Mary Elizabeth Price, also known as M. Elizabeth Price, was an American Impressionist painter. She was an early member of the Philadelphia Ten, organizing several of the group's exhibitions. She steadily exhibited her works with the Pennsylvania Academy of the Fine Arts, the National Academy of Design, and other organizations over the course of her career. She was one of the several family members who entered the field of art as artists, dealers, or framemakers.
Emily Sartain was an American painter and engraver. She was the first woman in Europe and the United States to practice the art of mezzotint engraving, and the only woman to win a gold medal at the 1876 World Fair in Philadelphia. Sartain became a nationally recognized art educator and was the director of the Philadelphia School of Design for Women from 1866 to 1920. Her father, John Sartain, and three of her brothers, William, Henry and Samuel were artists. Before she entered the Pennsylvania Academy of the Fine Arts and studied abroad, her father took her on a Grand Tour of Europe. She helped found the New Century Club for working and professional women, and the professional women's art clubs, The Plastic Club and The Three Arts Club.
The 56 Group Wales is an artists' organisation founded in Wales in 1956, with the aim of promoting Welsh Modernist art and artists. The name was originally simply the 56 Group: "Wales" was added in 1967, in response to a feeling that the organisation's "Welsh origins ought to be re-affirmed". The Welsh-language version of the name was first used on publicity in 1976.
The National Association of Women Artists, Inc. (NAWA) is a United States organization, founded in 1889 to gain recognition for professional women fine artists in an era when that field was strongly male-oriented. It sponsors exhibitions, awards and prizes, and organizes lectures and special events.
Florence Esté was an American painter in oils born in Cincinnati, Ohio. She also worked in watercolors, pastels, and as an etcher and engraver. She was particularly well known for her landscapes, which were said to have been influenced by Japanese artworks and were noted for their "harmony of color". Her obituary in the New York Times referred to her as "one of the best known women landscape painters."
Elizabeth Okie Paxton (1878–1972) was an American painter, married to another artist William McGregor Paxton (1869–1941). The Paxtons were part of the Boston School, a prominent group of artists known for works of beautiful interiors, landscapes, and portraits of their wealthy patrons. Her paintings were widely exhibited and sold well.
Beatrice Fenton was an American sculptor and educator born in Philadelphia, Pennsylvania. She is best known for her whimsical fountains. Her work was also part of the sculpture event in the art competition at the 1932 Summer Olympics.
The Melbourne Society of Women Painters and Sculptors, established in Melbourne, Victoria in 1902, is the oldest surviving women's art group in Australia.
Isabel Parke Branson Cartwright was an American artist born in Coatesville, Pennsylvania.
Suzette Catherine Holten was a Danish painter and ceramist who belonged to the Skovgaard family of artists. In addition to landscapes, flower paintings and portraits, she created and decorated ceramics and also worked as an embroiderer. As a woman, she was unable to achieve the same level of acclaim as her father or brothers.
Edith Lucile Howard (1885–1959) was an American landscape artist. She was born in Bellow Falls, Vermont, and died of cancer in Moorestown, New Jersey, in 1959.
Grace Thorp Gemberling was an American artist known for the broad range of her subjects in paintings having a pronounced psychological as well as aesthetic impact. One critic said they conveyed a mood that was "ethereal, bold and engaged." Another said her work showed "a disciplined hand and a romantic eye" together with "a magical color sense." Known for her control of detail and successful handling of line and blocks of color, she was said to paint in a modernist style that stayed clear of abstraction and was remembered by a teacher and fellow artist as "the finest woman painter in Philadelphia during the 20s and 30s."
Elizabeth Kitchenman Coyne was a Pennsylvania impressionist painter, best known for her landscapes and paintings of horses. Her works are included in the permanent collections of the Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum and the Philadelphia Art Alliance.
Maude Edith Victoria Glover Fleay (1869–1965), was one of Australia's first wildlife artists. She was known for her paintings of Australian marsupials.
Helen Kiner McCarthy (1884–1927), was an American painter. She was an original member of the Philadelphia Ten.
Maude Drein Bryant (1880-1946), was an American painter. She was a member of the Philadelphia Ten.
Hugh Henry Breckenridge (1870-1937), was an American painter and art instructor who championed the artistic movements from impressionism to modernism. Breckenridge taught for more than forty years at the Pennsylvania Academy of Fine Arts, becoming the school's Dean of Instruction in 1934. He also taught from 1920 to 1937 at his own Breckenridge School of Art in Gloucester, Massachusetts.
Susette Inloes Schultz Keast was an American painter. She was a member of the Philadelphia Ten.
Marian T. MacIntosh was an Irish-American painter who lived in Princeton, New Jersey and Philadelphia.
Joan Hartley (1892–1984) was an American sculptor. She was a member of the Philadelphia Ten, a group of American female artists who exhibited together from 1917 to 1945. The group, eventually numbering 30 painters and sculptors, exhibited annually in Philadelphia and later had traveling exhibitions at museums throughout the East Coast and the Midwest.
