Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.
Music for Strings, Percussion and Celesta, Sz. 106, BB 114 is one of the best-known compositions by the Hungarian composer Béla Bartók. Commissioned by Paul Sacher to celebrate the tenth anniversary of the chamber orchestra Basler Kammerorchester, the score is dated September 7, 1936.
Einojuhani Rautavaara was a Finnish composer of classical music. Among the most notable Finnish composers since Jean Sibelius (1865–1957), Rautavaara wrote a great number of works spanning various styles. These include eight symphonies, nine operas and fifteen concertos, as well as numerous vocal and chamber works. Having written early works using 12-tone serial techniques, his later music may be described as neo-romantic and mystical. His major works include his first piano concerto (1969), Cantus Arcticus (1972) and his seventh symphony, Angel of Light (1994).
The Violin Concerto in D minor, Op. 47 of Jean Sibelius, originally composed in 1904 and revised in 1905, is the only concerto by Sibelius. It is symphonic in scope and included an extended cadenza for the soloist that takes on the role of the development section in the first movement.
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced Rhapsody in Blue. It was written in 1925 on a commission from the conductor and director Walter Damrosch. A full performance lasts around half an hour.
Piano Concerto No. 3 in C major, Op. 26, is a piano concerto by Sergei Prokofiev. It was completed in 1921 using sketches first started in 1913.
Sergei Prokofiev set to work on his Piano Concerto No. 2 in G minor, Op. 16, in 1912 and completed it the next year. However, that version of the concerto is lost; the score was destroyed in a fire following the Russian Revolution. Prokofiev reconstructed the work in 1923, two years after finishing his Piano Concerto No. 3, and declared it to be "so completely rewritten that it might almost be considered [Piano Concerto] No. 4." Indeed, its orchestration has features that clearly postdate the 1921 concerto. Performing as soloist, Prokofiev premiered this "No. 2" in Paris on 8 May 1924 with Serge Koussevitzky conducting. It is dedicated to the memory of Maximilian Schmidthof, a friend of Prokofiev's at the Saint Petersburg Conservatory, who had committed suicide in April 1913 after having written a farewell letter to Prokofiev.
Franz Liszt composed his Piano Concerto No. 1 in E♭ major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.
Piano Concerto No. 2 in F major, Op. 102, by Dmitri Shostakovich was composed in 1957 for the 19th birthday of his son Maxim, who premiered the piece on 10 May 1957 during his graduation concert at the Moscow Conservatory. It contains many similar elements to Shostakovich's Concertino for Two Pianos: both works were written to be accessible for developing young pianists. It is an uncharacteristically cheerful piece, for Shostakovich.
Einojuhani Rautavaara wrote his Piano Concerto No. 2 in 1989. The work is in three, linked movements, with the central slow movement longer than the outer movements combined. Although the work employs serial procedures, the style of piano writing is deeply rooted in the Romantic tradition combined with Rautavaara's idiosyncratic mysticism.
The Piano Concerto in F sharp minor, Op. 20, is an early work of the Russian composer Alexander Scriabin (1872–1915). Written in 1896, when he was 24, it was his first work for orchestra and the only concerto he composed. Scriabin completed the concerto in only a few days in the fall of 1896, but did not finish the orchestration until the following May. Belyayev paid the composer 600 rubles ; it premiered in October 1897 and was finally published in 1898.
The Concerto Fantasy for Two Timpanists and Orchestra is a double timpani concerto written by Philip Glass in 2000. It is paired with the Cello Concerto on Vol. I of Glass' Concerto Project, a set of eight concerti by the composer. A typical performance of the work lasts 25–28 minutes. It was written for Jonathan Haas and later recorded by Evelyn Glennie, and was premiered by Haas and Svet Stoyanov with the American Symphony Orchestra in Avery Fisher Hall, Lincoln Center, conducted by Leon Botstein. The work was commissioned jointly by the American Symphony Orchestra, the Peabody Symphony, the Milwaukee Symphony, the St. Louis Symphony and the Phoenix Symphony. In 2004, a transcription for wind ensemble was written by Mark Lortz, which debuted at Peabody Institute in 2005.
The Piano Concerto No. 2 was written by American composer Philip Glass in 2004. It is also called the Piano Concerto No. 2: After Lewis and Clark, due to its musical representation of the American pioneers. It was composed for the Nebraska Lewis and Clark Bicentennial Commission, the Lied Center for Performing Arts, and the University of Nebraska-Lincoln Hixson–Lied College of Fine and Performing Arts. It is included as one of the concerti in Glass' Concerto Project, a four-volume collection of commissioned works. The work itself deals with the journey of Meriwether Lewis and William Clark, interpreting the stages of their expedition progressively in each movement.
Incantations for Percussion and Orchestra is a concerto for percussion and orchestra in three movements by the Finnish composer Einojuhani Rautavaara. The work was composed for the percussionist Colin Currie on a joint commission from the London Philharmonic Orchestra, the Baltimore Symphony Orchestra, the Rotterdam Philharmonic Orchestra, and the Tampere Philharmonic Orchestra. The first performance was given in Royal Festival Hall, London by Currie and the London Philharmonic Orchestra under the conductor Yannick Nézet-Séguin on October 24, 2009.
Towards the Horizon is the second cello concerto by the Finnish composer Einojuhani Rautavaara. The work was commissioned by the Minnesota Orchestra under the direction of Osmo Vänskä. It was first performed by the cellist Arek Tesarczyk and the Minnesota Orchestra conducted by Osmo Vänskä in Orchestra Hall, Minneapolis, on September 30, 2010. The piece is dedicated to the cellist Truls Mørk, who was originally scheduled to perform the world premiere, but had to drop out due to health concerns.
Russian composer Alfred Schnittke's Symphony No. 8 was composed in 1994. Its dedicatee Gennady Rozhdestvensky conducted the Royal Stockholm Philharmonic Orchestra in the symphony's premiere in Stockholm on 10 November 1994.
The bassoon repertoire consists of pieces of music composed for bassoon as a principal instrument that may be performed with or without other instruments. Below is a non-exhaustive list of major works for the bassoon.
Henry Cowell wrote his Piano Concerto in 1928.
Einojuhani Rautavaara's Symphony No. 2, Op. 8, originally entitled Sinfonia intima, is a symphony for orchestra written in 1957. It marks the composer's departure from his neoclassical first symphony towards atonality.
