Pilotis, or piers, are supports such as columns, pillars, or stilts that lift a building above ground or water. They are traditionally found in stilt and pole dwellings such as fishermen's huts in Asia and Scandinavia [1] using wood, and in elevated houses such as Old Queenslanders in Australia's tropical Northern state, where they are called "stumps". Pilotis are a fixture of modern architecture, and were recommended by the modern architect Le Corbusier in his manifesto, the Five Points of Architecture.
In modern architecture, pilotis are ground-level supporting columns. A prime example is Le Corbusier's Villa Savoye in Poissy, France. Another is Patrick Gwynne's The Homewood in Surrey, England.
Beyond their support function, the pilotis (or piers) raise the architectural volume, lighten it and free a space for circulation under the construction. [2] They refine a building's connectivity with the land by allowing for parking, garden or driveway below while allowing a sense of floating and lightness in the architecture itself. In hurricane-prone areas, pilotis may be used to raise the inhabited space of a building above typical storm surge levels.
Le Corbusier used them in a variety of forms from slender posts to the massive Brutalist look of the Marseilles Housing Unit (1945–1952) with a range of bases, inclusions and surfaces. This was part of Le Corbusier's idea of machine-like efficiency where land, people and buildings would work together optimally.
Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner and writer, who was one of the pioneers of what is now regarded as modern architecture. He was born in Switzerland and acquired French nationality by naturalization on 19 September 1930. His career spanned five decades, in which he designed buildings in Europe, Japan, India, as well as North and South America. He considered that "the roots of modern architecture are to be found in Viollet-le-Duc".
Villa Savoye is a modernist villa and gatelodge in Poissy, on the outskirts of Paris, France. It was designed by the Swiss-French architect Le Corbusier and his cousin Pierre Jeanneret, and built between 1928 and 1931 using reinforced concrete.
Oscar Ribeiro de Almeida Niemeyer Soares Filho, known as Oscar Niemeyer, was a Brazilian architect considered to be one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasília, a planned city that became Brazil's capital in 1960, as well as his collaboration with other architects on the headquarters of the United Nations in New York. His exploration of the aesthetic possibilities of reinforced concrete was highly influential in the late 20th and early 21st centuries.
Notre-Dame du Haut is a Roman Catholic chapel in Ronchamp, France. Built in 1955, it is one of the finest examples of the architecture of Franco-Swiss architect Le Corbusier. The chapel is a working religious building and is under the guardianship of the private foundation Association de l’Œuvre de Notre-Dame du Haut. It attracts 80,000 visitors each year. In 2016, it was inscribed on the UNESCO World Heritage List in along with sixteen other works by Le Corbusier, because of its importance to the development of modernist architecture.
Sainte Marie de La Tourette is a Dominican Order priory, located on a hillside near Lyon, France, designed by the architect Le Corbusier, the architect’s final building. The design of the building began in May 1953 and completed in 1961. The committee that decided the creation of the building considered that the primary duty of the monastery should be the spiritual awakening of the people and in particular the inhabitants of nearby areas. As a result, the monastery was constructed in Eveux-sur-Arbresle, which is just 25 km from Lyon and is accessible by train or car.
The Tsentrosoyuz Building or Centrosoyuz Building is a government structure in Moscow, Russia, constructed in 1933 by Le Corbusier and Nikolai Kolli. Centrosoyuz refers to a Soviet bureaucracy, the Central Union of Consumer Cooperatives. The building included office space for 3,500 personnel, as well as a restaurant, lecture halls, a theater, and other facilities. The address of the building is 39 Myasnitskaya Street, and the eastern side of the building faces Myasnitskaya Street. The western side, which was supposed to be the main entrance, faces Academician Sakharov Avenue. Currently it is the home of Rosstat, Russian Federal State Statistics Service and Federal Financial Monitoring Service.
Paffard Keatinge-Clay was a British-born architect in the modernist tradition who spent most of his professional life in the United States, before moving to southern Spain, where he increasingly focused on sculpture.
Sanskar Kendra is a museum at Ahmedabad, India, designed by the architect Le Corbusier. It is a city museum depicting history, art, culture and architecture of Ahmedabad. Another Patang Kite Museum is there which includes a collection of kites, photographs, and other artifacts. The campus is located at the west end of Sardar Bridge near Paldi.
The National Museum of Western Art is the premier public art gallery in Japan specializing in art from the Western tradition.
