shakespeare Leaders is a bold and innovative program in Harlem, through which students learn and perform Shakespeare. Aquila provides access for people in under-served urban and rural communities, touring around seventy American towns and cities a year. Aquila is a 501(c)(3) not-for-profit organisation.
Marianne McDonald is a scholar and philanthropist. Marianne is involved in the interpretation, sharing, compilation, and preservation of Greek and Irish texts, plays and writings. Recognized as a historian on the classics, she has received numerous awards and accolades because of her works and philanthropy. As a playwright, she has authored numerous modern works, based on ancient Greek dramas in modern times. As a teacher and mentor, she is highly sought after for her knowledge of and application of the classic themes and premises of life in modern times. In 2013, she was awarded the Distinguished Professor of Theatre and Classics, Department of Theatre, Classics Program, University of California, San Diego. In 1994, she was inducted into the Royal Irish Academy, being recognized for her expertise and academic excellence in Irish language history, interpretation and the preservation of ancient Irish texts. As a philanthropist, Marianne partnered with Sharp to enhance access to drug and alcohol treatment programs by making a $3 million pledge — the largest gift to benefit behavioral health services in Sharp’s history. Her donation led to the creation of the McDonald Center at Sharp HealthCare. Additionally, to recognize her generosity, Sharp Vista Pacifica Hospital was renamed Sharp McDonald Center.
Ian C. Johnston is a Canadian author and translator, a retired university-college instructor and a professor emeritus at Vancouver Island University.
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