Plop art (or plonk art) is a pejorative slang term for public art (usually large, abstract, modernist or contemporary sculpture) made for government or corporate plazas, spaces in front of office buildings, skyscraper atriums, parks, and other public venues.
The term is a form of wordplay from the term pop art and connotes that the work is unattractive or inappropriate to its surroundings – that it has been thoughtlessly "plopped" where it lies. The term "plop" suggests the sound of something falling heavily and suddenly. It also holds connotations to excrement. [1] [2] [3]
Some defenders of public art funding have tried to reappropriate the term. The book Plop: Recent Projects of the Public Art Fund celebrates the success of the Public Art Fund in financing many publicly placed works of art over the last few decades, many of which are now beloved, though they may at first have been derided positively as "ploppings". [4]
The term was coined by architect James Wines in a 1970 essay, Public Art–Private Art, published in Art in America. [5] [6] The term has been taken up by others, including British sculptor Rachel Whiteread and art historian Miwon Kwon. [7] [8]
"Right now architecture and sculpture are calling to each other, and calling for responses that's intelligent, not for more ghastly lumps of sculpture ... which have no sense of scale and are just plonked down in public places." — Anthony Caro (1924–2013), English sculptor. [9]
Dame Rachel Whiteread is an English artist who primarily produces sculptures, which typically take the form of casts. She was the first woman to win the annual Turner Prize in 1993.
Events from the year 1998 in art.
Public art is art in any media whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance.
Richard Lippold was an American sculptor, known for his geometric constructions using wire as a medium.
Events from the year 2000 in art.
James Wines is an American artist and architect associated with environmental design. Wines is founder and president of SITE, a New York City-based architecture and environmental arts organization chartered in 1970. This multi-disciplinary practice focuses on the design of buildings, public spaces, environmental art works, landscape designs, master plans, interiors and product design. The main focus of his design work is on green issues and the integration of buildings with their surrounding contexts.
Events from the year 1993 in art.
Events from the year 1963 in art.
Frederick Elliott Hart was an American sculptor. The creator of hundreds of public monuments, private commissions, portraits, and other works of art, Hart is most famous for Ex Nihilo, a part of his Creation Sculptures at Washington National Cathedral, and The Three Servicemen, at the Vietnam Veterans Memorial in Washington, D.C.
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
Public Art Fund is an independent, non-profit arts organization founded in 1977 by Doris C. Freedman. The organization presents contemporary art in New York City's public spaces through a series of highly visible artists' projects, new commissions, installations, and exhibitions that are emblematic of the organization's mission and innovative history.
Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area.
The Electric Fountain is a water fountain with public art sculptures and evening lighting, surrounded by mosaic pavement, seating, and landscaping. It is located in Beverly Gardens Park on the corner of Santa Monica and Wilshire Boulevards in Beverly Hills, California.
The Cass Sculpture Foundation was a charitable commissioning body based in Goodwood, Sussex, England. The Foundation's 26-acre grounds were home to an ever-changing display of 80 monumental sculptures, all of which were available for sale with the proceeds going directly to artists. The Foundation was a self-sufficient body reliant on sales of commissioned sculptures and visitor entrance fees.
Susan K. Freedman is a leading supporter of contemporary public art in New York City. Since 1986, she has been the President of the Public Art Fund, which was founded by her mother Doris Chanin Freedman in 1977.
Modern sculpture is generally considered to have begun with the work of Auguste Rodin, who is seen as the progenitor of modern sculpture. While Rodin did not set out to rebel against the past, he created a new way of building his works. He "dissolved the hard outline of contemporary Neo-Greek academicism, and thereby created a vital synthesis of opacity and transparency, volume and void". Along with a few other artists in the late 19th century who experimented with new artistic visions in sculpture like Edgar Degas and Paul Gauguin, Rodin invented a radical new approach in the creation of sculpture. Modern sculpture, along with all modern art, "arose as part of Western society's attempt to come to terms with the urban, industrial and secular society that emerged during the nineteenth century".
House was a temporary public sculpture by British artist Rachel Whiteread, on Grove Road, Mile End, in the London Borough of Tower Hamlets. It was completed on 25 October 1993 and demolished eleven weeks later on 11 January 1994. The work won Whiteread the Turner Prize for best young British artist and the K Foundation art award for the worst British artist in November 1993.
The British pavilion houses Great Britain's national representation during the Venice Biennale arts festivals.
Skulpturstopp is a Norwegian public sculpture project initiated and operated by Sparebankstiftelsen DNB. The project operates by inviting artists to choose a location in Eastern Norway and then create a sculpture for the chosen site. Funding for the works is provided by Sparebankstiftelsen DnB.