Kunio Maekawa was a Japanese architect and a key figure in Japanese postwar modernism. After early stints in the studios of Le Corbusier and Antonin Raymond, Maekawa began to articulate his own architectural language after establishing his own firm in 1935, maintaining a continuous tension between Japanese traditional design and European modernism throughout his career. Firmly insistent that both civic and vernacular architecture should be rendered through a modernist lens appropriate to the contemporary lifestyle of the Japanese people, Maekawa's early work and competition entries consistently pushed back against the dominant Imperial Crown Style. His postwar prefab housing projects borrowed from manufacturing strategies in the automotive industry to create houses that privileged light, ventilation, and openness against the feudal hierarchical principles perpetuated by the interior divisions found in traditional Japanese homes.
In architecture, a free plan is an open plan with non-load-bearing walls dividing interior space. In this structural system, the building structure is separate of the interior partitions. This is made possible by replacing interior load-bearing walls with moving the structure of the building to the exterior, or by having columns that are free from space dividing partitions.
Junzo Sakakura was a Japanese architect and former president of the Architectural Association of Japan.
Villa Shodhan is a modernist villa located in Ahmedabad, India. Designed by the Swiss architect Le Corbusier, it was built between 1951 and 1956. Building on his previous projects whilst integrating the traditional features of Ahmedabad design, the villa symbolizes Le Corbusier's domestic architecture. The building is currently used as a private residence.
Stilts are poles, posts or pillars used to allow a structure or building to stand at a distance above the ground or water. In flood plains, and on beaches or unstable ground, buildings are often constructed on stilts to protect them from damage by water, waves or shifting soil or sand. As these issues were commonly faced by many societies around the world, stilts have become synonymous with various places and cultures, particularly in South East Asia and Venice.
Ze'ev Rechter (1899–1960) was a pioneering architect of Mandate Palestine and Israel, who designed many of Israel's iconic buildings. He is considered one of the three founding fathers of Israeli architecture, along with Dov Karmi and Arieh Sharon. Among his works, Rechter designed Binyanei HaUma, the Tel Aviv courthouse and the Mann Auditorium. He introduced the use of stilt columns known as piloti in residential housing in Israel.
The Cité Frugès de Pessac(the Frugès Estate of Pessac), or Les Quartiers Modernes Frugès, is a housing development located in Pessac, a suburb of Bordeaux, France. It was commissioned by the industrialist Henri Frugès in 1924 as worker housing and designed by architects Le Corbusier and Pierre Jeanneret, who were responsible for the development's masterplan and individual buildings. It was intended as a testing ground for the ideas Le Corbusier had expressed in his 1922 manifesto Vers une Architecture and was his first attempt designing low-cost, mass-produced collective housing in his trademark aesthetic. Drawings of some of the buildings were subsequently included in the second edition of the text.
Le Corbusier's Five Points of Architecture is an architecture manifesto conceived by architect, Le Corbusier. It outlines five key principles of design that he considered to be the foundations of the modern architectural discipline, which would be expressed through much of his designs.
The Standard, High Line, formerly The Standard, is an 18-story luxury boutique hotel located at 848 Washington Street between West 13th and Little West 12th Streets in the Meatpacking District of Manhattan, New York City. It stands 57 feet (17 m) above street level, above the High Line, a former elevated railroad track reconstructed into a linear park. The hotel, which has 338 guest rooms, was designed by the architects Ennead Architects and was completed in 2009. Architype Review, an online architecture publication, heralded the hotel as being "straightforward, [and] thoughtfully conceived, [something] that is all too rare in the City today."
The Regents Hill residential complex, also known as Regents Hall, is a residence hall located on the main campus of Washington State University in Pullman, Washington. Designed by Paul Thiry and completed in 1952, it was the first International Style building on the Washington State University campus. It is one of the many dormitories on the Washington State University campus available to undergraduates. Variously called "Regents Hall" and the "Regents Hill Halls," the complex, consists of two, four-story linked residential wings, McGregor Hall and Barnard Hall, and Stearns Hall—a free-standing dining hall and common space. Together with Scott Coman Hall just to its northwest, the complex ushered in a new era of campus design featuring large, technologically sophisticated, light-filled concrete buildings for research, teaching, and residential life.
The Hotel Rosita De Hornedo, located in the Puntilla area of Miramar, was one of the first major buildings to be built by a private developer in the 1950s in Havana.