The Piano Sonata in G major D. 894, Op. 78 by Franz Schubert is a sonata for solo piano, completed in October 1826. [1] The work is sometimes called the "Fantasie", a title which the publisher Tobias Haslinger, rather than Schubert, gave to the first movement of the work. [2] It was the last of Schubert's sonatas published during his lifetime, and was later described by Robert Schumann as the "most perfect in form and conception" of any of Schubert's sonatas. [3] A typical performance runs approximately 35 minutes.
The autograph manuscript of the sonata is preserved in the British Library.
The sonata consists of four movements:
The English pianist and Schubert specialist Imogen Cooper has described the G major sonata as "one of the rare completely serene sonatas that he wrote," adding, "Of course, as ever with him, there are contrasting passages which become stormy and a little bit dark, but the overall mood is one of peace and luminosity, in a way that the G Major string quartet, written a few months before, was most definitely not". She noted further that "the last movement has tremendous wit in it — and one or two moments of great poignancy, as if a cloud suddenly covered the sun, and then the sun comes out again". [4]
The third movement's opening theme is remarkably similar to the second theme of the first movement of Schubert's second Piano Trio both in rhythm and note progression.
Peter Pesic commented on Donald Francis Tovey's observation that Schubert used a "circle of sixths" series of key signatures in the fourth movement of this sonata, in the sequence G → E♭ → B = C♭ → G = A 
. [5]
Pianists Sviatoslav Richter and Paul Lewis stated that this was their favourite Schubert sonata. [6] [7] The former is notable for his extremely slow interpretation of the first movement, [8] and solemn account of the work, making the whole sonata usually last over 45 minutes in total. For Christian Zachariasthis Schubert’s sonata belongs to beloved composition.
Franz Ignaz Danzi was a German cellist, composer and conductor, the son of the Italian cellist Innocenz Danzi (1730–1798) and brother of the noted singer Franzeska Danzi. Danzi lived at a significant time in the history of European music. His career, spanning the transition from the late Classical to the early Romantic styles, coincided with the origin of much of the music that lives in our concert halls and is familiar to contemporary classical-music audiences. In his youth he knew Wolfgang Amadeus Mozart, whom he revered; he was a contemporary of Ludwig van Beethoven, about whom he — like many of his generation — had strong but mixed feelings and he was a mentor for the young Carl Maria von Weber, whose music he respected and promoted.
The String Quartet No. 14 in C♯ minor, Op. 131, was completed by Ludwig van Beethoven in 1826. It is the last-composed of a trio of string quartets, written in the order Opp. 132, 130, 131.
Beethoven's Piano Sonata No. 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period. Completed in summer 1804 and surpassing Beethoven's previous piano sonatas in its scope, the Waldstein is a key early work of Beethoven's "Heroic" decade (1803–1812) and set a standard for piano composition in the grand manner.
Franz Schubert's Symphony No. 5 in B♭ major, D. 485, was written mainly in September 1816 and completed on 3 October 1816. It was finished six months after the completion of his previous symphony.
The Piano Sonata No. 18 in E♭ major, Op. 31, No. 3, is an 1802 sonata for solo piano by Ludwig van Beethoven. A third party gave the piece the nickname "The Hunt" due to one of its themes' resemblance to a horn call. Beethoven maintains a playful jocularity throughout much of the piece, but as in many of his early works, the jocular style can be heard as a facade, concealing profound ideas and depths of emotion.
Beethoven's Piano Sonata No. 11 in B♭ major, Op. 22, was composed in 1800, and published two years later. Beethoven regarded it as the best of his early sonatas, though some of its companions in the cycle have been at least as popular with the public.
The Piano Sonata No. 3 in F minor, Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large, consisting of five movements, as opposed to the traditional three or four. When he wrote this piano sonata, the genre was seen by many to be past its heyday. Brahms, enamored of Beethoven and the classical style, composed Piano Sonata No. 3 with a masterful combination of free Romantic spirit and strict classical architecture. As a further testament to Brahms' affinity for Beethoven, the Piano Sonata is infused with the instantly recognizable motive from Beethoven's Symphony No. 5 during the first, third, and fourth movements. Composed in Düsseldorf, it marks the end of his cycle of three sonatas, and was presented to Robert Schumann in November of that year; it was the last work that Brahms submitted to Schumann for commentary. Brahms was barely 20 years old at its composition. The piece is dedicated to Countess Ida von Hohenthal of Leipzig.
The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.
Jaroslav Řídký was a Czech composer, conductor, harpist, and music teacher.
Hyacinthe Jadin was a French composer who came from a musical family. His uncle Georges Jadin was a composer in Versailles and Paris, along with his father Jean Jadin, who had played bassoon for the French Royal Orchestra. He was one of five musical brothers, the best known of whom was Louis-Emmanuel Jadin.
Symphony No. 1 in C minor, Op. 11, is a work by Felix Mendelssohn, completed on 31 March 1824, when the composer was only 15 years old. The autograph score was published in 1831.
The Symphony No. 4 in C minor, D 417, is a symphony by Franz Schubert completed in April 1816 when Schubert was 19 years old, a year after his Third Symphony However, it was not premiered until November 19, 1849, in Leipzig, more than two decades after Schubert's death. The symphony was called the Tragic by its composer.
The Piano Sonata in E-flat major D 568 by Franz Schubert is a sonata for solo piano. It is a revision and completion of the Sonata in D-flat major D 568. The D-flat major version was composed in June 1817, while the E-flat major revision and completion, published in 1829 after Schubert's death as Op. posth. 122, dates from sometime around 1826.
The Piano Sonata in A major D. 664, Op. posth. 120 is a sonata for solo piano composed by Franz Schubert in the summer of 1819.
The Piano Sonata in C major, D 279, composed by Franz Schubert in September 1815, has three movements and is regarded as incomplete for lacking a fourth movement. D. 346, an unfinished Allegretto in C major, has been suggested as its final movement.
The Piano Sonata in D-flat major D 568, composed in June 1817 by Franz Schubert, is an early version of his Piano Sonata in E-flat major D 568.
Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument.
From March 1816 to August 1817, Franz Schubert composed four violin sonatas. All four were published after the composer's death: the first three, D 384, 385 and 408, as Sonatinas in 1836, and the last one, D 574, as Duo in 1851. Schubert composed two more pieces for violin and piano, in October 1826 and December 1827 respectively: a Rondo, D 895, which was published during the composer's lifetime (Op. 70), and a Fantasy, D 934, which was premiered in January 1828, less than a year before the composer's death.
In 1816, Franz Schubert composed his first three violin sonatas, D 384, 385 and 408. They were published after the composer's death as Sonatinas in 1836. These sonatas breathe an intimate atmosphere, requiring relatively little virtuoso bravura from their performers.
The divertimenti in F major, B-flat major, E-flat major, F major, and B-flat major are five companion compositions for pairs of oboes, horns and bassoons by Wolfgang Amadeus Mozart.
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