Sir John Everett Millais, 1st Baronet was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–52.
The Pre-Raphaelite Brotherhood was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse.
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women.
Sudley House is a historic house in Aigburth, Liverpool, England. Built in 1824 and much modified in the 1880s, it is now a museum and art gallery which contains the collection of George Holt, a shipping-line owner and former resident, in its original setting. It includes work by Thomas Gainsborough, Joshua Reynolds, Edwin Landseer, John Everett Millais and J. M. W. Turner.
Ophelia is an 1851–52 painting by British artist Sir John Everett Millais in the collection of Tate Britain, London. It depicts Ophelia, a character from William Shakespeare's play Hamlet, singing before she drowns in a river.
Frank Cadogan Cowper was an English painter and illustrator of portraits, historical and literary scenes, also described as "The Last Pre-Raphaelite".
Arthur Hughes was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood.
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens. It catapulted the previously obscure Pre-Raphaelite Brotherhood to notoriety and was a major contributor to the debate about Realism in the arts. It is now in Tate Britain in London.
John Roddam Spencer Stanhope was an English artist associated with Edward Burne-Jones and George Frederic Watts and often regarded as a second-wave pre-Raphaelite. His work is also studied within the context of Aestheticism and British Symbolism. As a painter, Stanhope worked in oil, watercolor, fresco, tempera, and mixed media. His subject matter was mythological, allegorical, biblical, and contemporary. Stanhope was born in Cawthorne, near Barnsley, Yorkshire, England, and died in Florence, Italy. He was the uncle and teacher of the painter Evelyn De Morgan and encouraged then unknown local artist Abel Hold to exhibit at the Royal Academy, which he did 16 times.
A Dream of the Past: Sir Isumbras at the Ford (1857) is a painting by John Everett Millais depicting a medieval knight helping two young peasant children over a swollen river. The children are carrying heavy burdens of wood for winter fuel. Though the title refers to the medieval poem Sir Isumbras, the painting does not illustrate a scene from the original text. However Millais's friend, the writer Tom Taylor, wrote verse in a pastiche of the original poem, describing the event depicted. This was included in the original exhibition catalogue.
Isabella (1848–1849) is a painting by John Everett Millais, which was his first exhibited work in the Pre-Raphaelite style, completed shortly after the formation of the Pre-Raphaelite Brotherhood in 1848. It was first exhibited at the Royal Academy in 1849, and is now in the collection of the Walker Art Gallery in Liverpool.
George Price Boyce was a British watercolour painter of landscapes and vernacular architecture in the Pre-Raphaelite style. He was a patron and friend of Dante Gabriel Rossetti.
A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the Royal Academy of Arts in London in 1852, with a long quote reading: "When the clock of the Palais de Justice shall sound upon the great bell, at daybreak, then each good Catholic must bind a strip of white linen round his arm, and place a fair white cross in his cap.—The order of the Duke of Guise." This long title is usually abbreviated to A Huguenot or A Huguenot, on St Bartholomew's Day.
Mariana is an 1851 oil-on-panel painting by John Everett Millais. The image depicts the solitary Mariana from William Shakespeare's Measure for Measure, as retold in Tennyson's 1830 poem "Mariana". The painting is regarded as an example of Millais's "precision, attention to detail, and stellar ability as a colorist". It has been held by Tate Britain since 1999.
Ferdinand Lured by Ariel is an 1850 painting by John Everett Millais which depicts an episode from Act I, Scene II of Shakespeare's c. 1611 play The Tempest. It illustrates Ferdinand's lines "Where should this music be? i' the air or the earth?". He is listening to Ariel singing the lyric "Full fathom five thy father lies". Ariel is tipping Ferdinand's hat from his head, while Ferdinand holds on to its string and strains to hear the song. Ferdinand looks straight at Ariel, but the latter is invisible to him.
Desperate Romantics is a six-part television drama serial about the Pre-Raphaelite Brotherhood, first broadcast on BBC Two between 21 July and 25 August 2009.
The Return of the Dove to the Ark is a painting by Sir John Everett Millais, completed in 1851. It is in the Thomas Combe collection at the Ashmolean Museum, Oxford.
John Ruskin is a portrait of the leading Victorian art critic John Ruskin (1819–1900). It was painted by the Pre-Raphaelite artist John Everett Millais (1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts.
Joanna Mary Boyce was a British painter associated with the Pre-Raphaelite Brotherhood. She is also known by her married name as Mrs. H.T. Wells, or as Joanna Mary Wells. She produced multiple works with historical themes, as well as portraits and sketches, and authored art criticism responding to her contemporaries. She was the sister of Pre-Raphaelite watercolourist George Price Boyce.
