Two days after completion in 1811, Beethoven played the Archduke Trio in an informal setting at the Baron Neuworth's residency with no known performance after until 1814. [2] The first public performance was given by Beethoven himself, Ignaz Schuppanzigh (violin), and Josef Linke (cello) at the Viennese hotel Zum römischen Kaiser on April 11, 1814. At the time, Beethoven's deafness compromised his ability as a performer, and after a repeat performance a few weeks later, Beethoven never appeared again in public as a pianist. [5] [6] [7] [1]
The violinist and composer Louis Spohr witnessed a rehearsal of the work, and wrote, "on account of his deafness there was scarcely anything left of the virtuosity of the artist which had formerly been so greatly admired. In forte passages the poor deaf man pounded on the keys until the strings jangled, and in piano he played so softly that whole groups of notes were omitted, so that the music was unintelligible unless one could look into the pianoforte part. I was deeply saddened at so hard a fate." [7]
The pianist and composer Ignaz Moscheles attended the premiere, and wrote about the work, "in the case of how many compositions is the word 'new' misapplied! But never in Beethoven's, and least of all in this, which again is full of originality. His playing, aside from its intellectual element, satisfied me less, being wanting in clarity and precision; but I observed many traces of the grand style of playing which I had long recognized in his compositions." [6]
Ludwig van Beethoven was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, Beethoven began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.
The Piano Quintet in E-flat major, Op. 44, by Robert Schumann was composed in 1842 and received its first public performance the following year. Noted for its "extroverted, exuberant" character, Schumann's piano quintet is considered one of his finest compositions and a major work of nineteenth-century chamber music. Composed for piano and string quartet, the work revolutionized the instrumentation and musical character of the piano quintet and established it as a quintessentially Romantic genre.
Ludwig van Beethoven's Piano Sonata No. 29 in B♭ major, Op. 106 is a piano sonata that is widely viewed as one of the most important works of the composer's third period and among the greatest piano sonatas of all time. Completed in 1818, it is often considered to be Beethoven's most technically challenging piano composition and one of the most demanding solo works in the classical piano repertoire. The first documented public performance was in 1836 by Franz Liszt in the Salle Erard in Paris to an enthusiastic review by Hector Berlioz.
The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a piano concerto composed by Ludwig van Beethoven. Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf, who was his patron, friend, and pupil. Its public premiere was on 28 November 1811 in Leipzig, with Friedrich Schneider as the soloist and Johann Philipp Christian Schulz conducting the Gewandhaus Orchestra. Beethoven, usually the soloist, could not perform due to declining hearing.
Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his first and second sonatas in 1796.
The Cello Sonata No. 3 in A major, Op. 69, is the third of five cello sonatas by Ludwig van Beethoven. He composed it in 1807–08, during his productive middle period. It was first performed in 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann, a student of Beethoven. Published by Breitkopf & Härtel the same year, it was dedicated to Freiherr Ignaz von Gleichenstein, Beethoven's friend and an amateur cellist. The sonata was successful with audiences from the beginning.
The Piano Sonata No. 2 in B♭ minor, Op. 35, is a piano sonata in four movements by Polish composer Frédéric Chopin. Chopin completed the work while living in George Sand's manor in Nohant, some 250 km (160 mi) south of Paris, a year before it was published in 1840. The first of the composer's three mature sonatas, the work is considered to be one of the greatest piano sonatas of the literature.
Ludwig van Beethoven's Piano Sonata No. 16 in G major, Op. 31, No. 1, was composed between 1801 and 1802. Although it was numbered as the first piece in the trio of piano sonatas which were published as Opus 31 in 1803, Beethoven actually finished it after the Op. 31 No. 2, the Tempest Sonata.
Ludwig van Beethoven's Piano Sonata No. 26 in E♭ major, Op. 81a, known as Les Adieux, was written during the years 1809 and 1810. This sonata was influenced by Jan Ladislav Dussek's sonata with the same nickname.
