Three Marches Militaires | |
---|---|
by Franz Schubert | |
Catalogue | D. 733 |
Composed | fl. 1812–1824 |
Published | 7 August 1826 : Vienna, Austria |
The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano four-hands by Franz Schubert.
The first of the three is far more famous than the others. It is one of Schubert's most famous compositions, and it is often simply referred to as "Schubert's Marche militaire".
It is not certain when the Marches militaires were written: many scholars favour 1818 [1] but some prefer alternative dates such as 1822 or 1824. [2] It is known that they were written during Schubert's stay at Count Johann Karl Esterházy's summer home in Zseliz in Hungary (now Želiezovce in Slovakia). He had accepted a job there as music teacher to the Count's daughters, Maria Theresia and Caroline, and these and similar works were written for instructional purposes.
The Marches militaires were published in Vienna on 7 August 1826, as Op. 51, by Anton Diabelli. [3]
They are all in ternary form, with a central trio leading to a reprise of the main march.
Recordings of the original piano 4-hand version include those by Christoph Eschenbach and Justus Frantz; Radu Lupu and Daniel Barenboim; Robert Levin and Malcolm Bilson; Evgeny Kissin and James Levine; and Artur Schnabel and Karl Ulrich Schnabel.
Franz Peter Schubert was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs "Erlkönig", "Gretchen am Spinnrade", and "Ave Maria"; the Trout Quintet; the Symphony No. 8 in B minor (Unfinished); the Symphony No. 9 in C major (Great); the String Quartet No. 14 in D minor ; the String Quintet in C major; the Impromptus for solo piano; the last three piano sonatas; the Fantasia in F minor for piano four hands; the opera Fierrabras; the incidental music to the play Rosamunde; and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.
Karl Tausig was a Polish virtuoso pianist, arranger and composer. He is generally regarded as Franz Liszt's most distinguished pupil and one of the greatest pianists of all time.
The String Quartet No. 13 in A minor, D 804, Op. 29, was written by Franz Schubert between February and March 1824. It dates roughly to the same time as his monumental Death and the Maiden Quartet, emerging around three years after his previous attempt to write for the string quartet genre, the Quartettsatz, D 703, that he never finished.
Franz Schubert wrote his Sonata in C major for piano four-hands, D 812, in June 1824 during his second stay at the Esterházy estate in Želiezovce. The extended work, in four movements, has a performance time of around 40 to 45 minutes. It was published as Grand Duo, Op. 140, in 1837, nine years after the composer's death.
The Études-Tableaux, Op. 39, is the second of two sets of piano études composed by Sergei Rachmaninoff. Op. 39 was composed sometime between 1916 and 1917 and were among the final works composed by Rachmaninoff before his exit from Russia.
Schubert's Symphony No. 10 in D major, D 936A, is an unfinished work that survives in a piano sketch. Written during the last weeks of the composer's short life, it was only properly identified in the 1970s. It has been orchestrated by Brian Newbould in a completion that has subsequently been performed, published and recorded.
Six moments musicaux, D. 780 is a collection of six short pieces for solo piano composed by Franz Schubert. Along with the Impromptus, they are among the most frequently played of all Schubert's piano music, and have been recorded many times. No. 3 in F minor has been arranged by Karl Tausig, Leopold Godowsky and others.
The Piano Sonata in G major D. 894, Op. 78 by Franz Schubert is a sonata for solo piano, completed in October 1826. The work is sometimes called the "Fantasie", a title which the publisher Tobias Haslinger, rather than Schubert, gave to the first movement of the work. It was the last of Schubert's sonatas published during his lifetime, and was later described by Robert Schumann as the "most perfect in form and conception" of any of Schubert's sonatas. A typical performance runs approximately 35 minutes.
Franz Schubert's Piano Sonata in A minor, D 784, is one of Schubert's major compositions for the piano. Schubert composed the work in February 1823, perhaps as a response to his illness the year before. It was however not published until 1839, eleven years after his death. It was given the opus number 143 and a dedication to Felix Mendelssohn by its publishers. The D 784 sonata, Schubert's last to be in three movements, is seen by many to herald a new era in Schubert's output for the piano, and to be a profound and sometimes almost obsessively tragic work.
Franz Schubert's Piano Sonata in D major D. 850, Op. 53, known as the Gasteiner, was written during August 1825 whilst the composer was staying in the spa town of Bad Gastein. A year later, it became only the second of his piano sonatas to be published.
The Piano Sonata in A major, D 664, Op. posth. 120, is a sonata for solo piano composed by Franz Schubert in the summer of 1819.
Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings.
Marie-Alexis de Castillon de Saint-Victor was a French composer.
The Fantasia in F minor by Franz Schubert, D.940, for piano four hands, is one of Schubert's most important works for more than one pianist and one of his most important piano works altogether. He composed it in 1828, the last year of his life. A dedication to his former pupil Caroline Esterházy can only be found in the posthumous first edition, not in Schubert's autograph.
The Violin Sonata No. 4 in A major, Op. posth. 162, D 574, for violin and piano by Franz Schubert was composed in 1817. This sonata, composed one year after his first three violin sonatas, was a much more individual work, showing neither the influence of Mozart, as in these previous works, nor of Rossini, as in the contemporaneous 6th Symphony.
Brian Newbould is an English composer, conductor and author who has conjecturally completed Franz Schubert's Symphonies D 708A in D major, No. 7 in E major, No. 8 in B minor ("Unfinished"), No. 10 ("Last") in D major, Piano Sonata in C major, D 840, Quartettsatz, D. 703 and String Trio, D. 471. He was educated at Gravesend Grammar School, and earned a BMus degree with top honors from the University of Bristol.
Mass No. 6 in E-flat major, D 950, is a mass composed by Franz Schubert, a few months before his death. It is scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis.
Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument.
The Sonata in B-flat major for piano four-hands, Op. 30, D 617 by Franz Schubert, is the first of two sonatas for two pianists the composer wrote in his lifetime, the other being the Grand Duo of 1824.