Sonata form is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century.
The Piano Sonata No. 16 in C major, K. 545, by Wolfgang Amadeus Mozart was described by Mozart in his own thematic catalogue as "for beginners", and it is sometimes known by the nickname Sonata facile or Sonata semplice.
The Piano Sonata No. 12 in F major, K. 332 (300k) by Wolfgang Amadeus Mozart was published in 1784 along with the Piano Sonata No. 10 in C major, K. 330, and Piano Sonata No. 11, K. 331. Mozart wrote these sonatas either while visiting Munich in 1781, or during his first two years in Vienna. Some believe, however that Mozart wrote this and the other sonatas during a summer 1783 visit to Salzburg made for the purpose of introducing his wife, Constanze to his father, Leopold. All three sonatas were published in Vienna in 1784 as Mozart's Op. 6.
Ludwig van Beethoven's Piano Sonata No. 29 in B♭ major, Op. 106 is a piano sonata that is widely viewed as one of the most important works of the composer's third period and among the greatest piano sonatas of all time. Completed in 1818, it is often considered to be Beethoven's most technically challenging piano composition and one of the most demanding solo works in the classical piano repertoire. The first documented public performance was in 1836 by Franz Liszt in the Salle Erard in Paris.
Symphony No. 35 in D major, K. 385, also known as the Haffner Symphony, was composed by Wolfgang Amadeus Mozart in 1782. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of the ennoblement of Sigmund Haffner the Younger. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.
The Symphony No. 98 in B♭ major, Hoboken I/98, is the sixth of the twelve London symphonies composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792.
Ludwig van Beethoven's Piano Sonata No. 1 in F minor, Op. 2 No. 1, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his second and third piano sonatas in 1796.
Beethoven's Piano Sonata No. 11 in B♭ major, Op. 22, was composed in 1800, and published two years later. Beethoven regarded it as the best of his early sonatas, though some of its companions in the cycle have been at least as popular with the public.
The Piano Sonata No. 14 in C minor, K. 457, by Wolfgang Amadeus Mozart was composed and completed in 1784, with the official date of completion recorded as 14 October 1784 in Mozart's own catalogue of works. It was published in December 1785 together with the Fantasy in C minor, K. 475, as Opus 11 by the publishing firm Artaria, Mozart's main Viennese publisher.
The Piano Sonata No. 1 in F minor, Op. 6, by Alexander Scriabin, was the third of twelve piano sonatas that he composed. It was completed in 1892. The music is emotionally charged as much of the music was written after Scriabin had damaged his right hand through excessive piano playing.
The Piano Sonata in A minor D. 845 (Op.42) by Franz Schubert is a sonata for solo piano. Composed in May 1825 and entitled Premiere Grande Sonata, it is the first of three sonatas published during the composer's lifetime, the others being D.850 and D.894. Conceived as a set, these works were composed during what was reportedly a period of relatively good health and spirits for Schubert, and are praised for their quality and ambition. This first sonata in particular marks a significant step toward the composer’s mature piano sonata style; the format and several characteristic stylistic elements continue through the last.
Wolfgang Amadeus Mozart's Piano Sonata No. 10 in C major, K. 330 / 300h, is one of the three works in the cycle of piano sonatas K.330-331-332. The sonata was composed in 1783, when Mozart was 27 years old. It was published, with the other two sonatas by Artaria in 1784. A typical performance of this sonata lasts around twenty minutes.
Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings.
Wolfgang Amadeus Mozart's Piano Sonata No. 1 in C major, K. 279 / 189d (1774), is a piano sonata in three movements. It was written down, except for the first part of the opening movement, during the visit Mozart paid to Munich for the production of La finta giardiniera from late 1774 to the beginning of the following March. It is the first of his 18 piano sonatas. A typical performance of the sonata takes about 14 minutes.
Wolfgang Amadeus Mozart's Piano Sonata No. 4 in E-flat major, K. 282 / 189g, (1774) is a sonata in three movements:
Wolfgang Amadeus Mozart's Piano Sonata No. 5 in G major, K. 283 / 189h, (1774) is a piano sonata in three movements:
Wolfgang Amadeus Mozart's Piano Sonata No. 6 in D major, K. 284 / 205b, (1775) is a sonata in three movements:
The Piano Sonata in E major, D 157 is a piano sonata with three movements composed by Franz Schubert in February 1815. The Allegro D 154 is an early version of its first movement.
Wolfgang Amadeus Mozart wrote Symphony No. 30 in D major, K. 202/186b in Salzburg, completing it on May 5, 1774.
Violin Sonata No. 33 in E-flat major was composed by Wolfgang Amadeus Mozart in Vienna and listed in his personal catalogues of his works on December 12, 1785. It was published on its own by Franz Anton Hoffmeister, a German composer and music publisher to whom Mozart's String Quartet No. 20 is dedicated. The muscologist Marius Flothuis states that although much is unknown about the history of this sonata, it is certainly "one of the most mature works in Mozart's whole chamber output". Carl Friedrich Cramer in a 1783 review of this and Mozart's other mature piano and violin sonatas praised the style of composing for instruments in a democratic manner, fitting for the style, requiring skill and talent of both instrumentalists. Indeed, Manafu rates these sonatas as of crucial importance in the development of the genre.
