Gianni di Parigi is an 1839 melodramma comico in two acts with music by Gaetano Donizetti to a libretto by Felice Romani, which had previously been set by Francesco Morlacchi in 1818 and by Giovanni Antonio Speranza in 1836.
Adelaide or l'Adelaide is an opera by Antonio Sartorio to an Italian libretto by Pietro Dolfin. It was premiered in Venice at the Teatro San Salvatore in 1672. An exact date is not known, although the libretto is dedicated February 19, 1672.
I Cavalieri di Ekebù is an opera composed by Riccardo Zandonai to an Italian libretto by Arturo Rossato. The opera is based on Gösta Berlings Saga by Nobel laureate Selma Lagerlöf. It was first performed at the Teatro alla Scala in Milan, Italy on 7 March 1925.
Los amores de la Inés is a zarzuela in one act, two scenes, composed by Manuel de Falla in collaboration with Amadeu Vives. The work uses a Spanish language libretto by Emilio Dugi and the music is organized into a prelude and five musical sections.
Demofoonte is a dramma per musica or opera in 3 acts by composer Christoph Willibald Gluck. The work uses an Italian language libretto by Pietro Metastasio. The opera premiered on 6 January 1743 at the Teatro Regio Ducal in Milan.
Lorenzo Filiasi was an Italian composer. His opera Manuel Menendez won the Sonzongo publisher's composition competition in 1904. This led to the work's premiere at the Teatro Lirico in Milan on 15 May 1904. Popularly received, the opera was mounted by opera houses throughout Italy, including the Teatro Costanzi in Rome and the Teatro di San Carlo in Naples in 1905. His opera Fior di Neve was given its premiere at La Scala on 1 April 1911 and his opera Mattutino d'Assisi premiered at the Teatro di San Carlo on 16 January 1941.
Giuseppe Antonicelli was an Italian conductor who was highly active with Italy's leading opera houses from the 1920s through the 1950s. Among the houses he conducted at were, La Scala in Milan, the Teatro Regio di Torino in Naples, La Fenice in Venice, the Teatro Donizetti in Bergamo, the Teatro Nuovo in Turin, and the Teatro Lirico Giuseppe Verdi in Trieste. He also conducted a total of 158 performances at the Metropolitan Opera in New York City in 1948-1950.
Ezio is an opera eroica or "heroic" opera in 3 acts by Gaetano Latilla. The opera uses an Italian-language libretto by Pietro Metastasio. Metastasio's libretto was partly inspired by Jean Racine's play Britannicus and had earlier been set to music by George Frideric Handel in 1732. The work's protagonist is the fifth-century AD Roman general Flavius Aetius, returned from his victory over Attila. Latilla's version premiered at the Teatro di San Carlo in Naples on 10 July 1758. The composer both directed and conducted the production and Vincenzo Re designed the sets used in the premiere. The cast included Giovanni Carestini in the title role, Caterina Gabrielli as Fulvia, Maddalena Galli as Onoria, Caterina Galli as Valentiniano III, Gregorio Babbi as Massimo, and Antonio Ambrogi as Varo.
Vincenzo Re (1695–1762) was an Italian scenic designer. Born in Parma, Re began his career in Turin. In 1737 he became the assistant designer under Pietro Righini at the newly formed Teatro di San Carlo, ultimately replacing him as head designer in 1740. He remained at that post until his death 22 years later in 1762. During his years there, he designed and built sets for well over 100 stage works, including operas, plays, and ballets. Many of his set designs required him to invent new forms of theatrical machinery. He also occasionally served as director for some of the productions.
Siroe is a dramma per musica or opera seria in 3 Acts by composer Pasquale Errichelli. The opera uses an Italian language libretto by Pietro Metastasio. The opera premiered at the Teatro di San Carlo in Naples on 26 December 1758. Vincenzo Re designed the sets for the premiere production.
Henri Cohen was a French music theorist and composer of Dutch birth. Born in Amsterdam, Cohen moved with his family to Paris at a young age. He studied in Paris with Anton Reicha, François Lays (singing), and Felice Pellegrini (singing). In 1832-34 and 1838-1839 he was active as an opera composer in Naples, with some of his works premiering under the name Carlo Coen. In 1841 his opera Antonio Foscarini premiered successfully at the Teatro Comunale di Bologna, prompting a revival the following year at the Teatro Regio di Torino. He was thereafter active as music teacher in Paris, including teaching at the Conservatoire de Paris, and was for a time director of the conservatory in Lille. He was also curator of the numismatics collection at the Bibliothèque nationale de France in Paris. He died in Bry-sur-Marne.
Pietro Antonio Coppola was an Italian composer and conductor. Born in Castrogiovanni, he was trained by his father and at the Naples Conservatory. He is chiefly known for his many operas, of which his most famous, Nina pazza per amore, premiered at the Teatro Valle in Rome in February 1835. While his works have rarely been performed after the 19th century, during his lifetime they enjoyed success in major opera houses in Italy, France, Portugal, and Spain. As a conductor he was particularly active at the Teatro Nacional de São Carlos in Lisbon. He died in Catania at the age of 82.
Andrea Bellini was an Italian operatic bass who had an active career performing in Italy's major opera houses from the 1840s through the 1870s. He specialized in the buffo repertoire and was most often heard in comprimario roles.
Antonio Poggi was an Italian operatic tenor who had an active international career from 1827–1848. He is best remembered for creating roles in the world premieres of operas by Gaetano Donizetti and Giuseppe Verdi. He was married to soprano Erminia Frezzolini from 1841–1846.
Carlo Broccardi (1886–1953) was an Italian operatic tenor who had an active international career during the first third of the 20th century. He notably sang for the first complete recordings of Giuseppe Verdi's Rigoletto and Giacomo Puccini's Tosca ; both for His Master's Voice. He also made recordings for the Fonografia Nazionale and Kalliope record labels.
Der Roland von Berlin is an opera in four acts by composer Ruggero Leoncavallo. The work uses a German-language libretto by Leoncavallo which is based on Willibald Alexis's 1840 historical novel of the same name. The opera premiered at the Berlin State Opera on 13 December 1904. Its premiere in Italy was given at the Teatro di San Carlo in Naples the following month where it was sung in Italian with the title Rolando.
Seleuco, re di Siria is an opera seria in three acts by Francesco Bianchi. The libretto was by Mattia Botturini, after Antioco by Apostolo Zeno and Pietro Pariati, a libretto first set by Francesco Gasparini in 1705.
Giovanni Guicciardi was an Italian opera singer who sang leading baritone roles in the opera houses of Italy and Portugal. He is most remembered today for having created the role of Count di Luna in Verdi's Il trovatore, although he created several other leading roles in operas by lesser known Italian composers. He accumulated a considerable fortune during the course of his career. After his retirement from the stage, he taught without payment in music schools in his native city, Reggio Emilia, and presided over a charity for orphaned musicians. He died in San Polo d'Enza at the age of 64.
Antonio Sapienza was an Italian composer and conductor. He was born in St. Petersburg, Russia where he began his musical studies with his father who was also called Antonio.
Maria Carbone was an Italian operatic soprano. She created the lead female roles in two of Gian Francesco Malipiero's operas: the title role in Ecuba and Cleopatra in Antonio e Cleopatra.
