Phonetical singing

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Phonetic singing is singing by learning and performing the lyrics of a song by the words' phonetic sounds, without necessarily understanding the content of the lyrics. For example, an artist performs in Spanish even though they may not be proficient in the language or understand the meaning.

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For the DreamWorks animated film The Prince of Egypt , Israeli singer Ofra Haza sang most of the 17 versions of the song "Deliver Us" phonetically.

Phonetics as a tool

Phonetics can be useful to singers in several ways:

Learning new languages

Professional singers can use phonetics to learn new languages and identify the differences in the pronunciations without necessarily learning the meaning of words. This way, they can also identify the differences between different languages, and adjust the use of phonetics accordingly.

Understanding mouth shapes

There are different modes of using the open mouth with phonetics. Singers can adjust the shape of their mouth to affect the tone and quality of their voice, advantageously, or, if they do not understand the phonetics aspect, disadvantageously. Subtle differences can make, at times, drastic changes to the sound. [1]

Understanding the International Phonetic Alphabet

Understanding the International Phonetic Alphabet (IPA) can help a singer with the pronunciation of words. They can link syllables to different phonetic symbols to help as well.

Learning phonetics as a singer

Phonetics helps distinguish differences in pronunciation, but also helps a singer to perform as authentically to the language as possible. Understanding phonetics and its symbols can bypass the necessity to learn the dialect through a Native or Heritage Speaker of the language the singer is learning or attempting to recreate in performance. [2]

Phonetics can also allow singers to dispel their natural tendencies to pronounce words in another language by using the phonetics of their own native language. For example, the pronunciation for the letter "r" in the word "quinceañera" as a native English speaker would be pronounced like: /kɪnseɪənj'ɛɹə/ or (keen-seh-ahn-YEHR-ah), with an emphasis on the "era" pronunciation in English. In Spanish, the pronunciation for "quinceañera" is similar, but the [ɹ] is replaced by a tap-n-flap or the [ɾ] phonetic symbol. In this scenario, the word is pronounced like: /kɪ:nsɛɑnj'ɛɾɑ/. Even though the difference in pronunciation of the letter "r" is what is highlighted in this example, many parts of the word are different when pronouncing the Spanish word in "English" versus pronouncing it in "Spanish." [3]

These subtle differences change everything about the way the singer can mimic sounds as identical as they can to the word's origin.

See also

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English orthography comprises the set of rules used when writing the English language, allowing readers and writers to associate written graphemes with the sounds of spoken English, as well as other features of the language. English's orthography includes norms for spelling, hyphenation, capitalisation, word breaks, emphasis, and punctuation.

<span class="mw-page-title-main">H</span> 8th letter of the Latin alphabet

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<span class="mw-page-title-main">International Phonetic Alphabet</span> System of phonetic notation

The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standard written representation for the sounds of speech. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators.

An orthography is a set of conventions for writing a language, including norms of spelling, punctuation, word boundaries, capitalization, hyphenation, and emphasis.

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Phonemic contrast refers to a minimal phonetic difference, that is, small differences in speech sounds, that makes a difference in how the sound is perceived by listeners, and can therefore lead to different mental lexical entries for words. For example, whether a sound is voiced or unvoiced matters for how a sound is perceived in many languages, such that changing this phonetic feature can yield a different word ; see Phoneme. Another example in English of a phonemic contrast would be the difference between leak and league; the minimal difference of voicing between [k] and [g] does lead to the two utterances being perceived as different words. On the other hand, an example that is not a phonemic contrast in English is the difference between and. In this case the minimal difference of vowel length is not a contrast in English and so those two forms would be perceived as different pronunciations of the same word seat.

References

  1. Jones, Daniel (1922). An Outline of English Phonetics ...: With 131 Illustrations. G. E. Stechert & Company.
  2. LaBouff, Kathryn (2008). Singing and communicating in English: a singer's guide to English diction. New York: Oxford University Press. ISBN   978-0-19-531138-9.
  3. International Phonetic Association, ed. (1999). Handbook of the International Phonetic Association: a guide to the use of the International Phonetic Alphabet. Cambridge, U.K. ; New York, NY: Cambridge University Press. ISBN   978-0-521-65236-0.