Former name | The Philadelphia Art Alliance |
---|---|
Established | 1915 |
Dissolved | 2024 |
Location | 251 South 18th Street Philadelphia, Pennsylvania, U.S. |
Coordinates | 39°56′54″N75°10′15″W / 39.94821°N 75.17090°W |
Website | www.Uarts/ArtAlliance (Archived 28 July 2024) |
Designated | April 28, 1970 [1] |
The Philadelphia Art Alliance at University of the Arts was a multidisciplinary arts center located in the Rittenhouse Square section of Philadelphia, Pennsylvania. It was the oldest multidisciplinary arts center in the United States for visual, literary and performing arts. [2] In June 2024 the Alliance's parent institution, the University of the Arts, abruptly closed. [3]
Founded in 1915 by theater aficionado and philanthropist Christine Wetherill Stevenson, [4] [5] the Philadelphia Art Alliance was awarded its charter of operations on September 27, 1915 by Judge Ferguson in Philadelphia's Court of Common Pleas No. 3. [6] At the time, the organization had fifty members. [7]
In December 1915, the alliance purchased property at 1823-25 Walnut Street in the Rittenhouse Square section of Philadelphia, where members initially planned to establish the organization's headquarters. [8] Models of the alliance's proposed building designs were displayed at the Philadelphia Today and Tomorrow Civic Exposition that was held in the auditorium building of the Commercial Museum in Philadelphia from May 15 to June 10, 1916. [9] Alliance members hoped that their new building would ultimately come to be known as the "Art Center of America." [10] [11]
In January 1917, the alliance launched a new series of "sociable luncheons" that were designed to familiarize prominent men and women in the Philadelphia region with fine arts and music trends. The first speaker was Olga Samaroff, an American pianist and music critic who was married to Leopold Stokowski, conductor of the Philadelphia Orchestra. Samaroff, who was well known to the alliance and residents of the Philadelphia region from her work on the alliance's music committee, presented a lecture on "The Correlation of Music and the Fine Arts." [12]
In 1924, the alliance formed a businessmen's art club to encourage businessmen in the region to pursue amateur studies in painting and sculpture in order to develop a greater appreciation of art while also benefitting from hands-on creation activities as a form of relaxation. [13]
In 1925, the alliance awarded the Eurydice Chorus Award to Franz Bornschein of the Peadbody Conservatory of Music for his setting of Percy Bysshe Shelley's Arethusa to music for performance by women's voices. [14]
By the end of the decade, the alliance's membership roster numbered 2,500. [15]
In 1930, members of the executive committee of the alliance caused controversy when they cancelled a Philadelphia Art Society invitation-to-exhibit that had been extended to New York sculptor Antonio Salemme, and returned his large black bronze figure of African American actor-singer-activist Paul Robeson. In a letter written on behalf of the alliance by Prix de Rome-winning sculptor Walter Hancock, Hancock provided the following explanation for the executive committee's decision: [16] [17] [18]
"It did not of course, occur to us that there would be any objection to showing a nude figure of a well-known person. The executive committee, however, expressed their apprehension of the consequences of exhibiting such a figure in a public square, especially the figure of a Negro, as te colored problem seems to be unusually great in Philadelphia."
Hancock also stated that the exhibition's director had asked that Salemme considered sending a different piece to the same juried exhibition to replace the rejected Robeson figure, adding: "You may imagine how much I regret to have to convey this request to you, since I have always tremendously admired the Robeson statue and was one of those who especially urged that it be invited, but I hope you will understand the position of the Sculptors' Committee and favor us with such other contributions as you may see fit to send." The statue in question had previously been exhibited, without controversy, in the Palace of the Legion of Honor in San Francisco, California and was on display at the Brooklyn Museum in New York at the time of news reports about the incident. Several alliance members reportedly resigned in response to the executive committee's decision. [19]
In 1937, the alliance loaned fifty-two paintings by Pennsylvania artists to the State Museum of Pennsylvania in Harrisburg for a summer exhibition. [20]
Philadelphia Art Alliance members also exhibited their work at other venues across the United States. In 1944, John J. Dull's watercolors were featured in a spring art show at Texas Christian University. [21]
On March 13, 1958, alliance president Laurence H. Eldredge announced at the organization's annual dinner that Mary Louise (Curtis) Bok Zimbalist, founder of Philadelphia's Curtis Institute of Music, had been awarded the Philadelphia Art Alliance Medal of Achievement for "advancement of or outstanding achievement in the arts." [22]
In December 1959, the alliance hosted the Contemporary Israeli Art Exhibition, which featured fifty-eight paintings from across the spectrum of western art. [23]
In January 1968, alliance president Raymond S. Green presented actress Helen Hayes with the Philadelphia Art Alliance Award of Merit "in recognition of outstanding creative work of high artistic merit." Hayes, who had been given the nickname "First Lady of American Theatre," was chosen unanimously for the award by the alliance's drama committee and board of directors, according to alliance executive director James Kirk Merrick who noted, "This award isn't given every year.... It is only presented when we feel someone is deserving. I don't think there can be any question as to how we arrived at choosing Miss Hayes." [24]
The alliance was housed in the historic Wetherill mansion, which was designed in 1906 by Frank Miles Day [25] and constructed by Thomas M. Seeds Jr. The building was listed on the Philadelphia Register of Historic Places on April 28, 1970, [1] and is also listed on the National Register of Historic Places as part of the Rittenhouse National Register Historic District. The alliance hosted art exhibits, theater and music workshops, poetry readings, lectures, concerts and recitals.