The Piano Sonata No. 31 in A♭ major, Op. 110, by Ludwig van Beethoven was composed in 1821 and published in 1822. It is the middle piano sonata in the group of three that he wrote between 1820 and 1822, and is the penultimate of his piano sonatas. Though the sonata was commissioned in 1820, Beethoven did not begin work on Op. 110 until the latter half of 1821, and final revisions were completed in early 1822. The delay was due to factors such as Beethoven's work on the Missa solemnis and his deteriorating health. The original edition was published by Schlesinger in Paris and Berlin in 1822 without dedication, and an English edition was published by Muzio Clementi in 1823.
Piano Sonata No. 13 in E-flat major, Op. 27 No. 1, "Quasi una fantasia", is a sonata composed by Ludwig van Beethoven in 1800–1801.
The Piano Sonata No. 3 in B minor, Op. 58, is a piano sonata in four movements composed by Polish composer Frédéric Chopin; it is the second of the composer's three mature sonatas(the others being the Piano Sonata No. 2 in B-flat minor, Op. 35, and the Sonata for Piano and Cello in G minor, Op. 65). Completed in 1844 and published in 1845, the work is considered to be one of Chopin's most difficult compositions, both technically and musically. The work has a structure similar to Piano Sonata No. 5 in F Sharp Minor, Op. 81 by Johann Nepomuk Hummel. A performance of the sonata lasts around 23 to 30 minutes, depending on whether the repetition of the exposition in the first movement is observed. The work is dedicated to Countess Élise de Perthuis.
The Violin Sonata No. 10 in G major, Op. 96, by Ludwig van Beethoven was written in 1812, published in 1816, and dedicated to Beethoven's pupil Archduke Rudolph Johannes Joseph Rainier of Austria, who gave its first performance, together with the violinist Pierre Rode.
The Piano Sonata No. 3 in F minor, Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large, consisting of five movements, as opposed to the traditional three or four. When he wrote this piano sonata, the genre was seen by many to be past its heyday. Brahms, enamored of Beethoven and the classical style, composed Piano Sonata No. 3 with a masterful combination of free Romantic spirit and strict classical architecture. As a further testament to Brahms' affinity for Beethoven, the Piano Sonata is infused with the instantly recognizable motive from Beethoven's Symphony No. 5 during the first, third, and fourth movements. Composed in Düsseldorf, it marks the end of his cycle of three sonatas, and was presented to Robert Schumann in November of that year; it was the last work that Brahms submitted to Schumann for commentary. Brahms was barely 20 years old at its composition. The piece is dedicated to Countess Ida von Hohenthal of Leipzig.
Anton Franz Josef Eberl was an Austrian composer, teacher and pianist of the Classical period. He was a student of Salieri and Mozart. He was also seen as an early friend and rival of Beethoven.
Felix Mendelssohn's Piano Trio No. 1 in D minor, Op. 49, was completed on 23 September 1839 and published the following year. The work is scored for a standard piano trio consisting of violin, cello and piano. It is one of Mendelssohn's most popular chamber works and is recognized as one of his greatest along with his Octet, Op. 20. During the initial composition of the work, Mendelssohn took the advice of fellow composer Ferdinand Hiller to revise the piano part. Hiller wrote, "with his usual conscientious earnestness when once he had made up his mind, he undertook the length and rewrite the whole pianoforte part."
Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings.
The Sonatas for cello and piano No. 4 in C major, Op. 102, No. 1, and No. 5 in D major, Op. 102, No. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published, by Simrock, in 1817 with a dedication to the Countess Marie von Erdődy, a close friend and confidante of Beethoven.
The Piano Quartet in E♭ major, Op. 47, was composed by Robert Schumann in 1842 for piano, violin, viola and cello. Written during a productive period in which he produced several large-scale chamber music works, it has been described as the "creative double" of his Piano Quintet, finished weeks earlier. Though dedicated to the Russian cellist Mathieu Wielhorsky, it was written with Schumann's wife Clara in mind, who would be the pianist at the premiere on 8 December 1844 in Leipzig.
The Trio for Piano, Clarinet and Cello in B-flat major, Op. 28, was composed by Ferdinand Ries in either Bonn in 1809 or Aachen in 1810 during the period he left Vienna to avoid being drafted into the Austrian army. It was published in 1811 by Simrock with a dedication to a Mademoiselle Clairette Ludwigs.
