In psychoanalysis, phallic woman is a concept to describe a woman with the symbolic attributes of the phallus. More generally, it describes any woman possessing traditionally masculine characteristics. [1]
Freud considered that at the phallic stage of early childhood development, children of both sexes attribute possession of a penis to the mother—a belief the loss of which helps precipitate the castration complex. [2] Thereafter males may seek fetishistic substitutes in women for the lost penis in the form of high heels, earrings or long hair to alleviate the castrative threat [3] —terrifying phallic women such as witches (with their broomsticks) representing the failure of such substitutes to cover the underlying anxiety. [4] The female, whose love (in Freud's view) was originally "directed to her phallic mother", [5] may thereafter either turn to her father for love, or may return to an identification with the original phallic mother in a neurotic development. [6]
The phallic mother can be (though need not necessarily be) an actively castrative figure, stifling her children by pre-empting all room for autonomous action. [7]
Elements of the phallic mother concept may persist in men through the misconception of one's mother as castrated rather than naturally non-phallic, which the gives rise to castration anxiety in oneself, embodied in turn by the castrating mother and vagina dentata. [8]
Rather than seeking or identifying with the phallic mother, libido may instead be directed at the figure that has been termed the phallus girl. [9] For the male, the phallus girl may be represented by a younger (perhaps boyish) girl, in whom he can find an image of his own adolescent self. [10] For the female, such a position may either entail a submissive merger with the male partner (identification with a body-part), [11] or an exhibitionist display of the self as phallus: as Ella Sharpe put it of a dancer, "she was the magical phallus. The dancing was in her". [12]
Soft porn marks out the phallus girl through such symbols as whips, bikes and guns; [13] while she also underpins the action heroine such as Ripley or Lara Croft. [14]
The twenty-first century ladette can be seen as a phallic girl—her emphasis on light-hearted, recreational sex serving as a passport to being 'one of the boys'. [15]