Sophia Rosa Berghout (14 December 1909 - 22 March 1993) was a Dutch harpist. [1] [2] Her obituary in The Independent called her "arguably the most influential harpist this century". [1]
She was born in Rotterdam on 14 December 1909 and started playing the harp when she was 15 years old.[ citation needed ] She studied the harp at the Amsterdam Conservatoire with Rosa Spier . [2] She played in the Amsterdam Concertgebouw, as second harp 1933-1945 and principal harp 1945–1960, as well as having a successful solo career. [3] She taught at the Amsterdam Conservatoire and then, from 1974, at the Maastricht Conservatoire. [3]
Together with Maria Korchinska (1895-1979) she established the International Harpweeks held at Queekhoven near Amsterdam in the 1960s; these developed into the World Harp Congress. [3]
Berghout married Johannes den Hertog, pianist and assistant conductor of the Amsterdam Concertgebouw: they divorced after a short time. [2] She died in Doorn on 22 March 1993, aged 83. [1]
Sofia Costanza Brigida Villani Scicolone, known professionally as Sophia Loren, is an Italian actress, active in her native country and the United States. With a career spanning over 70 years, she is one of the last surviving major stars from the Golden Age of Hollywood cinema.
Dorothy Jeanne Thompson, better known as Dorothy Ashby, was an American jazz harpist, singer and composer. Hailed as one of the most "unjustly under loved jazz greats of the 1950s" and the "most accomplished modern jazz harpist," Ashby established the harp as an improvising jazz instrument, beyond earlier use as a novelty or background orchestral instrument, proving the harp could play bebop as adeptly as the instruments commonly associated with jazz, such as the saxophone or piano.
Gulnara Mashurova was born in Almaty, Kazakhstan. She started piano studies at the age of 6 and by age 9 was chosen to study harp at the Pre Moscow Conservatory with Natalia Sibor. From 1991 to 1993 she studied with Vera Dulova at the Moscow Conservatory. Mashurova received a bachelor's and master's degree in harp performance from the Juilliard School as a Jerome Green full scholarship recipient studying under Nancy Allen, Principal Harpist of the New York Philharmonic. She received her second Masters in Orchestra Performance with a full scholarship from the Manhattan School of Music studying under Deborah Hoffman, Principal Harpist of the Metropolitan Opera Orchestra.
Henriette Renié was a French harpist and composer who is known for her many original compositions and transcriptions, as well as codifying a method for harp that is still used today. She was a musical prodigy who excelled in harp performance from a young age, advancing through her training rapidly and receiving several prestigious awards in her youth. She was an exceptional instructor and contributed to the success of many students. She gained prominence as a woman in an era where fame was socially unacceptable for women. Her devotion to her religion, her family, her students, and her music has continued to influence and inspire musicians for decades.
Susann McDonald is an American-born classical harpist. In addition to a successful performing career, she has made a number of recordings and held significant academic and organizational posts.
Lavinia Meijer is a South Korean-born Dutch harpist. Her concerts have included a solo harp evening at Carnegie Hall in New York City.
Maria Rosa Calvo-Manzano is a harp professor at the Royal Superior Music Conservatory of Madrid. She is also one of the founding members of the RTVE Orchestra. She has been credited with the creation of the Modern Spanish Harp School.
Coline-Marie Orliac is a French harpist. A graduate of the Curtis Institute of Music, she has performed with leading orchestras including the Berlin Philharmonic.
Maria Krushevskaya is a virtuoso Russian harpist. She was the gold medalist of the 2007 USA International Harp Competition, where she was awarded the Jan Jennings Prize for best performance of Pierné's Concertstück for Harp and Orchestra, the Mary L. Ogg Prize for best performance of Küne's Fantaisie sur un theme de l’opera Eugene Onegin, and best performance of Alvars' Introduction and Variations on Themes from Bellini's Opera Norma. Maria Krushevskaya was born in Moscow in 1984 in a family of musicians. She began to study music at the age of five. In 1992 she entered the Moscow Gnessin School of Music, graduating with distinction in 2002 and subsequently continued her studies at the Gnesins’ Russian Academy of Music from which she also graduated with distinction in 2008.
Charlotte Margiono is a Dutch operatic soprano.
Marianne Smit is a Dutch harpist.
Petra van der Heide is a Dutch harpist.
Anna Maria Mendieta is a professional harpist from the United States. She is best known for pioneering the harp as a contemporary tango instrument. She is an orchestral musician and a teacher.
Maria Clotilde Belo de Carvalho Rosa Franco, known as Clotilde Rosa, was a Portuguese harpist, pedagogue and composer.
Maria Korchinska was a distinguished 20th-century Russian harpist and one of the leading 20th-century harpists in Great Britain.
Vera Georgievna Dulova was a Russian harpist and instructor. The Russian school or method is named after her.
Tomoko Sugawara is a harpist from Tokyo, Japan, who grew up playing classical and Irish harp before learning to play the kugo or angular harp. With Swedish professor Bo Lawergren, whom she met at a kugo museum exhibit in Nara, Japan, she engineered a fully working model of a kugo and hired American harp builder Bill Campbell to construct it. After adjusting to the soft sound of the model, she recorded a CD on Motéma Music called Along the Silk Road, released in 2010, which was a nominee for the Independent Music Awards in the Traditional/World category. She worked with flutist Robert Dick and bendir and darabukka player Ozan Aksöy for pieces composed by Kikuko Masumoto, Stephen Dydo, Quţh al-Din al-Shīrāzī, Robert Lombardo, Amir Mahyar Tafreshipour, and Sugawara's own arrangements of works by Alfonso X.
Raymond Jeremy, FRAM, (1890-1969) was a British violist, known for his quartet playing, particularly the first performances of Edward Elgar's String Quartet and Piano Quintet. He was professor of violin and viola at the Royal Academy of Music in London and taught the violist Watson Forbes.
Remy van Kesteren is a Dutch harpist and artistic director of the Dutch Harp Festival.