Pillars of Society is a 1920 British silent drama film directed by Rex Wilson and starring Ellen Terry, Norman McKinnel and Mary Rorke. [1] It was based on the 1877 play The Pillars of Society by Henrik Ibsen. Location shooting was done in Norway.
In Norway a shipping magnate frames his absent brother-in-law for theft and betrayal of his mistress.
Dame Alice Ellen Terry,, was a leading English actress of the late 19th and early 20th centuries.
Parrish is a 1961 American drama film made by Warner Bros. It was written, produced and directed by Delmer Daves, based on Mildred Savage's 1958 novel of the same name. The music score was by Max Steiner, the Technicolor cinematography by Harry Stradling Sr., the art direction by Leo K. Kuter and the costume design by Howard Shoup. The film stars Troy Donahue, Claudette Colbert, Karl Malden, Dean Jagger, Connie Stevens, Diane McBain, Sharon Hugueny, Sylvia Miles, Madeleine Sherwood and Hayden Rorke.
The Sleeping Cardinal, also known as Sherlock Holmes' Fatal Hour in the United States, is a 1931 British mystery film directed by Leslie S. Hiscott and starring Arthur Wontner and Ian Fleming. The film is an adaptation of the Sherlock Holmes stories by Arthur Conan Doyle, although it is not based on any one particular story it draws inspiration from "The Empty House" and "The Final Problem".
The Frightened Lady is a 1932 British thriller film directed by T. Hayes Hunter and starring Emlyn Williams, Cathleen Nesbitt, Norman McKinnel and Belle Chrystall. It was adapted by Bryan Edgar Wallace from his father Edgar Wallace's 1931 play The Case of the Frightened Lady, which was adapted again later for a 1940 film.
Franz Hessel was a German writer and translator. With Walter Benjamin, he produced a German translation of three volumes of Marcel Proust's 1913-1927 work À la recherche du temps perdu in the late 1920s.
Norman McKinnel was a Scottish stage and film actor and playwright, active from the 1890s until his death. He appeared in many stage roles in the UK and overseas as well as featuring in a number of films, the best known of which is Alfred Hitchcock's 1927 production Downhill. His surname was sometimes mistranscribed as McKinnell.
The Outsider is a 1931 British drama film directed by Harry Lachman and starring Joan Barry, Harold Huth and Norman McKinnel. The screenplay concerns an unorthodox osteopath who cures one of his patients, the daughter of a fellow Doctor. It was made at Elstree Studios and based on the 1923 play of the same title by Dorothy Brandon, previously made into an American silent film in 1926. The film's sets were designed by Wilfred Arnold.
The Hundred Pound Window is a 1944 British crime film directed by Brian Desmond Hurst and starring Anne Crawford, David Farrar, Frederick Leister and Richard Attenborough. The film follows an accountant who has to take a second job working at a racetrack, where he soon becomes mixed up with a shady crowd.
Hindle Wakes is a 1931 British film drama, directed by Victor Saville for Gainsborough Pictures and starring Belle Chrystall and John Stuart. The film is adapted from Stanley Houghton's 1912 stage play of the same name, which had previously been filmed twice as a silent in 1918 and 1927. Saville had been the producer on the highly regarded 1927 version directed by Maurice Elvey. Both Stuart and Norman McKinnel returned in 1931 to reprise their roles from the 1927 film.
Hindle Wakes is a 1918 British silent film drama, directed by Maurice Elvey and starring Colette O'Niel and Hayford Hobbs. It is the first of four screen versions of the celebrated and controversial 1912 play by Stanley Houghton. It which was a sensation in its time for its daring assertions that a woman could enjoy a sexual fling just as much as a man, without feeling any guilt or obligation to explain herself, and that she was perfectly capable of making her own life decisions without interference from family or the need to bow to social pressures.
The Fake is a 1927 British silent drama film directed by Georg Jacoby and starring Henry Edwards, Elga Brink and Juliette Compton. It is based on a 1924 play of the same title by Frederick Lonsdale. It was made at Twickenham Studios in London.
Mary Rorke was a British stage and film actress.
Mary Girl is a 1917 British silent drama film directed by Maurice Elvey and starring Norman McKinnel, Jessie Winter and Margaret Bannerman.
Dombey and Son is a 1917 British silent drama film directed by Maurice Elvey and starring Norman McKinnel, Lilian Braithwaite and Hayford Hobbs. It is an adaptation of the 1848 novel Dombey and Son by Charles Dickens. It is unknown if any copy of the film exists.
Her Greatest Performance is a 1916 British silent crime film directed by Fred Paul and starring Edith Craig, Ellen Terry and Dennis Neilson-Terry.
The Shulamite is an Edwardian drama, or melodrama, based on a novel of the same name. It played in London and New York in 1906 with Lena Ashwell in the lead role. It tells of a South African farmer's wife trapped in an unhappy marriage who falls in love with a visiting Englishman. In a dramatic scene the husband is killed. The death is made to seem an accident, but the lovers must part. Later the play was changed to give it a happy ending. The Shulamite was well received in London, but had limited success in the USA. It was made into a silent film The Shulamite in 1915, later renamed as The Folly of Desire, and in 1921 was made into the silent film Under the Lash with Gloria Swanson.
Everybody's Business is a 1917 British silent drama film directed by Ralph Dewsbury and starring Norman McKinnel, Gerald du Maurier and Matheson Lang.
A Gamble in Lives is a 1920 British silent drama film directed by George Ridgwell and starring Malvina Longfellow, Norman McKinnel and Alec Fraser. It is based on the play The Joan Danvers by Frank Stayton.
The Shulamite, also known as The Folly of Desire, a 1915 British silent drama film directed by George Loane Tucker and starring Norman McKinnel, Manora Thew and Gerald Ames. It is based on the 1906 play of the same name by Edward Knoblock. Prints and/or fragments were found in the Dawson Film Find in 1978.
Sea Fever is a 1931 British play by Auriol Lee and John Van Druten. It is based on the 1929 play Marius by Marcel Pagnol about a Marius, a young man in Marseilles whose desire to go to sea overcomes his developing romance with a local girl.
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