Alcaeus of Mytilene was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza. He was included in the canonical list of nine lyric poets by the scholars of Hellenistic Alexandria. He was a contemporary of Sappho, with whom he may have exchanged poems. He was born into the aristocratic governing class of Mytilene, the main city of Lesbos, where he was involved in political disputes and feuds.
Misogyny is hatred of, contempt for, or prejudice against women or girls. It is a form of sexism that can keep women at a lower social status than men, thus maintaining the social roles of patriarchy. Misogyny has been widely practised for thousands of years. It is reflected in art, literature, human societal structure, historical events, mythology, philosophy, and religion worldwide.
Sappho was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style.
Alcman was an Ancient Greek choral lyric poet from Sparta. He is the earliest representative of the Alexandrian canon of the Nine Lyric Poets. He wrote six books of choral poetry, most of which is now lost; his poetry survives in quotation from other ancient authors and on fragmentary papyri discovered in Egypt. His poetry was composed in the local Doric dialect with Homeric influences. Based on his surviving fragments, his poetry was mostly hymns, and seems to have been composed in long stanzas made up of lines in several different meters.
Ibycus was an Ancient Greek lyric poet, a citizen of Rhegium in Magna Graecia, probably active at Samos during the reign of the tyrant Polycrates and numbered by the scholars of Hellenistic Alexandria in the canonical list of nine lyric poets. He was mainly remembered in antiquity for pederastic verses, but he also composed lyrical narratives on mythological themes in the manner of Stesichorus. His work survives today only as quotations by ancient scholars or recorded on fragments of papyrus recovered from archaeological sites in Egypt, yet his extant verses include what are considered some of the finest examples of Greek poetry.
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person.
Hymen, Hymenaios or Hymenaeus, in Hellenistic religion, is a god of marriage ceremonies who inspires feasts and song. Related to the god's name, a hymenaios is a genre of Greek lyric poetry that was sung during the procession of the bride to the groom's house in which the god is addressed, in contrast to the Epithalamium, which is sung at the nuptial threshold. He is one of the winged love gods, the Erotes.
Anyte of Tegea was a Hellenistic poet from Tegea in Arcadia. Little is known of her life, but twenty-four epigrams attributed to her are preserved in the Greek Anthology, and one is quoted by Julius Pollux; nineteen of these are generally accepted as authentic. She introduced rural themes to the genre, which became a standard theme in Hellenistic epigrams. She is one of the nine outstanding ancient women poets listed by Antipater of Thessalonica in the Palatine Anthology. Her pastoral poetry may have influenced Theocritus, and her works were adapted by several later poets, including Ovid.
Corinna or Korinna was an ancient Greek lyric poet from Tanagra in Boeotia. Although ancient sources portray her as a contemporary of Pindar, not all modern scholars accept the accuracy of this tradition. When she lived has been the subject of much debate since the early twentieth century, proposed dates ranging from the beginning of the fifth century to the late third century BC.
Telesilla was an ancient Greek lyric poet from Argos, active in the fifth century BC. She is known for her supposed role in the defence of Argos in 494 BC, which is doubted by modern scholars. Only a few fragments of her poetry survive, several of which reference the gods Apollo and Artemis. The longest surviving fragment, only two lines, is quoted by the grammarian Hephaestion to illustrate the Telesillan metre, named after her. She was apparently famous in antiquity, included by Antipater of Thessalonica in his canon of women poets; in the twentieth century she inspired a poem by the imagist poet H.D.
Praxilla of Sicyon, was a Greek lyric poet of the 5th century BC, from Sicyon on the Gulf of Corinth. Eusebius dates her floruit to 451/450 BC. Five quotations and three paraphrases from her poems survive. Three of the poems attributed to her are drinking songs, two are religious, and the three paraphrases are all versions of myths. Various social contexts have been suggested for Praxilla based on this range of surviving works, including that her poetry was in fact composed by two different authors; that Praxilla was a hetaira (courtesan); that she was a professional musician; or that the drinking songs derive from a non-elite literary tradition rather than being authored by a single writer.
Erinna was an ancient Greek poet. She is best known for her long poem The Distaff, a 300-line hexameter lament for her childhood friend Baucis, who had died shortly after her marriage. A large fragment of this poem was discovered in 1928 at Oxyrhynchus in Egypt. Along with The Distaff, three epigrams ascribed to Erinna are known, preserved in the Greek Anthology. Biographical details about Erinna's life are uncertain. She is generally thought to have lived in the first half of the fourth century BC, though some ancient traditions have her as a contemporary of Sappho; Telos is generally considered to be her most likely birthplace, but Tenos, Teos, Rhodes, and Lesbos are all also mentioned by ancient sources as her home.
The Nine Lyric or Melic Poets were a canonical group of ancient Greek poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. In the Palatine Anthology it is said that they established lyric song.
Women have made significant contributions to literature since the earliest written texts. Women have been at the forefront of textual communication since early civilizations.
Nossis was a Hellenistic poet from Epizephyrian Locris in Magna Graecia. Probably well-educated and from a noble family, Nossis was influenced by and claimed to rival Sappho. Eleven or twelve of her epigrams, mostly religious dedications and epitaphs, survive in the Greek Anthology, making her one of the best-preserved ancient Greek women poets, though her work does not seem to have entered the Greek literary canon. In the twentieth century, the imagist poet H. D. was influenced by Nossis, as was Renée Vivien in her French translation of the ancient Greek women poets.
Aeolic verse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos, Sappho and Alcaeus, who composed in their native Aeolic dialect. These verse forms were taken up and developed by later Greek and Roman poets and some modern European poets.
Greek lyric is the body of lyric poetry written in dialects of Ancient Greek. It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods.
Melinno was a Greek lyric poet. She is known from a single surviving poem, known as the "Ode to Rome". The poem survives in a quotation by the fifth century AD author Stobaeus, who included it in a compilation of poems on manliness. It was apparently included in this collection by mistake, as Stobaeus misinterpreted the word ρώμα in the first line as meaning "strength", rather than being the Greek name for the city of Rome.
The Ode to Aphrodite is a lyric poem by the archaic Greek poet Sappho, who wrote in the late seventh and early sixth centuries BCE, in which the speaker calls on the help of Aphrodite in the pursuit of a beloved. The poem survives in almost complete form, with only two places of uncertainty in the text, preserved through a quotation from Dionysius of Halicarnassus' treatise On Composition and in fragmentary form in a scrap of papyrus discovered at Oxyrhynchus in Egypt.
The midnight poem is a fragment of Greek lyric poetry preserved by Hephaestion. It is possibly by the archaic Greek poet Sappho, and is fragment 168 B in Eva-Maria Voigt's edition of her works. It is also sometimes known as PMG fr. adesp. 976 – that is, fragment 976 from Denys Page's Poetae Melici Graeci, not attributed to any author. The poem, four lines describing a woman alone at night, is one of the best-known surviving pieces of Greek lyric poetry. Long thought to have been composed by Sappho, it is one of the most frequently translated and adapted of the works ascribed to her.
