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Piano Trio | |
---|---|
"Gassenhauer" | |
by Ludwig van Beethoven | |
Key | B-flat major |
Opus | 11 |
Composed | 1797 |
Dedication | Maria Wilhelmine von Thun |
Published | 1798 |
Duration | 18−20 minutes |
Movements | three |
Scoring |
|
The Piano Trio in B-flat major, Op. 11, was composed by Ludwig van Beethoven in 1797 and published in Vienna the next year. It is one of a series of early chamber works, many involving woodwind instruments because of their popularity and novelty at the time. The trio is scored for piano, clarinet (or violin), and cello (sometimes replaced by bassoon). The key of B-flat major was probably chosen to facilitate fast passages in the B-flat clarinet, which had not yet benefited from the development of modern key systems (such as the Albert system or Boehm system). Beethoven dedicated this piano trio to Countess Maria Wilhelmine von Thun.
The work is also sometimes known by the nickname "Gassenhauer Trio". This arose from its third movement which contains nine variations on a theme from the then popular dramma giocoso L'amor marinaro ossia Il corsaro (15 October 1797, Wiener Hoftheater) by Joseph Weigl. This particular melody, "Pria ch'io l'impegno" ("Before I go to work"), was so popular it could be heard in many of Vienna's lanes ("Gasse" in German). A "Gassenhauer" usually denotes a (normally simple) tune that many people (in the Gassen) have taken up and sing or whistle for themselves, the tune as such having become rather independent from its compositional origins. A rare word in contemporary German, rough modern equivalents of the term include "hit" (success) or "schlager". Other composers who used this melody include Joseph von Eybler, Johann Nepomuk Hummel and Niccolò Paganini.
Because of its unique scoring in Beethoven's output, there is some uncertainty as to whether to include it in the ordinal numbering of Beethoven's piano trios. Some assign it "No. 4" between the Op. 1 and Op. 70 sets while others leave the work out of the numbering.
The trio is in three movements:
Typical performances of the work last between about 18 and 21 minutes.
Sonata, in music, literally means a piece played as opposed to a cantata, a piece sung. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure.
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. However, by convention, it usually does not include solo instrument performances.
A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musicians who regularly play this repertoire together; for a number of well-known piano trios, see below.
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Jan Václav Hugo Voříšek was a Czech composer, pianist, and organist.
Vojtěch Matyáš Jírovec was a Bohemian composer. He mainly wrote instrumental works, with a great production of string quartets and symphonies; his operas and singspiele numbered more than 30, including Semiramide (1791), Der Augenarzt (1811), and Robert, oder Die Prüfung (1815).
The Kegelstatt Trio, K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart.
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Hans Gál OBE was an Austrian composer, pedagogue, musicologist, and author, who emigrated to the United Kingdom in 1938.
Anton Franz Josef Eberl {pronounced EH-BERL} was an Austrian composer, teacher and pianist of the Classical period.
Among the fairly large repertoire for the standard piano trio are the following works:
A clarinet-cello-piano trio is a clarinet trio made up of one clarinet, one cello, and one piano, or the name of a piece written for such a group.
The Alma Trio was a classical piano trio established in 1942 at the Alma Estate of Yehudi Menuhin in Los Gatos, California.
The Kalichstein–Laredo–Robinson Trio is an American piano trio consisting of violinist Jaime Laredo, cellist Sharon Robinson, and pianist Joseph Kalichstein. The trio is one of the longest-lasting chamber ensembles with all of its original members, having debuted in 1977 at the inauguration of president Jimmy Carter. In 2001 it was named by Musical America as Ensemble of the Year, and in 2011 it was awarded the Samuel Sanders Collaborative Artists Award from The Classical Recording Foundation. In the 2003-2004 season, The John F. Kennedy Center for the Performing Arts appointed Kalichstein–Laredo–Robinson Ensemble in Residence. The trio is widely regarded as perhaps the most seminal piano trio performing today, and are noted for the high quality of their interpretations of the trio repertoire.
The Variations in E-flat major piano trio, Op. 44, by Ludwig van Beethoven, is a series of fourteen variations on a theme, written for piano, violin and cello. Although this may be one of Beethoven's early works it was assigned its opus number when it was published by Hoffmeister in Leipzig, more than a decade after Beethoven began writing it.
A clarinet trio is a chamber ensemble that consists of a clarinet, a bowed string instrument and a piano, or a musical work for such an ensemble. The string instrument can be a cello, a viola, or a violin. Therefore, a clarinet trio can be referred to below:
The String Trio in E-flat major, Op. 3 is a composition by Ludwig van Beethoven, his first for string trio.
The Trio for Piano, Clarinet and Cello in B-flat major, Op. 28, was composed by Ferdinand Ries in either Bonn in 1809 or Aachen in 1810 during the period he left Vienna to avoid being drafted into the Austrian army. It was published in 1811 by Simrock with a dedication to a Mademoiselle Clairette Ludwigs.
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