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Piano Sonata No. 2 | |
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by Ludwig van Beethoven | |
Key | A major |
Opus | 2/2 |
Style | Classical period |
Form | Piano sonata |
Composed | 1795 |
Dedication | Joseph Haydn |
Published | 1796, Vienna |
Publisher | Artaria |
Duration | 22 minutes |
Movements | 4 |
Audio samples | |
I. Allegro vivace (6:31) | |
II. Largo appassionato (7:26) | |
III. Scherzo:Allegretto (3:27) | |
Ludwig van Beethoven's Piano Sonata No. 2 in A major,Op. 2,No. 2,was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his first and third sonatas in 1796.
Donald Francis Tovey wrote,"The second sonata is flawless in execution and entirely beyond the range of Haydn and Mozart in harmonic and dramatic thought,except in the Finale." [1]
A typical performance of the entire sonata lasts about 22 minutes.
The sonata was the first Beethoven sonata to reach America and was performed in New York on June 5,1807.[ citation needed ]
The sonata is laid out in four movements:
The first movement is an athletic movement that has a bright disposition. The second theme of exposition contains some striking modulations for the time period. A large portion of the development section is in F major,which contains a third relationship with the key of the work,A major. A difficult,but beautiful canonic section is also to be found in the development. The recapitulation contains no coda and the movement ends quietly and unassumingly.
Tovey wrote,"The opening of the second subject in the first movement is a wonderful example of the harmonic principle previously mentioned...In all music,nothing equally dramatic can be found before the D minor sonata,Op. 31 No. 2 which is rightly regarded as marking the beginning of Beethoven's second period." [1]
One of the few instances in which Beethoven uses the tempo marking Largo,which was the slowest such marking for a movement. The opening imitates the style of a string quartet and features a staccato pizzicato-like bass against lyrical chords. A high degree of contrapuntal thinking is evident in Beethoven's conception of this movement. The key is the subdominant of A major,D major.
Tovey wrote,"The slow movement shows a thrilling solemnity that immediately proves the identity of the pupil of Haydn with the creator of the 9th symphony." [1]
A short and graceful movement that is in many respects similar to a minuet. This is the first instance in his 32 numbered sonatas in which the term "Scherzo" is used. The A minor trio section adds contrast to the cheerful opening material of this movement. Unusually,there is a second melody (not in the trio) in the remote key of G♯ minor.
A beautiful and lyrical rondo. The arpeggio that opens the repeated material becomes more elaborate at each entrance. The form of this rondo is A1–B1–A2–C–A3–B2–A4–Coda. The C section,in the parallel minor A minor,is rather agitated and stormy in comparison to the rest of the work,and is representative of the so-called "Sturm und Drang" style. A simple but elegant V7–I perfect cadence closes the entire work in the lower register,played piano.
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The Piano Sonata No. 18 in E♭ major,Op. 31,No. 3,is an 1802 sonata for solo piano by Ludwig van Beethoven. A third party gave the piece the nickname "The Hunt" due to one of its themes' resemblance to a horn call. Beethoven maintains a playful jocularity throughout much of the piece,but as in many of his early works,the jocular style can be heard as a facade,concealing profound ideas and depths of emotion.
Piano Sonata No. 15 in D major,Op. 28,is a piano sonata by Ludwig van Beethoven. The name Pastoral or Pastorale became known through A. Cranz publishing of Beethoven's work,but was first coined by a London publisher,Broderip &Wilkinson. While not as famous as its immediate predecessor,Piano Sonata No. 14,it is generally admired for its intricate technicality as well as for its beauty. The sonata takes roughly twenty-five minutes to play with its intended repeats.
Ludwig van Beethoven's Piano Sonata No. 1 in F minor,Op. 2 No. 1,was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his second and third piano sonatas in 1796.
The Piano Sonata No. 10 in G major,Op. 14,No. 2,composed in 1798–1799,is an early-period work by Ludwig van Beethoven,dedicated to Baroness Josefa von Braun. A typical performance lasts 15 minutes. While it is not as well known as some of the more original sonatas of Beethoven's youth,such as the Pathétique or Moonlight sonatas,Donald Francis Tovey described it as an 'exquisite little work.'
Piano Sonata No. 13 in E-flat major,Op. 27 No. 1,"Quasi una fantasia",is a sonata composed by Ludwig van Beethoven in 1800–1801.
Ludwig van Beethoven's Piano Sonata No. 22 in F major,Op. 54,was written in 1804. It is contemporary to the first sketches of the Symphony No. 5 in C Minor. It is one of Beethoven's lesser known sonatas,overshadowed by its widely known neighbours,the Waldstein and the Appassionata.
The Piano Sonata No. 3 in F minor,Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large,consisting of five movements,as opposed to the traditional three or four. When he wrote this piano sonata,the genre was seen by many to be past its heyday. Brahms,enamored of Beethoven and the classical style,composed Piano Sonata No. 3 with a masterful combination of free Romantic spirit and strict classical architecture. As a further testament to Brahms' affinity for Beethoven,the Piano Sonata is infused with the instantly recognizable motive from Beethoven's Symphony No. 5 during the first,third,and fourth movements. Composed in Düsseldorf,it marks the end of his cycle of three sonatas,and was presented to Robert Schumann in November of that year;it was the last work that Brahms submitted to Schumann for commentary. Brahms was barely 20 years old at its composition. The piece is dedicated to Countess Ida von Hohenthal of Leipzig.
The six String Quartets,Op. 76,by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission,Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.
Franz Schubert's Piano Sonata in D major D. 850,Op. 53,known as the Gasteiner,was written during August 1825 whilst the composer was staying in the spa town of Bad Gastein. A year later,it became only the second of his piano sonatas to be published.
Franz Schubert's last three piano sonatas,D 958,959 and 960,are his last major compositions for solo piano. They were written during the last months of his life,between the spring and autumn of 1828,but were not published until about ten years after his death,in 1838–39. Like the rest of Schubert's piano sonatas,they were mostly neglected in the 19th century. By the late 20th century,however,public and critical opinion had changed,and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire,appearing regularly on concert programs and recordings.