The Philadelphia Art Alliance officially merged and was acquired by the University of the Arts in 2018, after unanimous approval from the boards of both institutions in 2017, [26] [2] and became known as The Philadelphia Art Alliance at University of the Arts. Although the University officially closed on June 7, 2024 the organizers of an already-installed exhibit at the Art Alliance received permission to open as scheduled from June 14th to August 9th. [27]
University of the Arts (UArts) was a private arts university in Philadelphia, Pennsylvania. Its campus made up part of the Avenue of the Arts cultural district in Center City, Philadelphia. On May 31, 2024, university administrators suddenly announced that the university would close on June 7, 2024, although its precarious financial situation had been known for some time. It was accredited by the Middle States Commission on Higher Education.
Mary Elizabeth Price, also known as M. Elizabeth Price, was an American Impressionist painter. She was an early member of the Philadelphia Ten, organizing several of the group's exhibitions. She steadily exhibited her works with the Pennsylvania Academy of the Fine Arts, the National Academy of Design, and other organizations over the course of her career. She was one of the several family members who entered the field of art as artists, dealers, or framemakers.
Christine Wetherill Stevenson was an heiress of the Pittsburgh Paint Company and founder of the Philadelphia Art Alliance.
Olga Samaroff was an American pianist, music critic, and teacher. Among her teachers was Charles-Valentin Alkan's son, Élie-Miriam Delaborde. Her second husband was the conductor Leopold Stokowski.
Benton Murdoch Spruance was an American painter, printmaker and architect. A long-term faculty member and chair of the Arts Department at Beaver College in Glenside, Pennsylvania, he subsequently chaired the Printmaking Department of the Philadelphia College of Art.
Mary Louise Curtis was the founder of the Curtis Institute of Music in Philadelphia. She was the only child of the magazine and newspaper magnate Cyrus H. K. Curtis and Louisa Knapp Curtis, the founder and editor of the Ladies' Home Journal.
Moore College of Art & Design is a private art school in Philadelphia, Pennsylvania. It was founded in 1848 by Sarah Worthington Peter as the Philadelphia School of Design for Women, and was renamed the Moore College of Art & Design in 1989. Although the school's undergraduate programs were historically only open to women, Moore opened admission to transgender, nonbinary, and gender-nonconforming students in 2020. Its other educational programs, including graduate programs and youth programs, are co-educational.
Frank Miles Day was a Philadelphia-based architect who specialized in residences and academic buildings.
James Edward Brewton was an American painter and printmaker who synthesized expressionism, graffiti and Pataphysics.
Florence Esté was an American painter in oils born in Cincinnati, Ohio. She also worked in watercolors, pastels, and as an etcher and engraver. She was particularly well known for her landscapes, which were said to have been influenced by Japanese artworks and were noted for their "harmony of color". Her obituary in the New York Times referred to her as "one of the best known women landscape painters."
Cornelia Van Auken Chapin was an American sculptor and animalier born in Waterford, Connecticut. She was known for her stone models of birds and animals, which she largely carved directly from life and without preliminary models or sketches.
Jenny Lynn, is an American photographer. She works and lives in Philadelphia, Pennsylvania.
Marion Wetherill Walton aka Marion Walton Putnam was an American sculptor and teacher born in New Rochelle, New York.
Grace Thorp Gemberling was an American artist known for the broad range of her subjects in paintings having a pronounced psychological as well as aesthetic impact. One critic said they conveyed a mood that was "ethereal, bold and engaged". Another said her work showed "a disciplined hand and a romantic eye" together with "a magical color sense". Known for her control of detail and successful handling of line and blocks of color, she was said to paint in a modernist style that stayed clear of abstraction and was remembered by a teacher and fellow artist as "the finest woman painter in Philadelphia during the 1920s and 1930s".
Roland Ayers (1932–2014) was an African American watercolorist and printmaker. He is better known for his intricate drawings – black-ink figures of humans and nature intertwined in a dream-like state against a neutral backdrop. A poet and lover of jazz and books, he expressed his poetry through images rather than words, he often noted, and considered his artwork to be poetry.
Columbus P. Knox (1923–1999) was a painter, muralist, illustrator and printmaker. He was a mainstay at the annual Rittenhouse Square Fine Arts Show in Philadelphia, the oldest outdoor art exhibition in the country. His works are in museums and private collections. Knox created his own style of painting: using brushstrokes that resembled a rake being pulled through sand.
Frances Serber (1895-1978) was a Ukrainian-American ceramicist and muralist. She, along with William Soini, developed a glaze technique that led to the production of brilliantly colored functional and decorative "Stonelain" wares at low cost.
Earl Horter was an American painter, illustrator, printmaker, teacher and art collector. He was instrumental in introducing modern art to Philadelphia as both an artist and collector of Cubist and abstract art. During the 1920s, he had one of the largest collections of modern art in the United States, and he was among the most prominent etchers of his generation.
Howard N. Watson (1929–2022) was an African American watercolorist, landscape artist, illustrator and teacher. He was known for his impressionistic watercolors of historical buildings, streets, neighborhoods and landmarks in the Philadelphia region.
Dorothy Grafly was an American journalist, art critic, author, curator and philanthropist. Grafly wrote extensively for a wide variety of newspapers and magazines, and was described in Time magazine as "the ablest art critic in the city" of Philadelphia. Her book A History of the Philadelphia Print Club appeared in 1929. She served as the editor of Art Outlook (1943–1949) and the publisher and editor of Art in Focus (1949–1980).