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The Sonata in C major, K. 19d, is a work for piano four-hands once thought to be composed by Wolfgang Amadeus Mozart in 1765 when he was nine years old in England. Composed in the traditional sonata form, it is one of the very few works thought to be written by Mozart for four-handed play.
The sonata consists of three movements:
The first movement, 107 bars long and in common time, begins with a strong triple-playing of a C major chord. In typical sonata form, the work presents its main theme, and develops upon it. Toward the middle section (bar 40), the work drops down in tone to a darker, more ominous version of the main theme, before picking back up to the light C major chord.
The second movement is 54 bars long and in 3
4 time, sounding very much like an Andante . The opening minuet consists of 26 bars before transitioning to a trio, lasting a mere eight bars, which repeats and then closes with the finished minuet. It is written in a very typical 18th-century minuet fashion.
The final movement, 181 bars long and in 2
4 time, begins with a modulating chord phrase that is as much joyful as it is exciting. It can almost be likened to that of the final theme of Mozart's own "Gran Partita", K. 370a – 7. Finale. At bar 142, the movement switches from an ever exciting allegretto, to a slow adagio in 3
4 time lasting for 19 bars, before finally switching back to the rondo's main theme in 2
4 time at Allegro. The movement is in a standard sonata rondo form.
Discovered in 1921, the two printed versions of the work that have been found were found in Paris and London, both of them being dated to sometime in 1789. It was possibly composed during the Mozarts' London tour in 1765. On 13 May 1765, Mozart and his sister, Nannerl, reportedly played an authentic original Mozart composition on a two-manual harpsichord in Hickford's Great Room, Brewer Street, with reports such as "the two children will play together on the same harpsichord, and put upon it a handkerchief, without seeing the keys". [1] It is possible that Nannerl was once in possession of this and another four-hand sonata, but both are now lost.
Since there is no other known clavier four-hand work dated to this time, this work, K. 19d, was generally accepted as authentic and put into the catalogue for Mozart's works. Recently the authenticity of the work has been disputed, with the general consensus of most scholars being that the work was, in fact, not written by Mozart. Since 1993, the Neue Mozart-Ausgabe has removed the piece for the authentic section of "Keyboard music" to "Works of Spurious or Doubtful Authenticity". Theories amongst scholars suggest that the work is one possibly by another of the Mozarts during their London tour, such as Leopold or even Nannerl. An interesting point toward the work's possible authenticity is the fact that the writings for both the right and left hand in the score occasionally collide with one another. This strongly suggests that the original work was composed specifically for the aforementioned two-manual harpsichord. However, it is likely that the Mozarts did not play four-hand sonatas at this time, but rather, they performed four-hand concertos for keyboard instead. [1]
The Piano Sonata No. 11 in A major, K. 331 / 300i, by Wolfgang Amadeus Mozart is a piano sonata in three movements.
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The Kegelstatt Trio, K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart.
The Nannerl Notenbuch, or Notenbuch für Nannerl is a book in which Leopold Mozart, from 1759 to about 1764, wrote pieces for his daughter, Maria Anna Mozart, to learn and play. His son Wolfgang also used the book, in which his earliest compositions were recorded. The book contains simple short keyboard pieces, suitable for beginners; there are many anonymous minuets, some works by Leopold, and a few works by other composers including Carl Philipp Emanuel Bach and the Austrian composer Georg Christoph Wagenseil. There are also some technical exercises, a table of intervals, and some modulating figured basses. The notebook originally contained 48 bound pages of music paper, but only 36 pages remain, with some of the missing 12 pages identified in other collections. Because of the simplicity of the pieces it contains, the book is often used to provide instruction to beginning piano players.
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Wolfgang Amadeus Mozart composed six sonatas for keyboard with accompaniment of violin and cello, K. 10–15, in late 1764 in London during the Mozart family's grand tour of Europe. Queen Charlotte commissioned them on 25 October, and the works were dedicated to her on 18 January 1765. They were published as Mozart's "Opus III" by his father Leopold at 20 Frith Street, Soho, London, where the Mozarts lived from September 1764 until after May 1765.
Divertimento No. 11 or Divertimento in D, K. 251, is a composition by Wolfgang Amadeus Mozart. It was written in July 1776 in Salzburg, possibly for the name day of Mozart's sister, Nannerl on July 26th or her birthday on July 30th. The work is scored for oboe, two horns, two violins, viola and double bass.
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Violin Sonata No. 33 in E-flat major was composed by Wolfgang Amadeus Mozart in Vienna and listed in his personal catalogues of his works on December 12, 1785. It was published on its own by Franz Anton Hoffmeister, a German composer and music publisher to whom Mozart's String Quartet No. 20 is dedicated. The muscologist Marius Flothuis states that although much is unknown about the history of this sonata, it is certainly "one of the most mature works in Mozart's whole chamber output". Carl Friedrich Cramer in a 1783 review of this and Mozart's other mature piano and violin sonatas praised the style of composing for instruments in a democratic manner, fitting for the style, requiring skill and talent of both instrumentalists. Indeed, Manafu rates these sonatas as of crucial importance in the development of the genre.
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The London Sketchbook (German: Londoner Skizzenbuch), K.15 a–ss (Anh. 109b) is a series of 43 untitled pieces and sketches written by Wolfgang Amadeus Mozart between 1764 and 1765 while in London (see the Mozart family's grand tour). The set of works is denoted by its K6 number, followed by its respective letter, i.e. 15a, 15b, 15c, etc.
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